"..if you enjoyed Oshimi's previous work with "The Flowers of Evil", and you enjoy dark storylines with twisted characters, you'll no doubt enjoy "Blood on the Tracks"! Recommended!" - Neo Tokyo 2099 Shigeru's midnight visit leads Seiichi back up the hill where his mother dropped him as a child...and as events begin to fold in on themselves like the layers of his psyche, Seiichi starts to see the past through Mommy's eyes... With one symbolic act, Seiichi can finally free himself of his mother's malign influence—but is this a nightmare, or is it all too real?!
This morning. Room 211. The Chelsea Hotel. Elysian Row. A man is lying face up on a red crushed-velvet chaise. His wide-open eyes stare at some unseen spot on the ceiling. He is wearing a pair of tight-fitting jeans, scuffed-up Spanish leather boots, and a matching Bolero vest. At first glance, one might mistake him for a vagabond, a vagrant, a drifter. He would have liked that. He always thought of himself as a traveling troubadour. But look closer. The lifeless man lying across the chaise is none other than superstar Bob Dorian. He'd been hailed a poet, a prophet, and the voice of a generation. Dorian never wanted to be any of those things. The most famous rock star in the world always resented the attention. Of course, turning up dead attracts the most attention of all. Suspects? Tons of them. They're all characters in Dorian's songs, not to mention they all hold a grudge. Intent on finding the killer, Dorian's manager, Jack Frost, teams with Commissioner Tiresias and obituary writer Mister Johns to track down the true culprit and solve the mysterious murder. And the answers they need may just be staring them in the face.
A railroad cult is a dying woman’s only hope. Athena and the Hellcat crew are driving hard. Their first stop is the wasteland’s only remaining radio station in Columbus, Ohio—run by the quirky Dapper brothers. It’s there that Athena learns of the dangers farther west in the nuclear hell—radiation, massive insects and a savage group of raiders called Wraiths. Athena’s best hope of getting to California is the organization that runs the railroads—The Trakers. Athena suspects not all is as it seems with the powerful religious group, but the Traker’s titanic locomotive—the Bulldozer—is the only way she can cover the dusty dead expanse of the Midwest. So she makes a deal. One with fatal consequences.
"If you enjoyed Oshimi's previous work with "The Flowers of Evil", and you enjoy dark storylines with twisted characters, you'll no doubt enjoy "Blood on the Tracks"! Recommended!" - Neo Tokyo 2099 It's been 20 years since his mother told Seiichi that she renounced motherhood, since she thanked him for being a killer, since he tried to strangle her there in the courtroom—and somehow he made it through. Living alone, working the night shift at a commercial bakery, barely speaking to his father, Seiichi's life is solitary and empty, and he likes it that way. But nothing lasts forever... The grand preface is over—and now the real story begins!!
