Music Lessons

Music Lessons

Author: Pierre Boulez

Publisher: University of Chicago Press

Published: 2019-10-17

Total Pages: 689

ISBN-13: 022667259X

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Music Lessons marks the first publication in English of a groundbreaking group of writings by French composer Pierre Boulez, his yearly lectures prepared for the Collège de France between 1976 and 1995. The lectures presented here offer a sustained intellectual engagement with themes of creativity in music by a widely influential cultural figure, who has long been central to the conversation around contemporary music. In his essays Boulez explores, among other topics, the process through which a musical idea is realized in a full-fledged composition, the complementary roles of craft and inspiration, and the degree to which the memory of other musical works can influence and change the act of creation. Boulez also gives a penetrating account of problems in classical music that are still present today, such as the often crippling conservatism of established musical institutions. Woven into the discussion are stories of his own compositions and those of fellow composers whose work he championed, as both a critic and conductor: from Stravinsky to Stockhausen and Varèse, from Bartók to Berg, Debussy to Mahler and Wagner, and all the way back to Bach. Including a foreword by famed semiologist Jean-Jacques Nattiez, who was for years a close collaborator and friend of the composer, this edition is also enriched by an illuminating preface by Jonathan Goldman. With a masterful translation retaining Boulez’s fierce convictions, cutting opinions, and signature wit, Music Lessons will be an essential and entertaining volume.


Boulez, Music and Philosophy

Boulez, Music and Philosophy

Author: Edward Campbell

Publisher: Cambridge University Press

Published: 2010-08-19

Total Pages: 299

ISBN-13: 0521862426

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In this book, Campbell explores the relationships of music, philosophy and intellectual culture in the work of Pierre Boulez.


Pierre Boulez

Pierre Boulez

Author: Lev Koblyakov

Publisher: Routledge

Published: 2013-01-11

Total Pages: 236

ISBN-13: 1136608494

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In this significant study of the music of Pierre Boulez, Dr. Koblyakov provides a complete analysis of Le Marteau sand Maître and deals with the development of serial music in the twentieth century and the problems of serial organization in general. He reaches stimulating conclusions about serial thinking and harmony in themusic of Pierre Boulez, thus enabling an understanding of the intricacies of this major composer's compositional techniques.


The Boulez-Cage Correspondence

The Boulez-Cage Correspondence

Author: Pierre Boulez

Publisher: Cambridge University Press

Published: 1993

Total Pages: 192

ISBN-13: 9780521485586

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A study of two of the greatest composers of the twentieth century through their correspondence, now available for the first time in English in a paperback edition.


Orientations

Orientations

Author: Pierre Boulez

Publisher: London : Faber and Faber

Published: 1986

Total Pages: 541

ISBN-13: 9780571143474

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Pierre Boulez is arguably the single most influential - and controversial - figure in the world of contemporary music. As composer, conductor and personality, his challenging views of modern developments are lent a special authority by his very high standing as an interpreter of great composers like Wagner, Debussy, Bart k and Stravinsky. This collection of writings enhances his unrivalled reputation as a lucid and compelling expositor of the modern composer's world.


New Music at Darmstadt

New Music at Darmstadt

Author: Martin Iddon

Publisher: Cambridge University Press

Published: 2013-04-18

Total Pages: 355

ISBN-13: 1107033292

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The first full-length English-language discussion of the Darmstadt New Music Courses, showing the rise and fall of the 'Darmstadt School'.


Rationalizing Culture

Rationalizing Culture

Author: Georgina Born

Publisher: Univ of California Press

Published: 1995-09-08

Total Pages: 415

ISBN-13: 0520202163

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As a year-long participant-observer, Born studied the social and cultural economy of an institution for research and production of avant-garde and computer music. She gives a unique portrait of IRCAM's composers, computer scientists, technicians, and secretaries, interrogating the effects of the cultural philosophy of the controversial avant-garde composer, Pierre Boulez, who directed the institute until 1992.


Pierre Boulez and the Piano

Pierre Boulez and the Piano

Author: Peter O'Hagan

Publisher: Taylor & Francis

Published: 2016-09-30

Total Pages: 365

ISBN-13: 1315517841

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Pierre Boulez's first piano pieces date from his youth, prior to his studies in Paris with Messiaen, and his subsequent meteoric rise to international acclaim as the leader of the musical avant-garde during the 1950s. His most recent published work is a solo piano piece, Une page d’éphéméride, written some sixty years after his first attempts at composition. The piano has remained central to Boulez's creative work throughout his career, and although his renown as a conductor has to some extent overshadowed his other achievements, it was as a performer of his own piano music that his practical gifts first found expression. Peter O'Hagan has given performances of various unpublished piano works by Boulez, including Antiphonie from the Third Sonata and Trois Psalmodies. In this study, he considers Boulez's writing for the piano in the context of the composer's stylistic evolution throughout the course of his development. Each of the principal works is considered in detail, not only on its own terms, but also as a stage in Boulez's ongoing quest to invent radical solutions to the renewal of musical language and to reinvigorate tradition. The volume includes reference to hitherto unpublished source material, which sheds light on his working methods and on the interrelationship between works.