Bollywood is no place for a vulnerable, small-town girl like Aasha Rani. But that doesn't stop her mother from pushing her into a world of exploitation and bedroom casting calls. Aasha has no choice but to thrive-despite the vicious circles of starlets, pimps, and celebrities who want to see her meet her end. But the day she meets Bollywood's leading man, everything she's worked so hard for is jeopardized. Because she may be falling for Akshay Arora-and there's no room for love in a business where it's the stranger under your sheets holding the key to your success. With her innocence stolen and nowhere else to turn, Aasha knows her downfall could come as quickly as her rise to fame. And letting herself love might just be the most fatal career move of her life...
Bollywood in Britain provides the most extensive survey to date of the various manifestations and facets of the Bollywood phenomenon in Britain. The book analyzes the role of Hindi films in the British film market, it shows how audiences engage with Bollywood cinema and it discusses the ways the image of Bollywood in Britain has been shaped. In contrast to most of the existing books on the subject, which tend to approach Bollywood as something that is made by Asians for Asians, the book also focuses on how Bollywood has been adapted for non-Asian Britons. An analysis of Bollywood as an unofficial brand is combined with in-depth readings of texts like film reviews, the TV show Bollywood Star (2004) and novels and plays with references to the Bombay film industry. On this basis Bollywood in Britain demonstrates that the presentation of Bollywood for British mainstream culture oscillates between moments of approximation and distancing, with a clear dominance of the latter. Despite its alleged transculturality, Bollywood in Britain thus emerges as a phenomenon of difference, distance and Othering.
Aasha Rani, Bombay’s no. 1 heroine, has everything she wants—fame, money, success. All except for Akshay Arora, the film star she is desperately in love with. This is her story—from her days as a vulnerable small-town girl, pushed by her ambitious mother into sleeping her way to the top, to getting her first break from Kishenbhai, the small-time distributor who never stops loving her, to sealing her career under the patronage of the deadly Bombay don Sheth Amirchand. Glittering, glamorous and full of unforgettable characters, Starry Nights is the ultimate Bollywood novel.
This is the story of Naiya Kapur, a Princeton University graduate who comes to Mumbai to chase the big Indian dream - Bollywood. Naiya isn't searching for her soulmate, or hoping to find her roots in the India her parents once knew; she is searching for fame, fortune and fun in the new India. We follow Naiya as she navigates the labyrinthine lanes of Mumbai and Bollywood, where identities are fluid and murky - and where lines are meant to be crossed. In the middle of scuttling between auditions and parties of every hue, Naiya enters into a potentially 'happily ever after' relationship - that turns out to be an 'it's complicated' one - with a neurotic ex-model-turned-film producer. As she battles her demons and tries to deal with her increasingly tangled life, the stage is set for high drama, and her Opening Night.
This book explores dance and choreography as sites for the articulation of new theoretical and historical paradigms in inter-Asia cultural studies. The chapters in this volume cover a wide range of dance works, artists, genres, and media, from Kathak to K-pop flash mob dance, from Cold War diplomacy to avant-garde dance collaborations, and from festival dance to dance on screen. Working against the Western-centric category of “Asian dance” and Western-centric theorizations of intercultural performance that foreground “East-West” relationships, each contribution shows how dances in Asia make one another as their key aesthetic references beyond Eurocentric influences, as well as how inter-Asia relations emerge from cultural, geographical, and aesthetic diversity within the region. This book is the first of its kind in both cultural studies and dance studies. It will contribute greatly to readers’ understanding of how performance shapes and transforms the cultural and political dynamics of inter-Asia, with a focus on dance circulations in and across East, South, and Southeast Asia. Inter-Asia in Motion: Dance as Method will be a key resource for academics, researchers, and advanced students of Dance Studies, Performance Studies, Cultural Studies, Asian Studies, International Relations and Politics, History, and Sociology. The chapters included in this book were originally published in Inter-Asia Cultural Studies.
