This book explores the very humblest of beginnings and, at times, heart-rending tale of a poor black boy's struggle to free himself from the shackles of the ghetto and make it to the top. Bo Diddley: Living Legend offers a fascinating insight not only into the life and times of one of rock's first superstars, but also into the soulless and frequently brutal machinations of the popular music industry.
"Billy Boy Arnold, born in 1935, is one of the few native Chicagoans who both cultivated a career in the blues and stayed in Chicago. His perspective on Chicago's music, people, and places is rare and valuable. Arnold has worked with generations of musicians-from Tampa Red and Howlin' Wolf and to Muddy Waters and Paul Butterfield-on countless recordings, witnessing the decline of country blues, the dawn of electric blues, the onset of blues-inspired rock, and more. Here, with writer Kim Field, he gets it all down on paper-including the story of how he named Bo Diddley Bo Diddley"--
From the jumping rock and blues joints of the 1950s to Woodstock and beyond, Where Are You Now, Bo Diddley? takes a close look at forty-seven musicians whose unique contributions to their thrilling era will never be forgotten. For as we sang their songs, we also preserved a piece of our own personal history along with each tune. But where are they now? How do they feel about their success? How have their lives changed? Now, in this fun-filled, candid, and compelling collection of interviews, acclaimed journalist and author Edward Kiersh talks with each musician, reconstructing their triumphs and defeats, the road to gold and the path to obscurity. Here are the victories over incredible odds, and the struggles with drugs and booze and runaway fame—a fame that, in some cases, ran completely out of steam. But always, the humor, the idealism, the optimism that is the underlying key to success in the music business, as well as in life, shines through. Packed with fabulous photos, Where Are You Now, Bo Diddley? takes readers on a vivid, intoxicating nostalgia trip, giving us an important part of our musical past from the lips of the men and women who made it history.
Births, deaths and marriages, No1 singles, drug busts and arrests, famous gigs and awards... all these and much more appear in this fascinating 50 year almanac.Using a page for every day of the calendar year, the author records a variety of rock and pop events that took place on a given day of the month across the years.This Day in Music is fully illustrated with hundreds of pictures, cuttings and album covers, making this the must-have book for any pop music fan.
Now in paperback, the definitive anthology from a writer who “set the standard for newspaper pop-music criticism” (The Philadelphia Inquirer), the New York Times’ first chief pop music critic and Rolling Stone contributor Robert Palmer. Robert Palmer’s extraordinary knowledge and boundless love of music were evident in all his writing. He was an authority on rock & roll, blues, jazz, punk, avant-garde, and world music—often discovering new artists and trends years (even decades) before they hit the mainstream. Noted music writer Anthony DeCurtis has compiled the best pieces from Palmer’s oeuvre and presents them here, in one compelling volume. A member of the elite group of the defining rock critics who emerged in the 1960s and 1970s, Palmer possessed a vision so complete that, as DeCurtis writes, “it’s almost as if, if you read Bob, you didn’t need to read anyone else.” Blues & Chaos features some of his most memorable pieces about John Lennon, Led Zeppelin, Moroccan trance music, Miles Davis, Jerry Lee Lewis, Philip Glass, and Muddy Waters. Wonderfully entertaining, infused with passion, and deeply inspiring, Blues & Chaos is a must for music fans everywhere.
Ellas McDaniel, born Ellas Otha Bates, on December 30th, 1928, McComb, Mississippi, U.S, known as Bo Diddley, was a singer, musician, songwriter and music producer who played a key role in the transition from the blues to rock 'n' roll. Ellas influenced many artists, including Elvis Presley, the Beatles, the Rolling Stones, and the Clash.
From the creator of the popular rock 'n' roll true crime podcast, DISGRACELAND comes an off-kilter, hysterical, at times macabre book of stories from the highly entertaining underbelly of music history. You may know Jerry Lee Lewis married his thirteen-year-old cousin but did you know he shot his bass player in the chest with a shotgun or that a couple of his wives died under extremely mysterious circumstances? Or that Sam Cooke was shot dead in a seedy motel after barging into the manager's office naked to attack her? Maybe not. Would it change your view of him if you knew that, or would your love for his music triumph? Real rock stars do truly insane thing and invite truly insane things to happen to them; murder, drug trafficking, rape, cannibalism and the occult. We allow this behavior. We are complicit because a rock star behaving badly is what's expected. It's baked into the cake. Deep down, way down, past all of our self-righteous notions of justice and right and wrong, when it comes down to it, we want our rock stars to be bad. We know the music industry is full of demons, ones that drove Elvis Presley, Phil Spector, Sid Vicious and that consumed the Norwegian Black Metal scene. We want to believe in the myths because they're so damn entertaining. DISGRACELAND is a collection of the best of these stories about some of the music world's most beloved stars and their crimes. It will mix all-new, untold stories with expanded stories from the first two seasons of the Disgraceland podcast. Using figures we already recognize, DISGRACELAND shines a light into the dark corners of their fame revealing the fine line that separates heroes and villains as well as the danger Americans seek out in their news cycles, tabloids, reality shows and soap operas. At the center of this collection of stories is the ever-fascinating music industry--a glittery stage populated by gangsters, drug dealers, pimps, groupies with violence, scandal and pure unadulterated rock 'n' roll entertainment.
By the time Jimi Hendrix died in 1970, the idea of a black man playing lead guitar in a rock band seemed exotic. Yet a mere ten years earlier, Chuck Berry and Bo Diddley had stood among the most influential rock and roll performers. Why did rock and roll become “white”? Just around Midnight reveals the interplay of popular music and racial thought that was responsible for this shift within the music industry and in the minds of fans. Rooted in rhythm-and-blues pioneered by black musicians, 1950s rock and roll was racially inclusive and attracted listeners and performers across the color line. In the 1960s, however, rock and roll gave way to rock: a new musical ideal regarded as more serious, more artistic—and the province of white musicians. Decoding the racial discourses that have distorted standard histories of rock music, Jack Hamilton underscores how ideas of “authenticity” have blinded us to rock’s inextricably interracial artistic enterprise. According to the standard storyline, the authentic white musician was guided by an individual creative vision, whereas black musicians were deemed authentic only when they stayed true to black tradition. Serious rock became white because only white musicians could be original without being accused of betraying their race. Juxtaposing Sam Cooke and Bob Dylan, Aretha Franklin and Janis Joplin, Jimi Hendrix and the Rolling Stones, and many others, Hamilton challenges the racial categories that oversimplified the sixties revolution and provides a deeper appreciation of the twists and turns that kept the music alive.
