A young girl spends her summer vacation in a country house where a tiger roams . . . A man reading a mystery finds out too late that he is the murderer’s intended victim . . . Originally published in hardcover as End of the Game and Other Stories, the fifteen stories collected here—including “Blow-Up,” which was the basis for Michelangelo Antonioni’s film of the same name—shows Julio Cortázar's nimble capacity to explore the shadowy realm where the everyday meets the mysterious, perhaps even the terrible.
Michelangelo Antonioni's 1966 film Blow-Up is a masterfully constructed and paced exploration of the enigmas that challenge our interpretations of both the moving and the still image. Photography plays a key role at the very core of the film, providing the metaphorical site for the director's questioning of the relationship between reality and perceptions. This book provides a fresh and stimulating study of Antonioni's masterpiece. It reassembles and re-tells - through onset stills and the original blow-ups - the film's key narrative and pictorial strands in a focused visual investigation that is complemented by the authors' analytical essays. These texts draw on new research and effectively situate the film in the social and creative contexts that informed Antonioni's screenplay and art direction - on the one hand through an account of the milieu of fashionable photographers and models and the media through which they became so vivid a phenomenon, and on the other hand through the revelation of the artistic and literary reference points that so pervasively enrich the film.
Property will cost us the earth The science on climate change has been clear for a very long time now. Yet despite decades of appeals, mass street protests, petition campaigns, and peaceful demonstrations, we are still facing a booming fossil fuel industry, rising seas, rising emission levels, and a rising temperature. With the stakes so high, why haven't we moved beyond peaceful protest? In this lyrical manifesto, noted climate scholar (and saboteur of SUV tires and coal mines) Andreas Malm makes an impassioned call for the climate movement to escalate its tactics in the face of ecological collapse. We need, he argues, to force fossil fuel extraction to stop--with our actions, with our bodies, and by defusing and destroying its tools. We need, in short, to start blowing up some oil pipelines. Offering a counter-history of how mass popular change has occurred, from the democratic revolutions overthrowing dictators to the movement against apartheid and for women's suffrage, Malm argues that the strategic acceptance of property destruction and violence has been the only route for revolutionary change. In a braided narrative that moves from the forests of Germany and the streets of London to the deserts of Iraq, Malm offers us an incisive discussion of the politics and ethics of pacifism and violence, democracy and social change, strategy and tactics, and a movement compelled by both the heart and the mind. Here is how we fight in a world on fire.
A respected journalist describes the abuse he suffered at the hands of a close family relative, the effect this had on his formative years and how he overcame the anger and self-doubt it left behind.
Three new chapter books feature Arthur and his friends for fans ready to read on their own. Each book features longer Arthur Adventures at a third-grade reading level and has loads of kid appeal. Arthur is in top form as he attempts to settle a huge argument, hosts the Brain for a weekend, and tries to keep Francine from taking over a class play. Arthur fans will want to read and collect all of these new chapter books!
Blow Up, the 1966 cult film, can also be regarded as an excursion in photography. On a futile search for evidence of a crime he thought he has seen, Thomas, a fashion photographer, enlarges his pictures, pushing the envelope of the medium's boundaries. Michelangelo Antonioni's milestone in film history revolves around the issue of how much truth exists in perception, inquires into the ways that media reproductions can be manipulated.This publication examines Blow Up from a photographic perspective, investigating in detail the photographic and art-historical stances presented in the film as well as the genres is represents. The stylistic devices discussed range from social reportage, fashion photography, and Pop Art to abstract photography--and how, incidentally, Antonioni discovers soft focus as an artistic device. (German edition ISBN 978-3-7757-3736-4) Exhibition schedule: Albertina, Vienna April 30-August 24, 2014 - Fotomuseum Winterthur September 13-November 30, 2014 - C/O Berlin December 13, 2014-March 8, 2015
From the #1 New York Times bestselling author of Anathem, Reamde, and Cryptonomicon comes an exciting and thought-provoking science fiction epic—a grand story of annihilation and survival spanning five thousand years. What would happen if the world were ending? A catastrophic event renders the earth a ticking time bomb. In a feverish race against the inevitable, nations around the globe band together to devise an ambitious plan to ensure the survival of humanity far beyond our atmosphere, in outer space. But the complexities and unpredictability of human nature coupled with unforeseen challenges and dangers threaten the intrepid pioneers, until only a handful of survivors remain . . . Five thousand years later, their progeny—seven distinct races now three billion strong—embark on yet another audacious journey into the unknown . . . to an alien world utterly transformed by cataclysm and time: Earth. A writer of dazzling genius and imaginative vision, Neal Stephenson combines science, philosophy, technology, psychology, and literature in a magnificent work of speculative fiction that offers a portrait of a future that is both extraordinary and eerily recognizable. As he did in Anathem, Cryptonomicon, the Baroque Cycle, and Reamde, Stephenson explores some of our biggest ideas and perplexing challenges in a breathtaking saga that is daring, engrossing, and altogether brilliant.
Love story of the 21st century. Two social outcasts in far, far Indonesia find a way to love each other regardless of their backgrounds: Tira Yohanes Soepomo, a 48 years old transsexual who identified as female, and Dayang, a throw away person, unemployed with no family.00?The two met while living on the streets of the Muslim city of Jogiakarta in Central Java. They shared a life together in a basic six square meter squat that became the centre of their universe. Tira contracted HIV, the deadly virus that hides invisible in the blood, like her ineffable desires and emotions. Dayang loved Tira regardless of the virus; together they shared a lust for life and the courage to be themselves. The couple allowed Luca Desienna into their lives and trusted him to make this respectful and intimate portrait of their relationship. Luca?s photographs honestly penetrate into the moments of their wild, and sometimes raw love making. It?s a passionate portrait of joy and pain, suffering, and ultimately of Tira?s death.?0(taken from Peggy Sue Amison?s essay to the book).