I have never experienced that most subtle of senses - smell - captured so well in print. The aroma of fine cooking just floats off the pages. Don't read this book if you're hungry. You might eat it.' - Simon Beaufoy, Oscar-Award-winning screenwriter, Slumdog Millionaire Abbas Haji is the proud owner of a modest family restaurant in Mumbai. But when tragedy strikes, Abbas propels his boisterous family into a picaresque journey across Europe, finally settling in the remote French village of Lumiere, where he establishes an Indian restaurant, Maison Mumbai. Much to the horror of their neighbour, a famous chef named Madame Mallory, the Indian establishment opposite her own begins to garner a following. Little does she know that the young Hassan, son of Abbas, has discovered French cuisine and has vowed to become a great French chef. Hassan is a natural whose talents far outweigh Mme. Mallory, but the tough old Frenchwoman will not brook defeat. Thus ensues an entertaining culinary war pitting Hassan's Mumbai-toughened father against the imperious Mme. Mallory, leading the young Hassan to greatness and his true destiny. This vivid, hilarious and charming novel - about how just a small distance of a hundred feet can represent the gulf between different cultures, different people, their tastes and their destinies - is simply bursting with eccentric characters, delicious flavours and high emotion. 'Outstanding! I wished it went on for another three hundred pages.' - Anthony Bourdain
Wanderlust: A Book Club Sampler from Simon & Schuster is your boarding pass to the beautiful, the mysterious, and the unknown. This book club sampler was created to pay homage to a book’s unique ability to transport your imagination around the world, taking you on journeys across distance and time. Whether you’re in the mood for a historical love story set on a sheep station in rural Australia or an illuminating memoir of life in the war-torn Middle East, these are books you and your reading group won’t want to miss: Day of Honey: A Memoir of Food, Love, and War by Annia Ciezadlo, Wildflower Hill by Kimberley Freeman, The Dovekeepers by Alice Hoffman, Amaryllis in Blueberry by Christina Meldrum, The Hundred-Foot Journey by Richard C. Morais, The Distant Hours by Kate Morton, This Burns My Heart by Samuel Park, An Atlas of Impossible Longing by Anuradha Roy. Each excerpt in Wanderlust is accompanied by a collection of bonus materials intended to enrich your reading experience, including discussion questions, suggestions for enhancing your book club meeting, and author interviews. In the spirit of looking to the horizon, we also asked each author featured in this sampler one question: “What is your favorite travel memory?” Their answers are fittingly diverse—from Christina Meldrum’s summers spent at a family cottage in Lake Margrethe, Michigan, to Alice Hoffman’s inspirational first trip to Masada, the setting of her epic new novel The Dovekeepers. Anuradha Roy, the author of An Atlas of Impossible Longing, describes the lure of armchair travel best: “All readers…carry within themselves sediments of the places they have traveled to in books, the people they’ve met on the way. Therefore the strange déjà vu is when you land in a foreign country and wonder if you’ve been there before.” So, sit back, relax, and get ready for the trip of a lifetime. Bon Voyage!
The geographical diversity of the Indian diaspora has been shaped against the backdrop of the historical forces of colonialism, nationalism and neoliberal globalization. In each of these global moments, the demand for Indian workers has created the multiple global pathways of the Indian diasporas. The Routledge Handbook of the Indian Diaspora introduces readers to the contexts and histories that constitute the Indian diaspora. It brings together scholars from different parts of the globe, representing various disciplines, and covers extensive spatial and temporal terrain. Contributors draw from a variety of archives and intellectual perspectives in order to map the narratives of the Indian diaspora. The topics covered range from the history of diasporic communities, activism, identity, gender, politics, labour, policy, violence, performance, literature and branding. The handbook analyses a wide array of issues and debates and is organised in six parts: • Histories and trajectories • Diaspora and infrastructures • Cultural dynamics • Representation and identity • Politics of belonging • Networked subjectivities and transnationalism. Providing a comprehensive analysis of the diverse social, cultural and economic contexts that frame diasporic practices, this key reference work will reinvigorate discussions about the Indian diaspora, its global presence and trajectories. It will be an invaluable resource for academics, researchers and students interested in studying South Asia in general and the Indian diaspora in particular.
“Hamlet” by Olivier, Kaurismäki or Shepard and “Pride and Prejudice” in its many adaptations show the virulence of these texts and the importance of aesthetic recycling for the formation of cultural identity and diversity. Adaptation has always been a standard literary and cultural strategy, and can be regarded as the dominant means of production in the cultural industries today. Focusing on a variety of aspects such as artistic strategies and genre, but also marketing and cultural politics, this volume takes a critical look at ways of adapting and appropriating cultural texts across epochs and cultures in literature, film and the arts.
This unique ethnographic investigation examines the role that fashion plays in the production of the contemporary Indian luxury aesthetic. Tracking luxury Indian fashion from its production in village craft workshops via upmarket design studios to fashion soirées, Kuldova investigates the Indian luxury fashion market's dependence on the production of thousands of artisans all over India, revealing a complex system of hierarchies and exploitation. In recent years, contemporary Indian design has dismissed the influence of the West and has focused on the opulent heritage luxury of the maharajas, Gulf monarchies and the Mughal Empire. Luxury Indian Fashion argues that the desire for a luxury aesthetic has become a significant force in the attempt to define contemporary Indian society. From the cultivation of erotic capital in businesswomen's dress to a discussion of masculinity and muscular neo-royals to staged designer funerals, Luxury Indian Fashion analyzes the production, consumption and aesthetics of luxury and power in India. Luxury Indian Fashion is essential reading for students of fashion history and theory, anthropology and visual culture.
