Bulletin
Bulletin

Author: Cincinnati (Ohio), Public Library

Publisher:

Published: 1882

Total Pages: 240

ISBN-13:

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The Hamburg Dramaturgy by G.E. Lessing
The Hamburg Dramaturgy by G.E. Lessing

Author: Natalya Baldyga

Publisher: Routledge

Published: 2018-10-26

Total Pages: 526

ISBN-13: 1135099278

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While eighteenth-century playwright and critic Gotthold Ephraim Lessing made numerous contributions in his lifetime to the theater, the text that best documents his dynamic and shifting views on dramatic theory is also that which continues to resonate with later generations – the Hamburg Dramaturgy (Hamburgische Dramaturgie, 1767–69). This collection of 104 short essays represents one of the eighteenth century’s most important critical engagements with the theater and its potential to promote humanistic discourse. Lessing’s essays are an immensely erudite, deeply engaged, witty, ironic, and occasionally scathing investigation of European theatrical culture, bolstered by deep analysis of Aristotelian dramatic theory and utopian visions of theater as a vehicle for human connection. This is the first complete English translation of Lessing's text, with extensive annotations that place the work in its historical context. For the first time, English-language readers can trace primary source references and link Lessing’s observations on drama, theory, and performance not only to the plays he discusses, but also to dramatic criticism and acting theory. This volume also includes three introductory essays that situate Lessing’s work both within his historical time period and in terms of his influence on Enlightenment and post-Enlightenment theater and criticism. The newly translated Hamburg Dramaturgy will speak to dramaturgs, directors, and humanities scholars who see theater not only for entertainment, but also for philosophical and political debate.

The Lessing Yearbook
The Lessing Yearbook

Author: Richard E. Schade

Publisher: Wayne State University Press

Published: 1998

Total Pages: 306

ISBN-13: 9780814328149

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The Lessing Yearbook, the official publication of the Lessing Society, is a valuable source of information on German culture, literature, and thought of the eighteenth century. Articles are in German or English.

Reading Faithfully, Volume 2
Reading Faithfully, Volume 2

Author: Hans W. Frei

Publisher: Wipf and Stock Publishers

Published: 2016-04-05

Total Pages: 227

ISBN-13: 149827868X

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The influence of Hans Frei (1922-1988) is wide and deep in contemporary theology, even though he published little in his own lifetime. These two volumes collect a wide range of his letters, lectures, book reviews, and other items, many of them not previously available in print. Together, they display the range and richness of Frei's thinking, and provide new insights into the nature and implications of his work. They are an invaluable resource for all those interested in Frei's work, and for any interested in his central themes: the development of modern biblical hermeneutics, the interpretation of biblical narrative, and the figural interpretation of all reality in relation to the narrated identity of Jesus Christ.

Faust Adaptations from Marlowe to Aboudoma and Markland
Faust Adaptations from Marlowe to Aboudoma and Markland

Author: Lorna Fitzsimmons

Publisher: Purdue University Press

Published: 2016-10-15

Total Pages: 198

ISBN-13: 1612494730

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Faust Adaptations, edited and introduced by Lorna Fitzsimmons, takes a comparative cultural studies approach to the ubiquitous legend of Faust and his infernal dealings. Including readings of English, German, Dutch, and Egyptian adaptations ranging from the early modern period to the contemporary moment, this collection emphasizes the interdisciplinary and transcultural tenets of comparative cultural studies. Authors variously analyze the Faustian theme in contexts such as subjectivity, genre, politics, and identity. Chapters focus on the work of Christopher Marlowe, Johann Wolfgang von Goethe, Adelbert von Chamisso, Lord Byron, Heinrich Heine, Thomas Mann, D. J. Enright, Konrad Boehmer, Mahmoud Aboudoma, Bridge Markland, Andreas Gössling, and Uschi Flacke. Contributors include Frederick Burwick, Christa Knellwolf King, Ehrhard Bahr, Konrad Boehmer, and David G. John. Faust Adaptations demonstrates the enduring meaningfulness of the Faust concept across borders, genres, languages, nations, cultures, and eras. This collection presents innovative approaches to understanding the mediated, translated, and adapted figure of Faust through both culturally specific inquiry and timeless questions.

Pretexts for Writing
Pretexts for Writing

Author: Seán M. Williams

Publisher: Rutgers University Press

Published: 2019-03-01

Total Pages: 279

ISBN-13: 168448054X

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Around 1800, print culture became a particularly rich source for metaphors about thinking as well as writing, nowhere more so than in the German tradition of Dichter und Denker. Goethe, Jean Paul, and Hegel (among many others) used the preface in order to reflect on the problems of writing itself, and its interpretation. If Sterne teaches us that a material book enables mind games as much as it gives expression to them, the Germans made these games more theoretical still. Weaving in authors from Antiquity to Agamben, Williams shows how European–and, above all, German–Romanticism was a watershed in the history of the preface. The playful, paradoxical strategies that Romantic writers invented are later played out in continental philosophy, and in post-Structuralist literature. The preface is a prompt for playful thinking with texts, as much as it is conventionally the prosaic product of such an exercise. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.

A Companion to the Works of Gotthold Ephraim Lessing
A Companion to the Works of Gotthold Ephraim Lessing

Author: Barbara Fischer

Publisher: Camden House

Published: 2005

Total Pages: 438

ISBN-13: 9781571132437

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One of the most independent thinkers in German intellectual history, the Enlightenment author Gotthold Ephraim Lessing (1729-1781) contributed in decisive and lasting fashion to literature, philosophy, theology, criticism, and drama theory. Lessing invented the brgerliches Trauerspiel (bourgeois tragedy) and wrote one of the first successful German tragedies as well as one of the finest German comedies. In his final dramatic masterpiece, Nathan der Weise, he writes of Christianity, Judaism, and Islam, of religious tolerance and intolerance and the clash of civilizations. Lessing's dramas are the oldest German theater pieces still regularly performed (both in Germany and internationally), and both his plays and his drama theory have influenced such writers as Goethe, Schiller, Hebbel, Hauptmann, Ibsen, Strindberg, Schnitzler, and Brecht. Addressing an audience ranging from graduate students to seasoned scholars, this volume introduces Lessing's life and times and places him within the broader context of the European Enlightenment. It discusses his pathbreaking dramas, his equally revolutionary theoretical, critical, and aesthetic writings, his original fables, his innovative work in philosophy and theology, and his significant contributions to Jewish emancipation. The volume concludes by examining 20th-century reception of Lessing and his oeuvre. Contributors: Barbara Fischer, Thomas C. Fox, Steven D. Martinson, Klaus L. Berghahn, John Pizer, Beate Allert, H. B. Nisbet, Arno Schilson, Willi Goetschel, Peter Hyng, Karin A. Wurst, Ann Schmiesing, Reinhart Meyer, Hans-Joachim Kertscher, Hinrich C. Seeba, Dieter Fratzke, Helmut Berthold, Herbert Rowland. Barbara Fischer is associateprofessor of German and Thomas C. Fox is professor of German, both at the University of Alabama.