It’s just an ordinary day for octogenarian sleuth Myrtle Clover - until her yardman discovers a dead body planted in her backyard. This death isn’t cut and dried - the victim was bashed in the head with one of Myrtle’s garden gnomes. Myrtle’s friend Miles recognizes the body and identifies him as Charles Clayborne... reluctantly admitting he’s a cousin. Charles wasn’t the sort of relative you bragged about - he was a garden variety sleaze, which is very likely why he ended up murdered. As Myrtle starts digging up dirt to nip the killings in the bud, someone’s focused on scaring her off the case. Myrtle vows to find the murderer... before she’s pushing up daisies, herself.
There is one problem which every killer must face: how to get rid of the body Murderer Dennis Nilsen famously cooked the corpses of his victims and flushed them down the toilet, only to be caught when the sewers blocked up. But his first 12 victims were disposed of in the back garden of his previous home. Fred and Rosemary West buried the bodies of three of their victims in the back garden. Milwaukee cannibal Jeffrey Dahmer began his murderous career scattering human remains in the backyard of his parents' home in Bath, Ohio. Convicted killer Peter Tobin went back on trial after two more bodies were found in the back garden of his former home. And grisly granny Dorothea Puente murdered lodgers at her boarding house in Sacramento, California, dispatching them to the backyard while continuing to cash their Social Security checks. This book explores these and many other cases that suggest that, whatever the motive for murder, the back garden is a convenient place to dump the corpse.
Since the discovery of a decaying corpse in their backyard, the members of the Bajaj family have experienced a host of emotions from shock to disgust to exasperation to fury. But when the young CID officer Vasant arrives at the crime scene, he can immediately tell that the Bajaj family may not be as innocent as they seem. However, seeing as Mr Bajaj is the additional secretary to revenue and has a meeting with the prime minister in a couple of hours, Vasant has no option but to speed up his investigation. But he is not worried. The "still alive" corpse has just started talking and Vasant is all ears. Subversive, exciting, and revealing, with a twist you actually won't be ready for, Manjula Padmanathan's Body in the Backyard is as compelling as it is well-written.
AS FAR AS FITTING THE STEREOTYPES bestowed to infamous chain-link murderers that exist outside African American culture, there was a time when black serial killers were recognized, to some extent, implausible by purported experts who probably cared not to explore the primary nature of the slayers transgressions. Nevertheless, the obscured story of handyman Morris Solomon Jr. has to be one of the most interesting tales untold as it is one of the most horrific yarns in the annals of American crime. The handymans misdeeds, when briefly brought to the publics attention, virtually reminded society that killers continuously come in all colors, shapes, and sizes. Solomon was convicted of killing six young women, ages 16 to 29, in the Sacramento, California, neighborhood of Oak Park between 1986 and 1987. The handymans grisly method of murder left detectives and medical examiners mystified. The identification process of his victims remains was distinctly a laborious assignment, too. The victims drug addicts, prostitutes, and devout mothers were stuffed in closets, hidden under debris, and arguably, one court judge strongly considers, buried alive. In retrospect, the handyman was first accused of murder in the mid-1970s; and authorities suspect him to be linked to four more homicides in Sacramento. Solomon once declared as a Mentally Disordered Sex Offender is now on death row in Northern Californias San Quentin State Prison awaiting execution. The unassuming handymans 18-year reign of terror includes a record of sexual assaults, attempted kidnappings, and separate despicable sex acts performed strictly for humiliation. In The Homicidal Handyman of Oak Park: Morris Solomon Jr., author and journalist Tony Ray Harvey recounts the black serial killers dysfunctional upbringing, atrocious crimes, and hardly noticeable court trial. Harveys book also provides explicit crime scene photos, the history of the death penalty system in the state of California, the city of Sacramentos drug culture in the mid-1980s, and exclusive prison interviews of the mild-mannered handyman.
