A tale as old as time is made new in Ashley Poston's fresh, geeky retelling of Beauty and the Beast—now with a bonus Starfield story! Rosie Thorne is feeling stuck—on her college application essays, in her small town, and on that mysterious General Sond cosplayer she met at ExcelsiCon. Most of all, she’s stuck in her grief over her mother’s death. Her only solace was her late mother’s library of rare Starfield novels, but even that disappeared when they sold it to pay off hospital bills. On the other hand, Vance Reigns has been Hollywood royalty for as long as he can remember—with all the privilege and scrutiny that entails. When a tabloid scandal catches up to him, he’s forced to hide out somewhere the paparazzi would never expect to find him: Small Town USA. At least there’s a library in the house. Too bad he doesn’t read. When Vance’s and Rosie’s paths collide, sparks do not fly. But as they begrudgingly get to know each other, their careful masks come off—and they may just find that there’s more risk in shutting each other out than in opening their hearts.
This ground-breaking collection of essays presents a new 'bookish' literary history, which situates questions about books at the intersection of a range of debates about the role of authors and readers, the organization of knowledge, the vogue for collecting, and the impact of overlapping technologies of writing and shifting generic boundaries.
A perfect storm of comedic proportions erupts in a DC bookstore over the course of one soggy summer week—narrated by two very different women and punctuated by political turmoil, a celestial event, and a perpetually broken vacuum cleaner. Independent bookstore owner Sophie Bernstein is burned out on books. Mourning the death of her husband, the loss of her favorite manager, her only child’s lack of aspiration, and the grim state of the world, she fantasizes about going into hiding in the secret back room of her store. Meanwhile, renowned poet Raymond Chaucer has published a new collection, and rumors that he’s to blame for his wife’s suicide have led to national cancellations of his publicity tour. He intends to set the record straight—with an ultra-fine-point Sharpie—but only one shop still plans to host him: Sophie’s. Fearful of potential repercussions from angry customers, Sophie asks Clemi—bookstore events coordinator, aspiring novelist, and daughter of a famed literary agent—to cancel Raymond’s appearance. But Clemi suspects Raymond might be her biological father, and she can’t say no to the chance of finding out for sure. This big-hearted screwball comedy features an intergenerational cast of oblivious authors and over-qualified booksellers—as well as a Russian tortoise named Kurt Vonnegut Jr.—and captures the endearing quirks of some of the best kinds of people: the ones who love good books. Praise for Bookish People: “A smart, original, laugh-out-loud novel . . . If you sell, buy, or simply love books, Bookish People is for you. I wholeheartedly recommend this quirky gem.” —Sarah Pekkanen, New York Times bestselling co-author of The Golden Couple Witty, hilarious, and heartwarming contemporary book about books Stand-alone novel Book length: approximately 84,000 words Includes discussion questions for book clubs
For Renaldo usual things achievement. However having fallen in love is a wonderful thing. Bookish this one so impressed by Wulan. His chestnut, Wulan was so beloved. The problem, to flirt course, the bookish one would like the National Exam only. He's so busy looking for the magic power of smart book. However Renaldo met the stone apparently approached the girl who was already in existence in the world of men. So, when this innocent guy put up the action, Wulan wanted toying Renaldo. But the effort Renaldo establish love with Wulan, was strongly opposed by his friend own. They feel not willing to have Renaldo fell into the arms of a girl is not right, like Wulan. They know who Wulan. Wulan deemed them as a bitch, incorrectly to get along. Various ways they are doing to frustrate Renaldo. Renaldo is chaos and reputation was at stake on campus. The problem even more complicated because Ello, Wulan her ex boyfriend, not willing to let go Wulan. He tried hard to dissociate Wulan of Renaldo. Renaldo also do not want to stay silent. Again he prepares stance flagship of book smart. Did the Renaldo overcome all obstacles? How attitudes Renaldo after knowing who exactly Wulan? Well, the answer you do not miss to read this novel. The Laugh and really fun, you know!!!
