He challenged her sanity. She shattered his reality. They dared each other...to the brink of madness. A dark and twisted maze awaits criminal psychologist London Noble when she falls for her patient, convicted serial killer, Grayson Pierce Sullivan. As she unravels the traps, her sanity tested with each game, she's forced to acknowledge the true evil in the world around her. *Trigger warning: confined spaces. Serial killers.
Duet: a performance by two. But who is acting, and who is devolving? A buried past is unearthed, and Grayson Sullivan--AKA The Angel of Maine--retaliates against the system who made him, deploying psychological warfare on the woman who initially set him free. Dr. London Noble probes deep into the mind of the killer she's fallen for, searching for answers, as a copycat killer threatens their unity. Are they partners, lovers, or enemies? One final trap will reveal all.
The definitive biography of Edward Gorey, the eccentric master of macabre nonsense. From The Gashlycrumb Tinies to The Doubtful Guest, Edward Gorey's wickedly funny and deliciously sinister little books have influenced our culture in innumerable ways, from the works of Tim Burton and Neil Gaiman to Lemony Snicket. Some even call him the Grandfather of Goth. But who was this man, who lived with over twenty thousand books and six cats, who roomed with Frank O'Hara at Harvard, and was known -- in the late 1940s, no less -- to traipse around in full-length fur coats, clanking bracelets, and an Edwardian beard? An eccentric, a gregarious recluse, an enigmatic auteur of whimsically morbid masterpieces, yes -- but who was the real Edward Gorey behind the Oscar Wildean pose? He published over a hundred books and illustrated works by Samuel Beckett, T.S. Eliot, Edward Lear, John Updike, Charles Dickens, Hilaire Belloc, Muriel Spark, Bram Stoker, Gilbert & Sullivan, and others. At the same time, he was a deeply complicated and conflicted individual, a man whose art reflected his obsessions with the disquieting and the darkly hilarious. Based on newly uncovered correspondence and interviews with personalities as diverse as John Ashbery, Donald Hall, Lemony Snicket, Neil Gaiman, and Anna Sui, Born to Be Posthumous draws back the curtain on the eccentric genius and mysterious life of Edward Gorey.
Bob Arctor is a dealer of the lethally addictive drug Substance D. Fred is the police agent assigned to tail and eventually bust him. To do so, Fred takes on the identity of a drug dealer named Bob Arctor. And since Substance D--which Arctor takes in massive doses--gradually splits the user's brain into two distinct, combative entities, Fred doesn't realize he is narcing on himself. Caustically funny, eerily accurate in its depiction of junkies, scam artists, and the walking brain-dead, Philip K. Dick's industrial-grade stress test of identity is as unnerving as it is enthralling.
Jeffrey Dahmer. Ted Bundy. John Wayne Gacy. Over the past thirty years, serial killers have become iconic figures in America, the subject of made-for-TV movies and mass-market paperbacks alike. But why do we find such luridly transgressive and horrific individuals so fascinating? What compels us to look more closely at these figures when we really want to look away? Natural Born Celebrities considers how serial killers have become lionized in American culture and explores the consequences of their fame. David Schmid provides a historical account of how serial killers became famous and how that fame has been used in popular media and the corridors of the FBI alike. Ranging from H. H. Holmes, whose killing spree during the 1893 Chicago World's Fair inspired The Devil in the White City, right up to Aileen Wuornos, the lesbian prostitute whose vicious murder of seven men would serve as the basis for the hit film Monster, Schmid unveils a new understanding of serial killers by emphasizing both the social dimensions of their crimes and their susceptibility to multiple interpretations and uses. He also explores why serial killers have become endemic in popular culture, from their depiction in The Silence of the Lambs and The X-Files to their becoming the stuff of trading cards and even Web sites where you can buy their hair and nail clippings. Bringing his fascinating history right up to the present, Schmid ultimately argues that America needs the perversely familiar figure of the serial killer now more than ever to manage the fear posed by Osama bin Laden since September 11. "This is a persuasively argued, meticulously researched, and compelling examination of the media phenomenon of the 'celebrity criminal' in American culture. It is highly readable as well."—Joyce Carol Oates
This teen gothic mystery novel, perfect for fans of Madeleine Roux and Lisa Maxwell, takes readers to the cold, creepy island of Darkhaven, where a girl with unexplained blackouts grapples with secrets from her dead mother’s past and a legacy of murders that have been committed by her family. Ivy Bloodgood’s mother is dead, and she should probably be sad about it. But she isn’t. Myra Bloodgood was a manipulative personality who never told the truth—about where she came from, who Ivy’s father was, or why they were living their lives on the run. Now that Ivy has been sent to the family estate on Darkhaven, an island off the New England coast, she is forced to reckon with her mother’s past. Ivy can tell right away there are long-held family secrets buried within these walls, but when she wakes up from one of her nightmares covered in someone else’s blood, Ivy fears that whatever demons her mother battled while she was alive have come to roost in her own mind. Scared that she can no longer trust what she sees, Ivy seeks the help of a boy who thinks her episodes are connected to the sordid history of Darkhaven—but what they don’t know might kill them both.
A troubled girl confronts her personal demons in this time-travel thriller alternating between present day and 19th century Japan. No one knows how to handle Reiko. She is full of hatred; all she can think about is how to best hurt herself and those people closest to her. After a failed suicide attempt at her home in Seattle, Reiko's parents send her to spend the summer with family in Japan, hoping she will learn to control her emotions. But while visiting Kuramagi, a historic village preserved to reflect the nineteenth-century Edo period, Reiko finds herself slipping backward in time into the nineteenth-century life of Miyu, a young woman even more vengeful than Reiko herself. Reiko loves escaping into Miyu's life . . . until she discovers Kuramagi's dark secret and must face down Miyu's demons as well as her own.
Penetrating biography of a fascinatingly contradictory writer who, despite a privileged background and early and sustained success, became increasingly embittered with the world. Doris Lessing calls him 'a marvellous novelist', Keith Waterhouse 'A riveting dissector of English life' and Nigel Jones makes excellent use of Hamilton's own letters and notes as well as his own highly perceptive insights. The Literary Review called Through a Glass Darkly 'One of the most stimulating biographies for years'.
* The Story Prize Spotlight Award, Winner * Readings Prize for New Australian Fiction, Shortlist * Queensland Literary Awards – University of Southern Queensland Steele Rudd Award for a Short Story Collection, Shortlist * Age Book of the Year award, Finalist * An ABA Indie Next pick for “Great New Reads” for August. * "A Best Native Book of 2021" —The Tribal College Journal * "A Best Book of the Year" —Independent Book Review The remarkable stories in Born Into This are eye-opening, razor-sharp, and entertaining, often all at once. From an Aboriginal ranger trying to instill some pride in wayward urban teens on the harsh islands off the coast of Tasmania, to those scraping by on the margins of white society railroaded into complex and compromised decisions, Adam Thompson presents a powerful indictment of colonialism and racism. With humor, pathos, and the occasional sly twist, Thompson’s characters confront discrimination, untimely funerals, classroom politics, the ongoing legacy of cultural destruction, and — overhanging all like a discomforting, burgeoning awareness for both black and white Australia — the inexorable disappearance of the remnant natural world. "A legacy of cultural destruction in Australia and the disappearance of the natural world loom over stories of Aboriginal rangers, untimely funerals and angry bees in this sharp fiction debut." —New York Times Book Review "With its wit, intelligence and restless exploration of the parameters of race and place, Thompson’s debut collection is a welcome addition to the canon of Indigenous Australian writers." —Thuy On, The Guardian
