A passionate study of an Afrikaner dissident who was one of the founding fathers of the liberation struggle in South Africa and whose power to provoke an intense response is as apparent today as in the past.
Although widely known as the Afrikaner communist who saved Nelson Mandela from the gallows, very little is known about Bram Fischer the man. Fischer was a respected Senior Advocate at the Johannesburg Bar who chose to side with the oppressed and went underground to join the armed struggle. He was arrested on 5 November 1965 after almost ten months on the run. ‘I owed it to the political prisoners, to the banished, to the silenced and to those under house arrest not to remain a spectator, but to act.’ These words spoken by Bram Fischer in his statement from the dock during his treason trial were followed by a life sentence. Scion of a proudly Afrikaner family that included a prime minister and a judge president of the Orange Free State, he would seem to be an unlikely hero of the liberation movement. Uncompromising in his political beliefs and driven by an unshakeable integrity and a commitment to the dream of a non-racial democracy, Fischer was also humorous, fun-loving and a family man, devoted to his wife and children. The many facets of this remarkable man are reflected in The Bram Fischer Waltz, Harry Kalmer’s lyrical tribute. A brief and intense work, with the protagonist as narrator, this one person play takes the audience through a roller coaster of emotions as it tells Fischer’s story. The play won The Standard Bank Silver Ovation Award when it premiered in English at 2013 the National Arts Festival in Grahamstown and was awarded the Adelaide Tambo Award for Human Rights in the Arts in 2014. The text is supplemented by a foreword by George Bizos and an introduction by the playwright, reflecting on the path that led him to write the play, and an afterword by Yvonne Malan, entitled ‘The Power of Moral Courage’.
Naomi Mitchison's account of the life and work of the Afrikaner lawyer and political activist Bram Fischer (1908-1975) was first published in 1973, two years before his death. She writes from the perspective of her own experience - gained during regular visits and a commitment to Southern Africa, particularly Botswana, from the 1960s onwards - to present the key elements and actors in the story of the country and the peoples of South Africa. Above all, of Bram Fischer, who gave up a life of privilege to oppose, professionally and underground, the Government's 'monstrous policy' of apartheid.
Fifty years before his death in 2013, Nelson Mandela stood before Justice de Wet in Pretoria's Palace of Justice and delivered one of the most spectacular and liberating statements ever made from a dock. In what came to be regarded as "the trial that changed South Africa", Mandela summed up the spirit of the liberation struggle and the moral basis for the post-Apartheid society. In this blistering critique of Apartheid and its perversion of justice, Mandela transforms the law into a sword and shield. He invokes it while undermining it, uses it while subverting it, and claims it while defeating it. Wise and strategic, Mandela skilfully reimagines the courtroom as a site of visibility and hearing, opening up a political space within the legal. This volume returns to the Rivonia courtroom to engage with Mandela's masterful performance of resistance and the dramatic core of that transformative event. Cutting across a wide-range of critical theories and discourses, contributors reflect on the personal, spatial, temporal, performative, and literary dimensions of that constitutive event. By redefining the spaces, institutions and discourses of law, contributors present a fresh perspective that re-sets the margins of what can be thought and said in the courtroom.
“Look towards the future not as a disaster but as a challenge, not as a problem, but as an opportunity ... we have a common future: live, work, build together.” – Beyers Naudé A Future Beyond Apartheid
In this work, Nadine Gordimer unfolds the story of a young woman's slowly evolving identity in the turbulent political environment of present-day South Africa. Her father's death in prison leaves Rosa Burger alone to explore the intricacies of what it actually means to be Burger's daughter.
From the Pharaohs to Fanon, Dictionary of African Biography provides a comprehensive overview of the lives of the men and women who shaped Africa's history. Unprecedented in scale, DAB covers the whole continent from Tunisia to South Africa, from Sierra Leone to Somalia. It also encompasses the full scope of history from Queen Hatsheput of Egypt (1490-1468 BC) and Hannibal, the military commander and strategist of Carthage (243-183 BC), to Kwame Nkrumah of Ghana (1909-1972), Miriam Makeba and Nelson Mandela of South Africa (1918 -).
