At a crossroads in the Mississippi Delta, Robert Johnson is said to have sold his soul to the Devil so that he could become a guitar virtuoso and King of the Delta Blues. Blues Traveling: The Holy Sites of Delta Blues will tell you where that legendary deal was supposed to have been made and guide you to all the other hallowed grounds that nourished Mississippi's signature music. Johnson, Mississippi John Hurt, Memphis Minnie, Jimmie Rodgers, Bessie Smith, Muddy Waters, Mississippi Fred McDowell, Howlin' Wolf, B. B. King, Little Milton, Elvis Presley, Bobby Rush, Junior Kimbrough, R. L. Burnside-the list of great artists with Mississippi connections goes on and on. A trip through Mississippi blues sites is a pilgrimage every music lover ought to make at least once in a lifetime, to see the juke joints and churches, to visit the birthplaces and graves of blues greats, to walk down the dusty roads and over the levee, to eat some barbecue and greens, to sit on the bank of the Mississippi River, and to hear some down-home blues music. Blues Traveling is the first and only guidebook to Mississippi's musical places and blues history. With photographs, maps, easy-to-follow directions, and an informative, entertaining text, this book will lead you in and out of Clarksdale, Greenwood, Helena (Arkansas), Rolling Fork, Jackson, Natchez, Bentonia, Rosedale, Itta Bena, and dozens of other locales that generations of blues musicians have lived in, traveled through, and sung about. Stories, legends, and lyrics are woven into the text so that each backroad and barroom comes alive. Touring Mississippi with Blues Traveling is like having a knowledgeable and entertaining guide at your side. Even people with no immediate plans to visit Mississippi will enjoy reading the book for its photos, descriptions, and lore that will broaden their understanding and enhance their appreciation of the blues. Steve Cheseborough is an independent scholar and blues musician. His work has been published in Living Blues, Blues Access, Mississippi, and the Southern Register .
Hailed as a masterpiece of American travel writing, Blue Highways is an unforgettable journey along our nation's backroads. William Least Heat-Moon set out with little more than the need to put home behind him and a sense of curiosity about "those little towns that get on the map -- if they get on at all -- only because some cartographer has a blank space to fill: Remote, Oregon; Simplicity, Virginia; New Freedom, Pennsylvania; New Hope, Tennessee; Why, Arizona; Whynot, Mississippi." His adventures, his discoveries, and his recollections of the extraordinary people he encountered along the way amount to a revelation of the true American experience.
Travelling through Senegal, Mauritania and Mali, the author sees the inhabitants coping with the hardships and instability that drought, ethnic conflict and rebel uprisings bring. This book also embraces the survival spirit of the people, centring around the Malinese blues singer Boubacar Traore.
'Some of it was cool, some of it was a pain in the ass, or maybe that was just me.' Using his trademark wit, insight and verve, icon Henry Rollins shares journals from his gruelling world tours of 1997 and 1998, as well as a record of the fulfilment of his longstanding dream to journey through Africa. He takes us on a rollercoaster of highs and lows, frustrations and exhilaration - from roving gangs of baboons in Kenya to haggling with immigration officials in Madagascar and his thoughts on meeting his childhood heroes, Black Sabbath - and finds a way to make his unique experiences accessible and meaningful to us all.
"... Ahmad has created a novel that looks at race and culture and the changing face of America. It's a story that's easy to devour but hard to forget... " - Richmond Times-DispatchRanjit Singh, a former Indian Army Captain trying to escape a shameful past, lives with his family among the migrant workers of Martha's Vineyard, working as a caretaker of the vacation homes of the rich and powerful. Needing a place to stay, Ranjit moves his family into an empty Senator's home. Happily, but illegally ensconced in the house, he tries to forget his brief affair with Anna, the wife of an African-American senator, and focus on providing for his family. But one night, their idyll is shattered when mysterious armed men break into the house, looking for an antique porcelain doll. Forced to flee, Ranjit is pursued and hunted by unknown forces, and becomes drawn into the Senator's shadowy world. To save his family and solve the mystery of the doll, he must join forces with Anna, who has her own dark secrets. As the past and present collide, Ranjit must finally confront the hidden event that destroyed his Army career and forced him to leave India.Tightly plotted, action-packed, smart and surprisingly moving, The Caretaker takes us from the desperate world of migrant workers to the elite African-American community of Martha's Vineyard, and a secret high-altitude war between India and Pakistan.
A history of the Blues genre and its celebrated musicians discusses how African-Americans expressed poverty, injustice, faith, and love in their music as they journeyed from southern plantations to northern cities.
It started with a question about the blues: what makes the music of the downtrodden black man so alluring to white middle-class ears? And that’s where it gets interesting. Because blues is more than a musical genre: it’s a cultural phenomenon that spans several centuries on both sides of the Atlantic, from slavery to Black Lives Matter, from Jan van Riebeeck to Fees Must Fall, from Robert Johnson to Abdullah Ibrahim. In Blues for the White Man, Fred de Vries looks for answers in America’s Deep South, drawing historical parallels with South Africa’s experience of colonialism, slavery, racism, civil war, segrega¬tion and protest. Travelling to Atlanta, Memphis, Nashville, New Orleans and the Mississippi Delta, De Vries speaks to musicians, Black Lives Matter activists and Trump supporters. He continues the conversation in South Africa, interviewing student protesters, white farmers and political thought-leaders to develop an understanding of white supremacy and black anger, white fear and black pain. A fascinating, insightful journey through time and space, Blues for the White Man is a cele¬bration of multiculturalism and a plea for white people to do some ‘second line dancing’ for a change.