It's a long, mad ride from Summer Bay!Chicks, babes, cars and music; bored kids and shouting mothers; fathers that suck on a bottle to put themselves to sleep; and TV sets blaring mindlessly. Race tensions are hotting up in Marrickville and the media want a gang war so badly that they nearly start one. As Mitch looks back on his time as former leader of the Tunderjets, he tells the searing story of a scene that in some ways, no matter how hard you try, you can never leave.
Writing to his brother, G’Ra Asim reflects on building his own identity while navigating Blackness, masculinity, and young adulthood—all through wry social commentary and music/pop culture critique How does one approach Blackness, masculinity, otherness, and the perils of young adulthood? For G’Ra Asim, punk music offers an outlet to express himself freely. As his younger brother, Gyasi, grapples with finding his footing in the world, G’Ra gifts him with a survival guide for tackling the sometimes treacherous cultural terrain particular to being young, Black, brainy, and weird in the form of a mixtape. Boyz n the Void: a mixtape to my brother blends music and cultural criticism and personal essay to explore race, gender, class, and sexuality as they pertain to punk rock and straight edge culture. Using totemic punk rock songs on a mixtape to anchor each chapter, the book documents an intergenerational conversation between a Millennial in his 30s and his zoomer teenage brother. Author, punk musician, and straight edge kid, G’Ra Asim weaves together memoir and cultural commentary, diving into the depths of everything from theory to comic strips, to poetry to pizza commercials to mapping the predicament of the Black creative intellectual. With each chapter dedicated to a particular song and placed within the context of a fraternal bond, Asim presents his brother with a roadmap to self-actualization in the form of a Doc Martened foot to the behind and a sweaty, circle-pit-side-armed hug. Listen to the author’s playlist while you read! Access the playlist here: https://sptfy.com/a18b
The inspiration for the Major Motion Picture Directed by George Clooney—exclusively in theaters December 25, 2023! The #1 New York Times bestselling true story about the American rowing triumph of the 1936 Olympics in Berlin—from the author of Facing the Mountain For readers of Unbroken, out of the depths of the Depression comes an irresistible story about beating the odds and finding hope in the most desperate of times—the improbable, intimate account of how nine working-class boys from the American West showed the world at the 1936 Olympics in Berlin what true grit really meant. It was an unlikely quest from the start. With a team composed of the sons of loggers, shipyard workers, and farmers, the University of Washington’s eight-oar crew team was never expected to defeat the elite teams of the East Coast and Great Britain, yet they did, going on to shock the world by defeating the German team rowing for Adolf Hitler. The emotional heart of the tale lies with Joe Rantz, a teenager without family or prospects, who rows not only to regain his shattered self-regard but also to find a real place for himself in the world. Drawing on the boys’ own journals and vivid memories of a once-in-a-lifetime shared dream, Brown has created an unforgettable portrait of an era, a celebration of a remarkable achievement, and a chronicle of one extraordinary young man’s personal quest.
An Alabama boy’s innocence is shaken by murder and madness in the 1960s South in this novel by the New York Times–bestselling author of Swan Song. It’s 1964 in idyllic Zephyr, Alabama. People either work for the paper mill up the Tecumseh River, or for the local dairy. It’s a simple life, but it stirs the impressionable imagination of twelve-year-old aspiring writer Cory Mackenson. He’s certain he’s sensed spirits whispering in the churchyard. He’s heard of the weird bootleggers who lurk in the dark outside of town. He’s seen a flood leave Main Street crawling with snakes. Cory thrills to all of it as only a young boy can. Then one morning, while accompanying his father on his milk route, he sees a car careen off the road and slowly sink into fathomless Saxon’s Lake. His father dives into the icy water to rescue the driver, and finds a beaten corpse, naked and handcuffed to the steering wheel—a copper wire tightened around the stranger’s neck. In time, the townsfolk seem to forget all about the unsolved murder. But Cory and his father can’t. Their search for the truth is a journey into a world where innocence and evil collide. What lies before them is the stuff of fear and awe, magic and madness, fantasy and reality. As Cory wades into the deep end of Zephyr and all its mysteries, he’ll discover that while the pleasures of childish things fade away, growing up can be a strange and beautiful ride. “Strongly echoing the childhood-elegies of King and Bradbury, and every bit their equal,” Boy’s Life, a winner of both the Bram Stoker and World Fantasy Awards, represents a brilliant blend of mystery and rich atmosphere, the finest work of one of today’s most accomplished writers (Kirkus Reviews).