Ruth First and Joe Slovo, husband and wife, were leaders of the war to end apartheid in South Africa. Communists, scholars, parents, and uncompromising militants, they were the perfect enemies for the white police state. Together they were swept up in the growing resistance to apartheid, and together they experienced repression and exile. Their contributions to the liberation struggle, as individuals and as a couple, are undeniable. Ruth agitated tirelessly for the overthrow of apartheid, first in South Africa and then from abroad, and Joe directed much of the armed struggle carried out by the famous Umkhonto we Sizwe. Only one of them, however, would survive to see the fall of the old regime and the founding of a new, democratic South Africa. This book, the first extended biography of Ruth First and Joe Slovo, is a remarkable account of one couple and the revolutionary moment in which they lived. Alan Wieder’s deeply researched work draws on the usual primary and secondary sources but also an extensive oral history that he has collected over many years. By weaving the documentary record together with personal interviews, Wieder portrays the complexities and contradictions of this extraordinary couple and their efforts to navigate a time of great tension, upheaval, and revolutionary hope.
What is Africanness? Contesting nativism in race, culture and sexualities by Charles Ngwena 2018 ISBN: 978-1-920538-82-8 Pages: 306 Print version: Available Electronic version: Free PDF available About the publication What is Africanness: Contesting nativism in culture, race and sexualities, by Charles Ngwena, Professor of Law at the Centre for Human Rights, Faculty of Law, University of Pretoria, is a peer-reviewed monograph aiming to contribute to the ongoing scholarly conversation in and beyond South Africa about who is African and what is African. It aims to implicate a reductive sameness in the naming of Africans (‘nativism’) by showing its teleology and effects; and offers an alternative understanding of how Africans can be named or can name themselves. The book develops an epistemology for constructing the hermeneutics of Africanness today, long after the primal colonial moment and its debasing racialising ideology. It interrogates the making of Africa in colonial discourses and the making of an African race and African culture(s) and sexuality(ies) in ways that are not just historically conscious but also have a heuristic capacity to contest nativism from the outside as well as from within. The arguments in this book go beyond problematising African identity by addressing an existential gap in theory for explicating African social identity. The book develops an interpretive method – a hermeneutics – for locating and deciphering African identifications in ways that are historically conscious and conjunctural. The hermeneutics look to the present and the future in addition to the past, so that African identifications are not nailed to a mast but remain invested with mobility and the capacity to mutate radically and make new and unexpected beginnings. Comments Charles Ngwena’s timely and original book is a wonderful read, rich in theory and insight, and an essential companion for those interested in exploring the ‘multiplicity of histories, cultures and subjectivities’ that constitute the diversity of ‘Africanness’ and African identities. – Professor Cathi Albertyn, School of Law, University of the Witwatersrand, Editor, South African Journal on Human Rights This is a brilliant exploration of liberating and affirming ways to speak of African identities and sexualities, reminding us there can be creative beauty where pain and dispossession have resided. – Rudo Chigudu, Centre for Human Rights, University of Pretoria This is a masterpiece! Not only does the author capture the discourse and debates on “Africanness”, he aptly examines them before offering his views on “decentring the race of Africanness” with the important recognition of “Africa as land of diverse identifications”. – Prof Serges Djoyou Kamga, Thabo Mbeki African Leadership Institute, UNISA Table of Contents ACKNOWLEDGMENTS PREFACE DEDICATION PART 1: BACKGROUND TO THE HERMENEUTICS OF HETEROGENOUS AFRICANNESS 1. INTRODUCING THE ‘MANYNESS’ OF AFRICANNESS 1 Introduction 2 Nativism 2.1 Theocratic vision 2.2 Logic of identity 3 Reformulating African identity: Overcoming status subordination and achieving inclusive equality 4 Scope and structure of the book: A broad