Focusing on a self-proclaimed "bohemian brigade" of Civil War journalists, this volume considers the nature of combat correspondence. Perry describes how competition drove journalists to file stories prematurely, sometimes erroneously predicting the outcome of battles. He also considers army commanders' distrust of war correspondents in spite of their sometimes important contributions.
Daniel Cottom traces the vagabond word "bohemia" as it migrated across national borders over the course of the nineteenth century—from France to the United States, England, Italy, Spain, and Germany—and how it was transformed, contested, or rejected along the way.
Born Heinrich Hilgard in Bavaria, Henry Villard (1835-1900) emigrated to the United States at age 18 after a disagreement with his father, penniless, not speaking a word of English and without his parents’ knowledge. Within five years, he had mastered the English language and was covering the events of the day for the nation’s top newspapers. Villard reported firsthand on the Lincoln-Douglas debates and from the front lines of the Civil War, filed graphic, hard-hitting reports that earned him the admiration of the newspaper community. His circle of acquaintances included President Lincoln, General Grant, and the famed abolitionist William Lloyd Garrison, whose daughter Villard married. When the Civil War ended, Villard’s penchant for risk-taking and adventure and his uncanny business acumen led him to become a restless innovator, breaking new ground in many areas. In journalism, he launched the first news syndicate in the United States; in the world of finance, he was a pioneer of venture capitalism and one of the first to employ the leveraged buyout. He catapulted himself into the presidency of the Northern Pacific Railroad and shared with Thomas Edison the vision of an electrified nation. His investment in Edison’s electrical enterprises paved the way for Villard to mastermind the consolidation of what is now known as the General Electric Company. In 1883, triumphantly driving the last spike himself, he completed the nation’s second transcontinental railroad. Later that year a financial panic nearly ruined him, but within a few years he made a phenomenal comeback based on his faith in Edison and the future of electricity. Drawing on unpublished letters, Henry Villard’s German and English memoirs, and other sources, this biography vividly recreates Villard’s times and tells the rags-to-riches story of a German immigrant who made major contributions to his adopted homeland. “[Villard’s] story is worth telling and in this biography it is told well.” — The Economist “The account here of young Henry’s ghastly first year as an immigrant is terrific, as good a piece of American biography as I’ve read. In general, you come away from the book with a much clearer idea of the Civil War as opportunity, not merely disaster, and as the watershed in U.S. history... Villard was an attractive character: optimistic, generous, affectionate. His attitudes toward slavery and female emancipation need cause his great-granddaughter no blush... [B]ecause we have so much information about Henry Villard [...] he comes alive for us as no other businessman of his age.” — James Buchan, The Observer “In their well-crafted biography, Alexandra Villard de Borchgrave and John Cullen lovingly recount the meteoritic rise of one of the nineteenth century’s most unsung business ‘titans,’ Henry Villard.” — Ryan J. Carey, Harvard Business School’s Business History Review “An insightful, lively and much-needed biography...” — John M. Lindley, Ramsey County History “Henry Villard is a name not widely known today, but a century ago this would not have been the case. Alexandra de Borchgrave’s and John Cullen’s biography of her greatgrandfather’s rise from penniless and prospectless young German immigrant to prominence and wealth has the fast pace and rich detail of a good novel and the meticulous research of a good history.” — Dr. Henry A. Kissinger “Henry Villard’s great-granddaughter Alexandra de Borchgrave and John Cullen have brought us a fascinating, brisk, and judicious life of one of the most intriguing figures in American history. Villard is the story not only of one man’s heroic enterprise, but also of Abraham Lincoln, William Lloyd Garrison, and the Civil War, the rise of railroads, the contradictions of the Gilded Age, and New York’s arrival as a world-class city.” — Michael Beschloss, historian “A spruce, engaging account of the life and services of one of the great public and private figures of our time. Anyone engaged with New York and American values in the past century should certainly read it. It will be time admirably spent.” — John Kenneth Galbraith, professor of economics, Harvard University “A remarkable, illuminating portrait of one of the great figures of New York history. Superbly told. An important adjunct to the library of anyone who is interested in the history of New York City.” — George Plimpton, author; editor of The Paris Review “The stirring saga of a truly remarkable man who enthusiastically embraced the challenges of his turbulent century. Immigrant, journalist, explorer, war correspondent, entrepreneur, tycoon, and visionary — Villard’s boundless energy, adventurous spirit, and courage in the face of adversity are an inspiration.” — Brian C. Pohanka, Civil War author and consultant to Time-Life Books’ The Civil War “Alexandra de Borchgrave and John Cullen at last do justice to a forgotten giant of American journalism and finance. A Civil War correspondent who invented the news syndicate and knew and was admired by President Lincoln, he then entered the world of finance to tussle with the likes of J. P. Morgan in the building of American railroads, and the founding of what became General Electric. Almost ruined in the panic of 1883, he returned to rebuild his empire and regain his place both in business and society. It’s a great addition to the story of America.” — Walter B. Wriston, former chairman, Citicorp
American democracy is built on its institutions. The Congress, the presidency, and the judiciary, in particular, undergird the rights and responsibilities of every citizen. The free press, for example, protected by the First Amendment, allows for the dissent so necessary in a democracy. How has this institution changed since the nation's founding? And what can we, as leaders, policymakers, and citizens, do to keep it vital? The freedom of the press is an essential element of American democracy. With the guidance of editors Geneva Overholser and Kathleen Hall Jamieson, this volume examines the role of the press in a democracy, investigating alternative models used throughout world history to better understand how the American press has evolved into what it is today. The commission also examines ways to allow more voices to be heard and to improve the institution of the American free press. The Press, a collection of essays by the nation's leading journalism scholars and professionals, will examine the history, identity, roles, and future of the American press, with an emphasis on topics of concern to both practitioners and consumers of American media.
