The original Blue Sparrow was born on Twitter. It's a compilation of my daily ramblings on writing and reading to encourage fellow writers to write. After it got published, my Twitter followers asked me to make the second book, with illustrations this time. So this is it. This book has 140 pages just like 140 characters in a tweet, each page adorned by an encouraging tweet like "There is no wrong way to write a novel. The only wrong way is not to write it." and an adorable drawing by illustrator Jeff Bergstrand. Happy writing!
Blue Sparrow was born on Twitter. It's a compilation of my daily ramblings as a first time novelist encouraging myself and other writers to bite the bullet and do it despite the fear of blank paper, the insecurities, the angst every writer faces when left alone with the story and trying to bleed it out. My Twitter followers asked me to make it. They said they want to carry it around in their pockets and take it out each time they felt stuck, scared, or simply need to smile. Because people tell me my tweets are funny. You be the judge.
In the second installment of the Siren Suicides trilogy, Ailen Bright finds herself in a sticky situation. Her new supernatural abilities haven't solved anything - in fact, they've royally messed up her life. She can't be with the one person she loves (though her self-control is wavering by the second), her old, well-dressed dog of a father hasn't learned any new tricks, and her supposed siren sister doesn't seem to have her best interests at heart. A pawn in the game between her father and the Siren of Canosa, Ailen is constantly searching for her next move. Through all the hardships, however, Ailen's self-doubt begins to dissipate as she comes to accept her new identity.
Ailen Bright is more lost than ever. Her father has betrayed her yet again, but keeps her longing for his love alive with some almost-heartfelt confessions, though few and far between. She and Hunter can never be together without fighting the urge to strangle each other with their bare hands. And to top it off, two-faced Canosa won't leave her alone. Her resolve to do the right thing is wavering as she tries to protect the ones she loves, simultaneously searching for a reason to keep on living, and the final chapter of Siren Suicides comes to a tumultuous close, bringing death, life, and love.
On a rainy September morning that just so happens to be her sixteenth birthday, Ailen Bright, a chicken-legged, straw-haired teenager, decides to commit suicide via drowning in the family bathtub. The ornate marble tub, adhering to her abusive father's love for anything expensive and Italian, is decorated by five sirens - who seemingly help her escape the house when her father breaks down the bathroom door. After an almost-successful suicide attempt number two, which lands her at the bottom of a lake, she learns that sirens are, in fact, real, and they want to turn her into one of them. An amazing, yet dark look into the mind and heart of a suicidal teenager, this urban fantasy follows Ailen's struggle to figure out the meaning of life, the unraveling of her confusing feelings for her theatrically goofy best friend Hunter, and her desperate battle for her father's love.
Misunderstood and overmedicated, twelve-year-old Lilith Bloom finds the prospect of a grand family reunion decidedly dull... That is, until she discovers that the rose garden surrounding her grandfather's Berlin mansion is, well, completely and utterly carnivorous. Armed with Panther, her talking pet whippet, and the help of the mute boy next door, Lilith must unravel the secrets behind the mysterious estate, all while her family remains gloriously unaware that they are about to be devoured.
Of all of the naughty, mischievous, disrespectful, and downright horrible things that children can be, a badling is perhaps one of the worst. Badlings abandon books without finishing them, leaving their characters sad and lonely—not to mention angry. Meet Bells, Peacock, Rusty, and Grand, four ragtag friends convicted of this monstrous crime. As punishment, they get sucked into a book of unfinished stories, whose patchwork pages they must traverse...and read to the end this time.
** A New York Times Bestseller ** NAMED ONE OF THE BEST BOOKS OF THE YEAR BY: Time • The New Yorker • NPR • GQ • Elle • Vulture • Fortune • Boing Boing • The Irish Times • The New York Public Library • The Brooklyn Public Library "A complex, smart and ambitious book that at first reads like a self-help manual, then blossoms into a wide-ranging political manifesto."—Jonah Engel Bromwich, The New York Times Book Review One of President Barack Obama's "Favorite Books of 2019" Porchlight's Personal Development & Human Behavior Book of the Year In a world where addictive technology is designed to buy and sell our attention, and our value is determined by our 24/7 data productivity, it can seem impossible to escape. But in this inspiring field guide to dropping out of the attention economy, artist and critic Jenny Odell shows us how we can still win back our lives. Odell sees our attention as the most precious—and overdrawn—resource we have. And we must actively and continuously choose how we use it. We might not spend it on things that capitalism has deemed important … but once we can start paying a new kind of attention, she writes, we can undertake bolder forms of political action, reimagine humankind’s role in the environment, and arrive at more meaningful understandings of happiness and progress. Far from the simple anti-technology screed, or the back-to-nature meditation we read so often, How to do Nothing is an action plan for thinking outside of capitalist narratives of efficiency and techno-determinism. Provocative, timely, and utterly persuasive, this book will change how you see your place in our world.
A National Book Foundation 5 Under 35 Honoree NBCC John Leonard First Book Prize Finalist Aspen Words Literary Prize Finalist Named a Best Book of the Year by Vogue, NPR, Elle, Esquire, Buzzfeed, San Francisco Chronicle, Cosmopolitan, The Huffington Post, The A.V. Club, The Root, Harper’s Bazaar, Paste, Bustle, Kirkus Reviews, Electric Literature, LitHub, New York Post, Los Angeles Review of Books, and Bust “The debut novel of the year.” —Vogue “Like so many stories of the black diaspora, What We Lose is an examination of haunting.” —Doreen St. Félix, The New Yorker “Raw and ravishing, this novel pulses with vulnerability and shimmering anger.” —Nicole Dennis-Benn, O, the Oprah Magazine “Stunning. . . . Powerfully moving and beautifully wrought, What We Lose reflects on family, love, loss, race, womanhood, and the places we feel home.” —Buzzfeed “Remember this name: Zinzi Clemmons. Long may she thrill us with exquisite works like What We Lose. . . . The book is a remarkable journey.” —Essence From an author of rare, haunting power, a stunning novel about a young African-American woman coming of age—a deeply felt meditation on race, sex, family, and country Raised in Pennsylvania, Thandi views the world of her mother’s childhood in Johannesburg as both impossibly distant and ever present. She is an outsider wherever she goes, caught between being black and white, American and not. She tries to connect these dislocated pieces of her life, and as her mother succumbs to cancer, Thandi searches for an anchor—someone, or something, to love. In arresting and unsettling prose, we watch Thandi’s life unfold, from losing her mother and learning to live without the person who has most profoundly shaped her existence, to her own encounters with romance and unexpected motherhood. Through exquisite and emotional vignettes, Clemmons creates a stunning portrayal of what it means to choose to live, after loss. An elegiac distillation, at once intellectual and visceral, of a young woman’s understanding of absence and identity that spans continents and decades, What We Lose heralds the arrival of a virtuosic new voice in fiction.