triangulation of race, culture and sexualities 4.1 Part 1: Background to the hermeneutics of heterogeneous Africanness 4.2 Part 2: Africanness, race and culture 4.3 Part 3: Heterogeneous sexualities 2. HERMENEUTICS OF AFRICANNESS: BUILDING ON STUART HALL’S CULTURAL THEORY OF IDENTIFICATIONS 1 Introduction 2 Connecting inclusive equality with a deconstructive hermeneutics of Africanness 3 Who/what is African?: A central discursive question 4 Hall’s cultural theory of identity as enunciation 4.1 Identity as becoming and being 4.2 Implications of a Hallian approach for conceptualising Africanness 4.2.1 Transposing Hall’s theory to Africanness as broad cultural and racial identifications 4.2.2 Transposing Hall’s theory onto African sexuality identifications 5 Positionality PART 2: AFRICANNESS, RACE AND CULTURE 3. WHAT’S IN A NAME? THE NAMING OF AFRICA AND AFRICANS, AND THE CONSTRUCTION OF RADICAL CULTURAL ALTERITY 1 Introduction: Representation, truth, knowledge and power 2 Naming of Africa 2.1 Provenance of the naming 3 Naming of Africans: Epochal re-description 3.1 Africa at the edge of time: The founding of alterity in anachronistic space 3.2 Africa as land of cultural otherness: A leaf from Mudimbe’s The invention of Africa 3.2.1 Christianity and the production of African spiritual alterity 3.2.2 Anthropology and the production of African cultural alterity 4 Mudimbe’s contribution to dialogic Africanness 4. AFRICA AS LAND OF RACIAL OTHERNESS 1 Introduction 2 The contribution of philosophy and science to the construction of African racial alterity 2.1 Philosophy 2.2 Science 3 Re-membering Saartjie Baartman: Black embodiment, ascribed identity and fetishisation 3.1 Logic of identity 3.2 Fetishisation 4 Apartheid and the banality of race 4.1 Creating ‘Africans’, ‘Coloureds’, ‘Indians’ and ‘Whites’ 4.1.1 ‘Africans’ and ‘Whites’ as extreme polarities 4.1.2 ‘Coloureds’ 4.1.3 ‘Indians’ 4.2 Racial positioning among inferiorised ‘races’ 4.3 Apartheid as not so much about apartness but baasskapism 5 Ode to an open Africanness 5. DECENTRING THE RACE OF AFRICANNESS 1 Introduction: putting race under erasure 2 Recalling Hall’s deconstructive identification template 3 Decentring the race of Africanness 3.1 Appiah’s In my father’s house 3.2 Blyden’s black personality 4 Retaining the political salience of race 4.1 Afropolitanism 5 Africa as space for diverse identifications and recognition of ever-evolving ethnicities PART 3: HETEROGENEOUS SEXUALITIES 6. REPRESENTING AFRICAN SEXUALITIES: CONTESTING NATIVISM FROM WITHOUT 1 Introduction 2 Said’s discourse of orientalism 2.1 Orientalism and Said’s aporias 2.1.1 Hybridity: Breaking with coloniser/ colonised binary 3 Nativising African peoples 4 Mamdani’s discourse of nativism 5 Nativism and the construction of colonial whiteness 5.1 Compulsory whiteness and regulation of sexualities 6 Nativising black men’s sexuality 6.1 Southern Rhodesia and the phantom of the ‘black peril’ 7 Black women’s sexual degeneracy and colonial continuities in Caldwell et al: A performative study of African women 7. ‘TRANSGRESSIVE’ SEXUALITIES: CONTESTING NATIVISM FROM WITHIN AND OVERCOMING STATUS SUBORDINATION 1 Introduction 1.1 Proclaiming heterosexuality and castigating homosexuality 1.2 Democratising sexuality 2 Discursive clarifications 2.1 Transgressive sexualities: the terminological rationale 2.2 Overcoming status subordination 2.3 Avoiding LGBTI essentialism 2.4 Avoiding unproductive LGBTI anti-essentialism 2.5 Remaining conscious of colonising sexuality knowledge 3 Deconstructing sexualities 3.1 Essentialist social construction 3.2 Transformative social construction 3.3 Deconstructing the relationship between sexuality and gender: Drawing on Richardson’s analytic template 3.3.1 Naturalist approach 3.3.2 Prioritising gender over sexuality 3.3.3 Gender as an effect of sexuality 3.3.4 Sex and gender as separate, non-deterministic, historically and culturally situated systems 3.3.5 Sexuality and gender elision 4 Way forward 8. MEDIATING CONFLICTING SEXUALITY IDENTIFICATIONS THROUGH POLITICS AND AN ETHICS OF PLURALISM 1 Introduction 2 Rawls’ overlapping consensus 3 Rescher’s dissensus management approach 4 Young’s critique of the ideal of impartiality and the civic public 5 Arendt’s concept of citizenship in a plural political community 6 Finding an overlapping consensus and asymmetrical reciprocity in African political and constitutional frameworks EPILOGUE: THEORISING AFRICANNESS BIBLIOGRAPHY INDEX