Queer and Bookish: Eve Kosofksy Sedgwick as Book Artist represents the first book-length study to explore the intersections of Sedgwick's critical writing, poetry, and, most importantly, book art, making the case that her art criticism, especially her meditations on domestic and nineteenth-century photography, and "artist's book" projects are as formally complex and brilliant, conceptually significant and life-changing, as her literary criticism and theory. In addition, the book represents a significant intervention into recent debates about reparative reading, surface reading, and the descriptive turn across the humanities, because of its sustained, positive accounts on Sedgwick's books as visual, textural, and material objects. The book ranges across Sedgwick's published output, from The Coherence of Gothic Conventions (1980) to the posthumously published The Weather in Proust (2011), and features her meditations on a wide variety of art-historical topoi, including Judith Scott's queer/crip fiber art; the anality of Polykleitos's Doryphorus; queer Modernist typography; Piranesi's punitive space; Duncan Grant and Vanessa Bell's queer holy family; Manet's frontality and thalassic aesthetics; fat and thin aesthetics of various stripes; and the queer photography of Anna Atkins, Clementina Hawarden, and Julia Margaret Cameron; Baron De Mayer, Eugene Atget, and P.H. Emerson; as well as David Hockney, Ken Brown, and her own father, a NASA lunar photographer. The book climaxes with two chapter-length explorations of Sedgwick's own late-life book-art practice: her panda Valentine alphabet cards (c. 1996) and her Last Days of Pompeii/Cavafy unique artist's book (c. 2007). Jason Edwards is a Professor of Art History at the University of York, where he works at the intersections of queer and vegan theory, and on British art history in its global contexts in the period from c.1760-1940. He is the author of the Routledge Critical Thinkers volume on Eve Kosofsky Sedgwick (Routledge, 2009) as well as the editor of Bathroom Songs: Eve Kosofsky Sedgwick As a Poet (punctum books, 2017), which includes Sedgwick's uncollected poems. In addition, Jason is also the author of Alfred Gilbert's Aestheticism (Ashgate 2006), and the co-editor of special issues of journals and edited collections on Grinling Gibbons, Joseph Cornell, the British School of Sculpture c.1760-1832, Victorian sculpture in its global contexts, the Arts and Crafts and Aesthetic interiors, and homoeroticism, art and aestheticism in Victorian Britain. Jason has also co-curated exhibitions on Turner's whaling imagery, Alfred Gilbert, and Victorian sculpture more broadly, at Tate Britain, the Yale Center for British Art, Hull Maritime Museum, Lotherton Hall, and the Henry Moore Institute for the Study of Sculpture, in Leeds. Jason's forthcoming book Queer Craft deals with Sedgwick's work as a fiber artist.
By integrating conversations across disciplines, especially focusing on classical studies and Jewish and Christian studies, this volume addresses several imbalances in scholarship on reading and textual activity in the ancient Mediterranean. Contributors intentionally place Jewish, Christian, Roman, Greek and other reading circles back into their encompassing historical context, avoiding subdivisions along modern subject lines, divisions still bearing marks of cultural and ideological interests. In their examination, contributors avoid dwelling upon traditional methodological debates over orality vs. literacy and social classifications of literacy, instead turning their attention to the social-historical: groups of people, circles and networks, strata and class, scribal culture, material culture, epigraphic and papyrological evidence, functions and types of literacy and the social relationships that all of these entail. Overall, the volume contributes to an emerging and important interdisciplinary collaboration between specialists in ancient literacy, encouraging future discussion between two currently divided fields.
Instant USA Today bestseller! “Abbi Waxman is both irreverent and thoughtful.”—#1 New York Times bestselling author Emily Giffin “Meet our bookish millennial heroine—a modern-day Elizabeth Bennet, if you will… Waxman’s wit and wry humor stand out. She is funny and imaginative, and “Bookish” lands a step above run-of-the-mill romantic comedy fare.”—The Washington Post “Abbi Waxman offers up a quirky, eccentric romance that will charm any bookworm…. For anyone who’s ever wondered if their greatest romance might come between the pages of books they read, Waxman offers a heartwarming tribute to that possibility.”--Entertainment Weekly The author of Other People’s Houses and The Garden of Small Beginnings delivers a quirky and charming novel chronicling the life of confirmed introvert Nina Hill as she does her best to fly under everyone's radar. Meet Nina Hill: A young woman supremely confident in her own...shell. The only child of a single mother, Nina has her life just as she wants it: a job in a bookstore, a kick-butt trivia team, a world-class planner and a cat named Phil. If she sometimes suspects there might be more to life than reading, she just shrugs and picks up a new book. When the father Nina never knew existed suddenly dies, leaving behind innumerable sisters, brothers, nieces, and nephews, Nina is horrified. They all live close by! They're all—or mostly all—excited to meet her! She'll have to Speak. To. Strangers. It's a disaster! And as if that wasn't enough, Tom, her trivia nemesis, has turned out to be cute, funny, and deeply interested in getting to know her. Doesn't he realize what a terrible idea that is? Nina considers her options. 1. Completely change her name and appearance. (Too drastic, plus she likes her hair.) 2. Flee to a deserted island. (Hard pass, see: coffee). 3. Hide in a corner of her apartment and rock back and forth. (Already doing it.) It's time for Nina to come out of her comfortable shell, but she isn't convinced real life could ever live up to fiction. It's going to take a brand-new family, a persistent suitor, and the combined effects of ice cream and trivia to make her turn her own fresh page.
