Art and Auctions
Author:
Publisher:
Published: 1965
Total Pages: 656
ISBN-13:
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Author: Metropolitan Museum of Art (New York, N.Y.). Library
Publisher:
Published: 1960
Total Pages: 1054
ISBN-13:
DOWNLOAD EBOOKAuthor: Metropolitan Museum of Art (New York, N.Y.). Library
Publisher:
Published: 1960
Total Pages: 1062
ISBN-13:
DOWNLOAD EBOOKAuthor: Darius A. Spieth
Publisher: BRILL
Published: 2017-11-06
Total Pages: 535
ISBN-13: 9004276750
DOWNLOAD EBOOKSeventeenth-century Dutch and Flemish paintings were aesthetic, intellectual, and economic touchstones in the Parisian art world of the Revolutionary era, but their importance within this framework, while frequently acknowledged, never attracted much subsequent attention. Darius A. Spieth’s inquiry into Revolutionary Paris and the Market for Netherlandish Art reveals the dominance of “Golden Age” pictures in the artistic discourse and sales transactions before, during, and after the French Revolution. A broadly based statistical investigation, undertaken as part of this study, shows that the upheaval reduced prices for Netherlandish paintings by about 55% compared to the Old Regime, and that it took until after the July Revolution of 1830 for art prices to return where they stood before 1789.
Author: British Museum. Department of Printed Books
Publisher:
Published: 1967
Total Pages: 1292
ISBN-13:
DOWNLOAD EBOOKAuthor: British Library (London)
Publisher:
Published: 1979
Total Pages: 536
ISBN-13:
DOWNLOAD EBOOKAuthor: British Museum. Department of Printed Books
Publisher:
Published: 1959
Total Pages: 612
ISBN-13:
DOWNLOAD EBOOKAuthor: Anderson Galleries, Inc
Publisher:
Published: 1910
Total Pages: 470
ISBN-13:
DOWNLOAD EBOOKAuthor: British Museum. Dept. of Printed Books
Publisher:
Published: 1965
Total Pages:
ISBN-13:
DOWNLOAD EBOOKAuthor: Dr Christoph Vogtherr
Publisher: Ashgate Publishing, Ltd.
Published: 2014-12-22
Total Pages: 201
ISBN-13: 1472449215
DOWNLOAD EBOOKThe history of collecting is a topic of central importance to many academic disciplines, and shows no sign of abating in popularity. As such scholars will welcome this collection of essays by internationally recognized experts that gathers together for the first time varied and stimulating perspectives on the nineteenth-century collector and art market for French eighteenth-century art, and ultimately the formation of collections that form part of such august institutions as the Louvre and the National Gallery.