Once a homicide detective in St. Paul, Minnesota, Rushmore McKenzie is, through a series of unlikely events, both a millionaire and an occasional private investigator. As an unofficial PI, McKenzie only looks into the occasional situation for friends or friends of friends. Jeanette Carrell stretches McKenzie’s guidelines but she's in a bind. She's been arrested, indicted, and about to go on trial for murder. The body of the victim was found buried in a shallow grave at the far edge of her property. The victim was not only a neighbor, he was real estate developer accused of tricking a man with dementia, a friend of Carrell's, into signing away his property for development, property that he'd worked to keep pristine. When the developer was last seen, Carrell was heard threatening to kill him. Even more damning, a potential witness swears she saw Carrell digging near the grave site shortly after the victim disappeared. The final nail in the proverbial coffin is her alibi—she has none. With all the evidence—motive and means and opportunity—pointing to her guilt, and precious little in her defense, perhaps the most confusing aspect is Carrell’s calm attitude. Rushmore McKenzie is now faced with a challenging case—how to protect Carrell and unearth the truth of what really happened when all the circumstantial evidence is against her.
Rajiv Surendra was filming Mean Girls, playing the beloved rapping mathlete Kevin Gnapoor, when a cameraman insisted he read Yann Martel's Life of Pi. So begins his "lovely and human" (Jenny Lawson, author of Furiously Happy) tale of obsessively pursuing a dream, overcoming failure, and finding meaning in life. “This was a once-in-a-lifetime chance. I found myself standing dangerously close to the edge of a cliff. Far below me was an incredible abyss with no end in sight. I could turn back and safely return to where I had come from, or I could throw caution to the wind, lift my arms up into the air . . . and jump.” —From The Elephants in My Backyard What happens when you spend ten years obsessively pursuing a dream, and then, in the blink of an eye, you learn that you have failed, that the dream will not come true? In 2003, Rajiv Surendra was filming Mean Girls, playing the beloved rapping mathlete Kevin Gnapoor, when a cameraman insisted he read Yann Martel’s Life of Pi. Mesmerized by all the similarities between Pi and himself—both are five-foot-five with coffee-colored complexions, both share a South Indian culture, both lived by a zoo—when Rajiv learns that Life of Pi will be made into a major motion picture he is convinced that playing the title role is his destiny. In a great leap of faith Rajiv embarks on a quest to embody the sixteen-year-old Tamil schoolboy. He quits university and buys a one-way ticket from Toronto to South India. He visits the sacred stone temples of Pondicherry, he travels to the frigid waters off the coast of rural Maine, and explores the cobbled streets of Munich. He befriends Yann Martel, a priest, a castaway, an eccentric old woman, and a pack of Tamil schoolboys. He learns how to swim, to spin wool, to keep bees, and to look a tiger in the eye. All the while he is really learning how to dream big, to fail, to survive, to love, and to become who he truly is. Rajiv Surendra captures the uncertainty, heartache, and joy of finding ones place in the world with sly humor and refreshing honesty. The Elephants in My Backyard is not a journey of goals and victories, but a story of process and determination. It is a spellbinding and profound book for anyone who has ever failed at something and had to find a new path through life.
Even though he knows his best friend Artie is a liar, when the coincidences start to add up, seventh-grader Joshua starts to believe that there might be merit to his friend's idea of a body buried in the neighbor's yard.
Death and Garden Narratives in Literature, Art and Film: Song of Death in Paradise explores the combination of two motifs, death and gardens, to show how the two subjects are intertwined and used in various media and cultural contexts. Using cultural, literary, film, and art history theories, the contributors analyze various death and garden sceneries in literary works by Arthur Machen, Agatha Christie, J.K. Rowling, as well as in superhero comics, films, and cultural and art contexts such as Ian Hamilton Finley's “Little Sparta,” the poetic verses from the Karoo Desert National Botanical Garden in South Africa, and the Australian wilderness.
