Botanical Entanglements

Botanical Entanglements

Author: Anna K. Sagal

Publisher: University of Virginia Press

Published: 2022-08-18

Total Pages: 425

ISBN-13: 0813946972

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To this day, women face barriers in entering scientific professions, and in earlier eras the challenges were greater still. But in Botanical Entanglements, Anna Sagal reveals how women’s active participation in scientific discourses of the eighteenth century was enabled by the manipulation of social and cultural conventions that have typically been understood as limiting factors. By taking advantage of the intersections between domesticity, femininity, and nature, the writers and artists studied here laid claim to a specific authority on naturalist subjects, ranging from botany to entomology to natural history more broadly. Botanical Entanglements pairs studies of well-known authors—Eliza Haywood, Charlotte Lennox, Maria Edgeworth, and Charlotte Smith—with authors and artists who receive less attention in this context—Priscilla Wakefield, Maria Jacson, Elizabeth Blackwell, Henrietta Maria Moriarty, and Mary Delany—to offer a nuanced portrait of the diverse strategies women employed to engage in scientific labor. Using socially acceptable forms of textual production, including popular periodicals, didactic texts, novels, illustrated works, craftwork, and poetry, these women advocated for more substantive and meaningful engagement with the natural world. In parallel, the book also illuminates the emotional and physical intimacies between women, plants, and insects to reveal an early precursor to twenty-first-century theorizing of plant intelligence and human-plant relationships. Recognizing such literary and artistic "entanglement" facilitates a more profound understanding of the multifaceted relationship between women and the natural world in eighteenth-century England.


Botanical Prints

Botanical Prints

Author: Sandra Forty

Publisher: Bellagio Press

Published: 2013

Total Pages: 0

ISBN-13: 9781627320078

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The earliest botanical illustrations are found in ancient herbals, practical works of knowledge written to pass on crucial information about how to heal the sick. Around the time of the Renaissance, however, flowers began to be more generally appreciated for their beauty, thus encouraging talented artists to attempt to capture their magic. Botanical illustration developed into a high art form during the golden era of the 18th and early 19th centuries. From that era date some of the most stunning examples of botanical art ever made. The earliest known examples of published botanical illustration can be found in the five-volume De Materia Medica written by the ancient Greek physician and scholar Pedanius Dioscorides, a traveling physician from Asia Minor who followed the Emperor Nero's army as it campaigned across the Roman Empire. Many other illustrators followed in the path of Dioscorides--even Leonardo da Vinci tried his hand at botanicals--but undoubtedly the most well-known illustrator is the Flemish artist Pierre Joseph Redout� (1759-1840), who painted exact scientific illustrations for the botanist Charles Louis L'H�ritier. Redout� also became Marie-Antoinette's official draftsman and Painter to the Queen's Cabinet, especially well known today for his illustrations of roses.


Berries

Berries

Author: Victoria Dickenson

Publisher: Reaktion Books

Published: 2020-05-11

Total Pages: 209

ISBN-13: 1789142423

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What is it about the small fruits of field and wood that encourage rapture? These gifts of the earth—flagrant in hedgerows, carpeting the forest floor or coloring tablelands—are so ubiquitous as to be commonplace and yet so extraordinary that we have woven them into our folklore, our fables, and our art. Strawberries were painted in the frescoes of Pompeii, brambles twined into the borders of medieval miniatures, and mulberries have been embroidered on silks and linens. Today, the huge demand for these nutrient-rich fruits is pushing berry cultivation into new territories, from South America to Scandinavia, and changing the nature of our relationship with these much-loved fruits. In this delightful, surprising, and occasionally juicy botanical exploration, Victoria Dickenson traces the humble berry’s journey across cultures and through centuries with humor and passion.


The Shirley Sherwood Collection

The Shirley Sherwood Collection

Author: Shirley Sherwood

Publisher: Royal Botanic Gardens Kew

Published: 2019

Total Pages: 0

ISBN-13: 9781842466933

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This book is a celebration of the Shirley Sherwood Collection of contemporary botanical art, made over a period of 30 years by Dr Shirley Sherwood and considered the most important private collection of its kind in the world. In 2018 the 1000th painting was added to the collection, a pocket handkerchief by Coral Guest.


Carnation

Carnation

Author: Twigs Way

Publisher: Reaktion Books

Published: 2016-11-15

Total Pages: 223

ISBN-13: 1780236816

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From wedding bouquets to funeral wreaths, carnations can be seen everywhere in human culture. Their colorful but delicately folded petals have made them one of the foremost decorative flowers, from the gardens of the Ottoman Empire to American Mothers Day bouquets, via Chinese medicines and French Empresses. In this book, Twigs Way explores the extraordinary history of this inimitable flower. The author traces the trials and tribulations of early breeders—compelled by florists’ fascinations for the striped and spotted—which led to delightfully colored (and delightfully named) varieties such as Lustie Gallant and Bleeding Swain. She looks at the symbolism of the red and white—and even green—carnations made famous by Oscar Wilde, and glides through many of the rooms in literature and history that we have filled with the carnation’s glorious scent. Travelling from Europe to China, Way explores how carnations have been used by herbalists the world over as a treatment for ailments to both mind and body, and she looks at the many paintings that have attempted to capture their unique complexities. Lavishly illustrated and full of unexpected delights, this book will—like the carnation itself—charm the mind and invigorate the senses.