Bohemia in America, 1858–1920 explores the construction and emergence of "Bohemia" in American literature and culture. Simultaneously a literary trope, a cultural nexus, and a socio-economic landscape, la vie bohème traveled to the United States from the Parisian Latin Quarter in the 1850s. At first the province of small artistic coteries, Bohemia soon inspired a popular vogue, embodied in restaurants, clubs, neighborhoods, novels, poems, and dramatic performances across the country. Levin's study follows la vie bohème from its earliest expressions in the U.S. until its explosion in Greenwich Village in the 1910s. Although Bohemia was everywhere in nineteenth- and twentieth-century American culture, it has received relatively little scholarly attention. Bohemia in America, 1858–1920 fills this critical void, discovering and exploring the many textual and geographic spaces in which Bohemia was conjured. Joanna Levin not only provides access to a neglected cultural phenomenon but also to a new and compelling way of charting the development of American literature and culture.
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This book examines newspapers, magazines, photographs, illustrations, and editorial cartoons to tell the important story of journalism, documenting its role during the Civil War as well as the impact of the war on the press. Civil War Journalism presents a unique synthesis of the journalism of both the North and South during the war. It features a compelling cast of characters, including editors Horace Greeley and John M. Daniel, correspondents George Smalley and Peter W. Alexander, photographers Mathew Brady and Alexander Gardner, and illustrators Alfred Waud and Thomas Nast. Written to appeal to those interested in the Civil War in general and in journalism specifically, as well as general readers, the work provides an introductory overview of journalism in the North and South on the eve of the Civil War. The following chapters examine reporting during the war, editorializing about the war, photographing and illustrating the war, censorship and government relations, and the impact of the war on the press.
A major figure in nineteenth-century American politics and reform movements, Greeley was also a key actor in a worldwide debate about the meaning of freedom that involved progressive thinkers on both sides of the Atlantic, including Margaret Fuller, Ralph Waldo Emerson, and Karl Marx." "In the first comprehensive biography of Greeley to be published in nearly half a century, Williams captures Greeley from all sides: editor, reformer, political candidate, eccentric, and trans-Atlantic public intellectual; examining headlining news issues of the day, including slavery, westward expansion, European revolutions, the Civil War, the demise of the Whig and the birth of the Republican parties, transcendentalism, and other intellectual currents of the era."
Infused with southern charm, this irresistibly weird and wonderful story chronicles Slash Coleman’s upbringing in a warped but warm-hearted household of eccentric artists. Descended from a posse of off-beat immigrants--including a grandfather who danced at the Moulin Rouge--and raised near the capital of the Confederacy during the 1970s and ’80s, young Slash sets out to find true love. Unfortunately, he’s his own worst enemy. Obsessions with Evel Knievel, rock band KISS, and crisscrossing the country to find the girl of his dreams set his quest for happiness on a hapless course. Hilarious and profound, Coleman slowly comes to terms with his father, a genius sculptor and volatile alcoholic, and his mother, a Holocaust survivor who makes him promise never to reveal that he’s Jewish. A touching portrait emerges of a young artist whose passionate spirit refuses to be suppressed. A swift kick to the funny bone, The Bohemian Love Diaries and its laugh-out-loud perversity conjure Jonathan Ames and Augusten Burroughs with a tender edge, revealing what might have happened if John Hodgman raised Holden Caulfield in Chuck Palahniuk’s attic. It will leave you howling.
