Congressional Record

Congressional Record

Author: United States. Congress

Publisher:

Published: 1919

Total Pages: 1626

ISBN-13:

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The Congressional Record is the official record of the proceedings and debates of the United States Congress. It is published daily when Congress is in session. The Congressional Record began publication in 1873. Debates for sessions prior to 1873 are recorded in The Debates and Proceedings in the Congress of the United States (1789-1824), the Register of Debates in Congress (1824-1837), and the Congressional Globe (1833-1873)


Journal of the House of Representatives of the United States

Journal of the House of Representatives of the United States

Author: United States. Congress. House

Publisher:

Published: 1919

Total Pages: 460

ISBN-13:

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Some vols. include supplemental journals of "such proceedings of the sessions, as, during the time they were depending, were ordered to be kept secret, and respecting which the injunction of secrecy was afterwards taken off by the order of the House."


The Legislative Journal

The Legislative Journal

Author: Pennsylvania. General Assembly

Publisher:

Published: 1913

Total Pages: 1552

ISBN-13:

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Includes extraordinary and special sesions as well as appendices consisting of reports of various State officials or agencies.


Dauphin County Reports

Dauphin County Reports

Author:

Publisher:

Published: 1898

Total Pages: 452

ISBN-13:

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Beginning with 1917, the Opinions, rules and regulations of the Public Service Commission and the Workmens Compensation Board, previously included in the Dauphin County reports, are issued separately.


Contemporary American Composers

Contemporary American Composers

Author: Rupert Hughes

Publisher:

Published: 2021-08-29

Total Pages: 222

ISBN-13:

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Book Excerpt: The youthfulness of our school of music can be emphasized further by a simple statement that, with the exception of a few names like Lowell Mason, Louis Moreau Gottschalk, Stephen A. Emery (a graceful writer as well as a theorist), and George F. Bristow, practically every American composer of even the faintest importance is now living. The influences that finally made American music are chiefly German. Almost all of our composers have studied in Germany, or from teachers trained there; very few of them turning aside to Paris, and almost none to Italy. The prominent teachers, too, that have come from abroad have been trained in the German school, whatever their nationality. The growth of a national school has been necessarily slow, therefore, for its necessary and complete submission to German influences. It has been further delayed by the meagre native encouragement to effort of the better sort. The populace has been largely indifferent,--the inertia of all large bodies would explain Read More