The bold and boundlessly original debut novel from the Oscar®-winning screenwriter of Being John Malkovich, Adaptation, Eternal Sunshine of the Spotless Mind, and Synecdoche, New York. LONGLISTED FOR THE CENTER FOR FICTION FIRST NOVEL PRIZE • “A dyspeptic satire that owes much to Kurt Vonnegut and Thomas Pynchon . . . propelled by Kaufman’s deep imagination, considerable writing ability and bull’s-eye wit."—The Washington Post “An astonishing creation . . . riotously funny . . . an exceptionally good [book].”—The New York Times Book Review • “Kaufman is a master of language . . . a sight to behold.”—NPR NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR AND MEN’S HEALTH B. Rosenberger Rosenberg, neurotic and underappreciated film critic (failed academic, filmmaker, paramour, shoe salesman who sleeps in a sock drawer), stumbles upon a hitherto unseen film made by an enigmatic outsider—a film he’s convinced will change his career trajectory and rock the world of cinema to its core. His hands on what is possibly the greatest movie ever made—a three-month-long stop-motion masterpiece that took its reclusive auteur ninety years to complete—B. knows that it is his mission to show it to the rest of humanity. The only problem: The film is destroyed, leaving him the sole witness to its inadvertently ephemeral genius. All that’s left of this work of art is a single frame from which B. must somehow attempt to recall the film that just might be the last great hope of civilization. Thus begins a mind-boggling journey through the hilarious nightmarescape of a psyche as lushly Kafkaesque as it is atrophied by the relentless spew of Twitter. Desperate to impose order on an increasingly nonsensical existence, trapped in a self-imposed prison of aspirational victimhood and degeneratively inclusive language, B. scrambles to re-create the lost masterwork while attempting to keep pace with an ever-fracturing culture of “likes” and arbitrary denunciations that are simultaneously his bête noire and his raison d’être. A searing indictment of the modern world, Antkind is a richly layered meditation on art, time, memory, identity, comedy, and the very nature of existence itself—the grain of truth at the heart of every joke.
Dean Mason is a boy with many secrets. For starters, that's not his real name. On the run from the law he hides in the Barossa Valley, where he is discovered by a beautiful girl. Together they stir up trouble as each attempts to escape a world in which they feel trapped.
Neil Winscott, a discontented twentysomething, is finally coming round to the belief that Buracacia, the fantasy superpower world he'd imagined since childhood, was merely something he'd created to fill many voids in his life. But when the Buracacians not only become real but visit Earth to protect it from their arch-enemies, the Leeurns, Neil is forced to come face to face with his creation-and one senior Buracacian, the intuitive Starla, who considers him to have power over Buracacia's destiny. As Buracacian and Earthling cultures mingle uncomfortably, Neil feels anything but powerful and seeks solace with his salt-of-the-Earth friend Adam. When the Buracacians return to their planet, evacuating Earth's weary inhabitants for their own safety, the conflicts and bizarre situations that ensue not only test Neil's friendships but his sanity and conscience. Neil becomes forced to ask himself how much power and responsibility he has to help the Buracacians as an outright war with the Leeurns looms on the horizon. Buracacia is a sci-fi novel pregnant with psychological drama where childhood fantasy and harsh adult realities collide head on.
Fifteen-year-old Matthew Cassidy is an up-and-coming rugby league star. The talent scouts are circling him, his school team has reached the finals for the first time ever and he's determined to one day play professional. It's not bad for a down-to-earth guy from the poor side of town who lives with his mum above a fish 'n' chip shop.But despite being the team captain, his prowess and the embarrassing popularity among his mates, Matt really only wants one thing in life - a Dad.All his mates have one, so why can't he?His Mum had fallen pregnant at 14 at a drunken party and never heard from his Dad again.However, the old adage 'Be careful of what you wish for' comes true.Matt receives an anonymous card on his 15th birthday. It's not from his Mum, his grandmother or one of his mates. The only clue is handwriting that matches a dozen letters he accidentally finds in his mother's bedroom - threatening letters about him.Matt tracks down the mysterious writer and discovers he had another grandmother - his paternal grandmother.And that his Dad is alive. His mother has been lying to him for 15 years.And her reason for doing so was to protect him from the truth: that his Dad's in jail.Meanwhile, Matt is facing another dilemma: a crush.Blue-eyed Kelly Sinclair is gorgeous, rich and friendly. The only problem is her boyfriend, Aaron Blackwell. Captain of an opposing side and Matt's mortal enemy, he regularly beats up Kelly out of spite, jealousy or plain boredom. She never leaves him, though, because 'deep down he's a nice guy.''Nice guy' or not, Matt knows Kelly is protecting Aaron from the police and tries to rescue her from a cycle of domestic abuse.Except this is not as simple as it seems, as he tries to fight his own feelings for Kelly and the violent nature of her boyfriend.
