The year is 1992. Yugoslavia's disintegration into a swirl of ethnic violence draws both East and West to the brink of Armageddon as armies deploy and fleets maneuver. Political intrigue in Moscow and Washington ensnare both the Soviet Politburo and the American President. In the zero-sum game of the Cold War, neither side can afford to blink or back down. A conflict nearly fifty years in the making spills from boardrooms and back alleys into open battle on land, sea, and the air. The showdown of the century is here, East versus West with the fate of the world at stake.
Myra is a sophisticated and ambitious young girl, Rishabh is any girl’s weak nerve. He is a chain smoker, She likes it. She is strong and independent girl, He likes it. He is a good debater, She loves it. She is uncensored and He loves it. Perhaps for both of them, it’s a scary match. They saw it all from the nasty relations, vicious misunderstandings, devious prejudices, parental pressure, mental disparities, hurt pride, conventional insecurities. Their relationships survived none. Yet nothing separated them like the Masquerade hour. His love began where her ended. They were chasing each other in the endless loop of ego. The story begins from the grave chasing life ever after. Because ever after are not always happily!!
Presents over 130 illustrations of costumes, from chambermaid and lady bug to peasant girl and gypsy, from French and Continental fashion magazines published from the f0s through the 1950s.
Have you ever wondered what secrets lurk behind the closed doors of New York City's wealthiest families? They're powerful, they're famous... they're undead. Schuyler Van Alen's blood legacy has just been called into question—is the young vampire in fact a Blue Blood, or is it the sinister Silver Blood that runs through her veins? As controversy swirls, Schuyler is left stranded in the Force household, trapped under the same roof as her cunning nemesis, Mimi Force, and her forbidden crush, Jack Force. When one of the Gates of Hell is breached by Silver Bloods in Rio de Janeiro, however, the Blue Bloods will need Schuyler on their side. The stakes are high; the battle is bloody; and through it all, Carnavale rages on. And in the end, one vampire's secret identity will be exposed in a revelation that shocks everyone.
From undercover robots to shape shifting soldiers, the twenty-one stories in this wide-ranging anthology explore what happens when the mask comes off. We all wear masks, whether they are the literal costumes of superheroes and bank robbers or the metaphorical shrouds that obscure our real selves. Unmaksed explores these attempts to conceal, the mysteries beneath, and the price we pay when they’re stripped away. Authors ask what happens when your secret identity is revealed. When the monster is unleashed. When the superhero’s child has no power. When Death himself is caught unawares. Here are twenty-one tales of speculation and fantasy that center on magical masks, gas masks, death masks, superheroes, secret identities, disguised robots, alien symbionts, a Napoleonic thief, a swindling demon, and even a hidden clown.
In its conventional meaning, masquerade refers to a festive gathering of people wearing masks and elegant costumes. But traditional forms of masquerade have evolved over the past century to include the representation of alternate identities in the media and venues of popular culture, including television, film, the internet, theater, museums, sports arenas, popular magazines and a range of community celebrations, reenactments and conventions. This collection of fresh essays examines the art and function of masquerade from a broad range of perspectives. From African slave masquerade in New World iconography, to the familiar Guy Fawkes masks of the Occupy Wall Street movement, to the branded identities created by celebrities like Madonna, Beyonce and Lady Gaga, the essays show how masquerade permeates modern life.
Twyla Vanessa Dalphine is one of the wealthiest women in England. She has everything except love. The greatest love in her life was her husband which she lost due to unforeseen circumstances. She travels to Turkey to complete his final wish and encounters Veronica Tabetha Dcosta. Both women become good friends and later on Twyla discovers that her husband’s death was murder. Whilst opening new truths new deaths spark the media and paranoia is spread. On this journey faces from the past will mix with the present. Discover the truth along with Twyla and see if truly every face in this world is deceiving and unravel the secrets in which Twyla has unknowingly entangled herself in.
Public masquerades were a popular and controversial form of urban entertainment in England for most of the eighteenth century. They were held regularly in London and attended by hundreds, sometimes thousands, of people from all ranks of society who delighted in disguising themselves in fanciful costumes and masks and moving through crowds of strangers. The authors shows how the masquerade played a subversive role in the eighteenth-century imagination, and that it was persistently associated with the crossing of class and sexual boundaries, sexual freedom, the overthrow of decorum, and urban corruption. Authorities clearly saw it as a profound challenge to social order and persistently sought to suppress it. The book is in two parts. In the first, the author recreates the historical phenomenon of the English masquerade: the makeup of the crowds, the symbolic language of costume, and the various codes of verbal exchange, gesture, and sexual behavior. The second part analyzes contemporary literary representations of the masquerade, using novels by Richardson, Fielding, Burney, and Inchbald to show how the masquerade in fiction reflected the disruptive power it had in contemporary life. It also served as an indispensable plot-catalyst, generating the complications out of which the essential drama of the fiction emerged. An epilogue discusses the use of the masquerade as a literary device after the eighteenth century. The book contains some 40 illustrations.
