Pit your wits against some of the brightest minds in Britain by taking up the challenge of this ultimate quiz of 2000 questions from the Brain of Britain archives.
The story of British radio begins long before the birth of the British Broadcasting Company (BBC) in 1922. This book aims to tell this story through its component parts: the makers, the programs, and the policies that together shaped the development of a system of broadcasting, grounded initially in a public service ethic, and subsequently struggling toward an, at times, uneasy balance of public and commercial radio. The last ten years of UK radio history have contained more drama, change and development than in all its previous history. This second edition of Historical Dictionary of British Radio covers its history through a chronology, an introductory essay, and an extensive bibliography. The dictionary section has over 800 cross-referenced entries on issues, characters, movements and policies that have shaped radio in the United Kingdom. This book is an excellent access point for students, researchers, and anyone wanting to know more about British Radio.
Founded in 1922, the British Broadcasting Corporation is probably the most well-known national radio corporation in the world, but the BBC is just part of the British radio picture. There are 'pirate' radio stations, community radio, commercial radio, and more recently, experimentation and development in the digital arena. All aspects of the 85 years of UK radio, from issues of regulation to the role played by commercial operators prior to World War II, are covered in this new book by SeOn Street. The A to Z of British Radio relates the history of this medium through a chronology, an introductory essay, a bibliography, and several hundred cross-referenced dictionary entries on the BBC and other companies, many of the specific stations, the more memorable programs and those who wrote for or appeared on them, and the administrative and technical aspects. This quick reference tool's structure and ease of navigation will have scholars, students, radio industry professionals, journalists, and critics turning to it again and again.
Richard Osman has been trying to settle the most important issues society faces today. Who would win in a head-to-head between Quavers and Cheesy Wotsits? And What's the ultimate Christmas film (Home Alone, obviously). The World Cup of Everything is an incredibly popular format that began life on twitter where his hilarious polls received 1.5 million votes a go becoming a national talking point, inciting debate amongst twitter users at odds over their favourites, celebrities and key figures join in, bookies offer odds on the outcome, papers report on it all as if it is a real sporting event with headlines about how Richard Osman has melted the internet. This autumn we're bringing The World Cup of Everything to the page in a brilliant book perfect for Christmas. With new competitions such as The World Cup of British Sitcoms, Christmas Songs, Animals, British Bands and so on, as well as some of the favourites that have already had the country talking: Chocolate and Crisps among them, Richard will offer commentary, share funny, quirky pieces of trivia and stand-up style entries about each of the contenders. The World Cup of Everything will offer something for everyone making it the perfect gift for pretty much anyone. This is Richard at his best: super smart, quick-witted and writing about the matters that the British public really care about.
This is a study of the social character of the British working class in the period from the 1880s to the early 1950s, when about seventy-five per cent of the population were manual workers, or their dependents. It has three central themes: the nature of working-class culture and working-class organization; the relationships between the working class and other classes; and the role of both World Wars and the state in shaping class relations. Ross McKibbin examines different aspects of British political, social, and economic history to give an integrated explanation of the development of modern British society, and the ideological assumptions on which it is based. Attitudes to work and leisure are also explored, to build a coherent picture of the ideological world of Britain's social classes.
In My Double Life 1 Nicholas Hagger told of his four years’ service and double life as an undercover British intelligence agent during the Cold War (there revealed for the first time). Lost in a dark wood like Dante following his encounters with Gaddafi’s Libya and the African liberation movements, he found Reality on a ‘Mystic Way’ of loss, purgation and illumination, perceived the universe as a unity and had 16 experiences of the metaphysical Light. In My Double Life 2 he continues the story. He received new powers, coped with fresh ordeals, acquired three schools, renovated a historic house, and had 76 further experiences of the metaphysical Light. He founded a new philosophy of Universalism and new approaches to contemporary history, international statecraft and world literature. He produced nearly 1,500 poems, over 300 classical odes, five verse plays, two poetic epics, over a thousand short stories – and 40 books that include innovative literary, historical and philosophical works. His vision of Universalism in seven disciplines is like a rainbow with seven bands overarching seven hills. He produced nearly 1,500 poems, over 300 classical odes, five verse plays, two poetic epics, over a thousand short stories – and 40 books that include innovative literary, historical and philosophical works. His vision of Universalism in seven disciplines is like a rainbow with seven bands overarching seven hills.
Shakespeare, Spencer and the Matter of Britain examines the work of two of the most important English Renaissance authors in terms of the cultural, social and political contexts of early modern Britain. Andrew Hadfield demonstrates that the poetry of Edmund Spenser and the plays of William Shakespeare demand to be read in terms of an expanding Elizabethan and Jacobean culture in which a dominant English identity had to come to terms with the Irish, Scots and Welsh who were now also subjects of the crown.
Beginning in the 1950s, a group of academics, businesspeople, and politicians set out on an ambitious project to remake North Carolina’s low-wage economy. They pitched the universities of Raleigh, Durham, and Chapel Hill as the kernel of a tech hub, Research Triangle Park, which would lure a new class of highly educated workers. In the process, they created a blueprint for what would become known as the knowledge economy: a future built on intellectual labor and the production of intellectual property. In Brain Magnet, Alex Sayf Cummings reveals the significance of Research Triangle Park to the emergence of the high-tech economy in a postindustrial United States. She analyzes the use of ideas of culture and creativity to fuel economic development, how workers experienced life in the Triangle, and the role of the federal government in bringing the modern technology industry into being. As Raleigh, Durham, and Chapel Hill were transformed by high-tech development, the old South gave way to a distinctly new one, which welded the intellectual power of universities to a vision of the suburban good life. Cummings pinpoints how the story of the Research Triangle sheds new light on the origins of today’s urban landscape, in which innovation, as exemplified by the tech industry, is lauded as the engine of economic growth against a backdrop of gentrification and inequality. Placing the knowledge economy in a broader cultural and intellectual context, Brain Magnet offers vital insight into how tech-driven development occurs and the people and places left in its wake.