“We are not worth more, they are not worth less.” This is the mantra of S. Brian Willson and the theme that runs throughout his compelling psycho-historical memoir. Willson’s story begins in small-town, rural America, where he grew up as a “Commie-hating, baseball-loving Baptist,” moves through life-changing experiences in Viet Nam, Nicaragua and elsewhere, and culminates with his commitment to a localized, sustainable lifestyle. In telling his story, Willson provides numerous examples of the types of personal, risk-taking, nonviolent actions he and others have taken in attempts to educate and effect political change: tax refusal—which requires simplification of one’s lifestyle; fasting—done publicly in strategic political and/or therapeutic spiritual contexts; and obstruction tactics—strategically placing one’s body in the way of “business as usual.” It was such actions that thrust Brian Willson into the public eye in the mid-’80s, first as a participant in a high-profile, water-only “Veterans Fast for Life” against the Contra war being waged by his government in Nicaragua. Then, on a fateful day in September 1987, the world watched in horror as Willson was run over by a U.S. government munitions train during a nonviolent blocking action in which he expected to be removed from the tracks and arrested. Losing his legs only strengthened Willson’s identity with millions of unnamed victims of U.S. policy around the world. He provides details of his travels to countries in Latin America and the Middle East and bears witness to the harm done to poor people as well as to the environment by the steamroller of U.S. imperialism. These heart-rending accounts are offered side by side with inspirational stories of nonviolent struggle and the survival of resilient communities Willson’s expanding consciousness also uncovers injustices within his own country, including insights gained through his study and service within the U.S. criminal justice system and personal experiences addressing racial injustices. He discusses coming to terms with his identity as a Viet Nam veteran and the subsequent service he provides to others as director of a veterans outreach center in New England. He draws much inspiration from friends he encounters along the way as he finds himself continually drawn to the path leading to a simpler life that seeks to “do no harm.&rdquo Throughout his personal journey Willson struggles with the question, “Why was it so easy for me, a ’good’ man, to follow orders to travel 9,000 miles from home to participate in killing people who clearly were not a threat to me or any of my fellow citizens?” He eventually comes to the realization that the “American Way of Life” is AWOL from humanity, and that the only way to recover our humanity is by changing our consciousness, one individual at a time, while striving for collective cultural changes toward “less and local.” Thus, Willson offers up his personal story as a metaphorical map for anyone who feels the need to be liberated from the American Way of Life—a guidebook for anyone called by conscience to question continued obedience to vertical power structures while longing to reconnect with the human archetypes of cooperation, equity, mutual respect and empathy.
Encouraged by Fukiishi to stand up for himself, Seiichi exploded in a moment of rage, telling his mother Seiko, "I don't need you"—the first rebellious act of his young life. Now Fukiishi has offered him sanctuary in her room, hidden from her father and away from the watchful eyes of his own parents. But as Seiichi fumbles toward sexual awakening, his mother's specter is never far from his mind... Shuzo Oshimi's masterwork of psychological terror continues, as Seiichi struggles to navigate the tangled web of his competing emotions. Meanwhile, Seiko's desperate search for her son brings her to Fukiishi's doorstep...
This lovingly-constructed folio presents all the songs from Bob Dylan’s landmark album, Blood On The Tracks. Each song has been carefully arranged with melody line, full lyrics, Guitar chords and strumming or picking patterns for each song. This collection has also been furnished with introduced by music journalist and Biographer Patrick Humphries, whose insightful analysis of Dylan’s playing style will allow you to capture the feel of each song and understand his use of open-tuning .
"..if you enjoyed Oshimi's previous work with "Flowers of Evil", and you enjoy dark storylines with twisted characters, you'll no doubt enjoy "Blood on the Tracks"! Recommended!" - Neo Tokyo 2099 Up on the hill, Seiichi's encounter with Shigeru merges with his own experience of being cast away by his mother, Seiko—and in that moment, he kills Shigeru in order to kill himself, a sacrificial rite to permanently sever his connection with his mother. Taken into custody, Seiichi feels only relief... But Seiko isn't gone from his life yet!!
The second of two volumes, this companion to every song that Bob Dylan ever wrote is not just opinionated commentary or literary interpretation: it consists of facts first and foremost. Together these two volumes form the most comprehensive books available on Dylan's words. Clinton Heylin is the world's leading Dylan biographer and expert, and he has arranged the songs in a continually surprising chronology of when they were actually written rather than when they appeared on albums. Using newly discovered manuscripts, anecdotal evidence, and a seemingly limitless knowledge of every Bob Dylan live performance, Heylin reveals hundreds of facts about the songs. Here we learn about Dylan's contributions to the Traveling Wilburys, the women who inspired Blood on the Tracks and Desire, the sources Dylan &“plagiarized&” for Love and Theft and Modern Times, why he left &“Blind Willie McTell&” off of Infidels and &“Series of Dreams&” off of Oh Mercy, what broke the long dry spell he had in the 1990s, and much more. This is an essential purchase for every true Bob Dylan fan.
