Bloody Hand Matt Braun He found a people who needed his courage... Born a slave, Jim Beckwirth forged his own path to freedom as a mountain man. But when a wealthy trading company owner offered to pay him to live among the Crow Indians, Beckwirth accepted the deal—and discovered another way of life that changed him forever. He fought a battle that had to be won... Here in the Wind River Mountains, amidst blood feuds and blood brothers, he became Bloody Hand, a man sworn to take a hundred scalps—and destined to become the People's greatest warrior—in a life-or-death struggle that shaped the fate of a nation.
A bestselling chronicler of the sea turns to a trio of his own ancestors to see what memory and the selective plundering of history has made of the truth in Northern Ireland. The name “Lundy” is synonymous with traitor in Ulster. Derek Lundy’s first ancestral subject was the Protestant governor of Derry in 1688, just before it came under siege by the Catholic Irish army of James II. For reasons that remain ambiguous, Robert ordered the gates of the city opened in surrender. Protestant hard-liners staged a coup de ville and drove him away in disgrace, a traitor to the cause. But Robert is more memorable for his peace-seeking moderation than for the treachery the standard history attributes to him. William Steel Dickson’s legacy is a little different: a Presbyterian minister born in the late 18th century, he preached with famous eloquence in favour of using whatever means necessary to resist the tyranny of the English, including joining forces with the Catholics in armed rebellion. Finally, there is “Billy” Lundy, born in 1890, the antithesis of the ecumenical William, and the embodiment of what the Ulster Protestants had become by the beginning of World War I – a tribe united in their hostility to Catholics and to the project of an independent Ireland. The lives of Robert Lundy, William Steel Dickson and Billy Lundy encapsulate many themes in the Ulster past. In telling their stories, Derek Lundy lays bare the harsh and murderous mythologies of Northern Ireland and gives us a revision of its history that seems particularly relevant in today’s world. Excerpt from The Bloody Red Hand: The other thing I remember is the look the young man gave me, after he had taken the cash, put his pistol away and was standing with his hands in his jacket pockets. It wasn’t the expression of someone who was thinking of shooting me too; I never had that feeling. But the way he looked at me was so familiar – wary and calculating. Many people in Belfast had stared in the same way since I’d arrived for a visit. For a long time, I couldn’t understand what it meant. Eventually, I knew. They were trying to decide “what foot I kicked with” – what religion I was. There were supposed ways to tell, subtle indicators. Was I someone they should fear? Or was I one of them? That was what the armed robber was doing, too. He had just shot a man who knew him by his first name. But he was looking at me, the stranger, and trying to figure out whether I was a Prod or a Taig.
On September 24, 1914 young Annie Martin, mother of two, was attacked and violently murdered while sleeping in her own bed. No one was ever caught or brought to justice, in this unsolved murder case, which haunted the town of Braggs, Oklahoma and the Martin family for decades. After years of research, author Shannon Rudy has unfurled the mystery surrounding her Grandmother's tragic end. This well written book is heavily documented with extensive original research including many newspaper articles, interviews, photographs and evidence of police cover-ups, yet it reads like a story that will engage readers' imaginations as well as their sympathies for a young woman doomed from childhood to a life of tragedy. Living in the heart of Cherokee Indian Territory during the tumultuous beginnings of the Twentieth Century, Annie is orphaned when her father is murdered and her mother swept away by a tornado. She is adopted by her uncle, only to be abused and then viscously murdered in her twenties by an assailant unnamed - until now. Bloody Handprints presents a classic cold case file as it puts the pieces together to solve the mystery and unravel the web of deceit, incompetence, incest, greed and desperation behind the untimely death of Annie Martin.