A USA Today Best Book of 2021! "Bromley does a deft job at keeping the twists and turns of this reunion realistic and utterly romantic.” —USA Today Inspiration can come from the most unlikely—and inconvenient—sources. Kara Sullivan’s life is full of love—albeit fictional. As a bestselling romance novelist and influential bookstagrammer, she’s fine with getting her happily-ever-after fix between the covers of a book. But right now? Not only is Kara’s best friend getting married next week—which means big wedding stress—but the deadline for her next novel is looming, and she hasn’t written a single word. The last thing she needs is for her infuriating first love, Ryan Thompson, to suddenly appear in the wedding party. But Ryan’s unexpected arrival sparks a creative awakening in Kara that inspires the steamy historical romance she desperately needs to deliver. With her wedding duties intensifying, her deadline getting closer by the second and her bills not paying themselves, Kara knows there’s only one way for her to finish her book and to give her characters the ever-after they deserve. But can she embrace the unlikely, ruggedly handsome muse—who pushes every one of her buttons—to save the wedding, her career and, just maybe, write her own happy ending? "A fun and sexy romp, with chemistry that gave me all the feels!" —Jennifer Probst, New York Times bestselling author of Our Italian Summer "Add this book to your TBR list immediately!" —Sarah Smith, author of Faker Don't miss Kate Bromley's new delightful rom-com, Here for the Drama, and stay tuned for Ciao for Now—coming June 2023!
Old Picture Books, With Other Essays on Bookish Subjects is a collection of essays by Alfred W. Pollard. Pollard was an English author and bibliographer. Excerpt: "In papers brought together in this volume the reader is asked to look at the woodcuts to two old Italian Bibles, at the beautiful cuts which make the Florentine Miracle Plays or Rappresentazioni so highly esteemed, at the illustrations to French editions of the 'Hours of the Blessed Virgin,' and at some examples of the curious transformations and vicissitudes which old wood blocks and the designs for them went through ere yet either clichés or photographic processes had been invented."
A New York Times Editors' Choice Book and a New Yorker Best Book of 2022 So Far Named a Most Anticipated Book of 2022 by Literary Hub and Goodreads A playful history of the humble index and its outsized effect on our reading lives. Most of us give little thought to the back of the book—it’s just where you go to look things up. But as Dennis Duncan reveals in this delightful and witty history, hiding in plain sight is an unlikely realm of ambition and obsession, sparring and politicking, pleasure and play. In the pages of the index, we might find Butchers, to be avoided, or Cows that sh-te Fire, or even catch Calvin in his chamber with a Nonne. Here, for the first time, is the secret world of the index: an unsung but extraordinary everyday tool, with an illustrious but little-known past. Charting its curious path from the monasteries and universities of thirteenth-century Europe to Silicon Valley in the twenty-first, Duncan uncovers how it has saved heretics from the stake, kept politicians from high office, and made us all into the readers we are today. We follow it through German print shops and Enlightenment coffee houses, novelists’ living rooms and university laboratories, encountering emperors and popes, philosophers and prime ministers, poets, librarians and—of course—indexers along the way. Revealing its vast role in our evolving literary and intellectual culture, Duncan shows that, for all our anxieties about the Age of Search, we are all index-rakers at heart—and we have been for eight hundred years.