In this remarkable book, Belfast-born Derek Lundy uses the lives of three of his ancestors as a prism through which to examine what memory and the selective plundering of history has made of the truth in Northern Ireland. In Ulster the name 'Lundy' is synonymous with 'traitor'. Robert Lundy was the Protestant governor of Londonderry in 1688, just before it came under siege by the Catholic Irish army of James II. Robert Lundy ordered the city's capitulation. Crying 'No Surrender', hardline Protestants prevented it and drove him away in disgrace. William Steel Dickson's legacy is a little different. A Presbyterian minister born in the mid-eighteenth century, he preached with famous eloquence in favour of using whatever means necessary to resist the tyranny of the English. Finally there is 'Billy' Lundy, born in 1890, the embodiment of what the Ulster Protestants had become by the beginning of World War I - a tribe united in their hostility to Catholics and to the concept of a united Ireland. The lives of Robert Lundy, William Steel Dickson and Billy Lundy encapsulate many themes in the Ulster past. In telling their stories, Derek Lundy lays bare the harsh and murderous mythologies of Northern Ireland and gives us a revision of its history that seems particularly relevant in today's world.
"Talk to the hand, ’cause the face ain’t listening," the saying goes. When did the world stop wanting to hear? When did society become so thoughtless? It’s a topic that has been simmering for years, and Lynne Truss says it’s now reached the boiling point. Taking on the boorish behavior that for some has become a point of pride, Talk to the Hand is a rallying cry for courtesy. Like Eats, Shoots & Leaves, Talk to the Hand is not a stuffy guidebook, and is sure to inspire spirited conversation. Why hasn’t your nephew ever thanked you for your carefully selected gift? What makes your contractor think it’s fine to snub you in the midst of a major renovation? Why do crowds spawn selfishness? What accounts for the appalling treatment you receive in stores (if you’re lucky enough to get a clerk’s attention at all)? Most important, what will it take to roll back a culture that applauds those who are disrespectful? In a recent U.S. survey, 79 percent of adults said that lack of courtesy was a serious problem. For anyone who’s fed up with the brutality inflicted by modern manners (or lack thereof), Talk to the Hand is a colorful call to arms—from the wittiest defender of the civilized world.
A small troupe of actors is putting on Shakespeare’s King Lear when, as one scene shifts to another, one of the actors is found dead onstage. In the panic that follows, “Doc” Blanchard, who has been playing the old king, teams up with Inspector Dwayne Eccles of the local police to try to make sense of a grisly murder.
America's crimes against the people of Iraq were shielded from public scrutiny by what senior U.S. military officers called the quiet, disguised, media-free approach developed in Central America in the 1980s. The echo chamber of the Western corporate media fleshed out the Pentagon's propaganda to create a virtual Iraq in the minds of the public, feeding a political discourse that bore no relation to the real war it was waging, the country it was destroying or the lives of its inhabitants. Davies takes apart the wall of propaganda surrounding one of history's most significant military disasters and most serious international crimes: non-existent WMDs; the equally fictitious centuries-old sectarian blood feud in Iraq; and the secrecy of the dirty war waged by American-led death squads. He places each aspect of the war within a context of illegal aggression, hostile military occupation and popular resistance, to uncover the brutal reality of a war that has probably killed at least a million people. From publisher description.
THE BLACK HAND is the true story of Rene Enriquez, aka "Boxer," and his rise in a secret criminal organization, a new Mafia, that already has a grip on all organized crime in California and soon all of the United States. This Mafia is using a base army of an estimated 60,000 heavily armed, loyal Latino gang members, called Surenos, driven by fear and illicit profits. They are the most dangerous gang in American history and they wave the flag of the Black Hand. Mafioso Enriquez gives an insider′s view of how he devoted his life to the cause--the Mexican Mafia, La Familia Mexicana, also known as La Eme--only to find betrayal and disillusionment at the end of a bloody trail of violence that he followed for two decades. And now, award-winning investigative journalist Chris Blatchford, with the unprecedented cooperation of Rene Enriquez, reveals the inner workings, secret meetings, and elaborate murder plots that make up the daily routine of the Mafia brothers. It is an intense, never-before-told story of a man who devoted his life to a bloody cause only to find betrayal and disillusionment. Based on years of research and investigation, Chris Blatchford has delivered a historic narrative of a nefarious organization that will go down as a classic in mob literature.
