Brands are dead. Advertising no longer works. Consumers are in control. Or so we're told. In Buying In, Rob Walker argues that this accepted wisdom misses a much more important cultural shift, including a practice he calls murketing, in which people create brands of their own and participate, in unprecedented ways, in marketing campaigns for their favorites. Yes, rather than becoming immune to them, we are rapidly embracing brands. Profiling Timberland, American Apparel, Pabst Blue Ribbon, Red Bull, iPod, and Livestrong, among others, Walker demonstrates the ways in which buyers adopt products not just as consumer choices but as conscious expressions of their identities. Part marketing primer, part work of cultural anthropology, Buying In reveals why now, more than ever, we are what we buy—and vice versa.
This beautiful and informative volume illustrates the vitality and importance of North Carolina's contemporary art scene, showcasing the creation, collection, and celebration of art in all its richness and diversity. Featuring profiles of individual artists, compelling interviews, and beautiful full-color photography, this book tells the story of the state's evolution through the lens of its art world and some of its most compelling figures. Liza Roberts introduces readers to painters, photographers, sculptors, and other artists who live and work in North Carolina and who contribute to its growing reputation in the visual arts. Roberts also provides fascinating historical context, such as the influence of Black Mountain College, the birth and growth of Penland School of Crafts, and short histories of North Carolina's art museums, including Charlotte's Mint Museum, Raleigh's North Carolina Museum of Art, Winston-Salem's Reynolda House, and those flourishing at universities. Artists featured include Stephen Hayes, Mel Chin, Cristina Cordova, Beverly McIver, and Scott Avett. The result is the most comprehensive, informative, and visually rich story of contemporary art in North Carolina.
In an age of uninspired corporate design and ominous "viral marketing," this book takes a fresh look at the world's current production of "analogue design". It is an international survey of the best examples created in recent times and draws on many influences from punk rock and cartoons to hand-painted street signs and graffiti. Handmade takes a refreshingly new, organic approach to this subject and exposes the appeal of its aesthetic power. Contributors range from young emerging artists to seasoned practitioners and include Matthias Gephart, Insect, Yuko Shimizu, Fawn Gehweiler, Fafi, Skwak, Sfaustina, Tokidoki, Melina Rodrigo, Yomar Augusto, Rinzen, Marok, Mike Giant, John John Jesse, WK Interact, Jasper Goodall, Charles Wilkin, Dave Kinsey, Shepard Fairey, and Chris Ashworth. Designers include Ed Fella, Plazm, Why Not Associates and Stefan Sagmeister.
Black Market Black Market, with written material primarily created 2000 to mid-2003, is the forth book in a series by writer Sereena Nightshade (photographed on the cover of Black Market on June 2013). The three previous books in this particular series include the following: The Visage, House of Sorrows and Sweetie Baby. Black Market is the work of this series that describes the meat market/judged or deemed worthy of consideration due to physical appearance feel created by the primary co-character in Sweetie-Baby. In this reality no one could escape unscathed and no one did indeed. Readers are advised to read both Sweetie-Baby and Black Market for full clarity. It is advisable to review The Visage as well. Names of individuals in all of this authors books are fictitious names. Real names are not revealed. Review by Dominic.
Skateboarding is both a sport and a way of life. Creative, physical, graphic, urban and controversial, it is full of contradictions – a billion-dollar global industry which still retains its vibrant, counter-cultural heart. Skateboarding and the City presents the only complete history of the sport, exploring the story of skate culture from the surf-beaches of '60s California to the latest developments in street-skating today. Written by a life-long skater who also happens to be an architectural historian, and packed through with full-colour images – of skaters, boards, moves, graphics, and film-stills – this passionate, readable and rigorously-researched book explores the history of skateboarding and reveals a vivid understanding of how skateboarders, through their actions, experience the city and its architecture in a unique way.
This book puts the illegal economy of the German capital during and after World War II into context and provides a new interpretation of Germany's postwar history. The black market, it argues, served as a reference point for the beginnings of the two new German states.
On the eve of the Civil War, the estimated value of the U.S. enslaved population exceeded $3 billion--triple that of investments nationwide in factories, railroads, and banks combined, and worth more even than the South's lucrative farmland. Not only an object to be traded and used, the slave was also a kind of currency, a form of value that anchored the market itself. And this value was not destroyed in the war. Slavery still structured social relations and cultural production in the United States more than a century after it was formally abolished. As Aaron Carico reveals in Black Market, slavery's engine of capital accumulation was preserved and transformed, and the slave commodity survived emancipation. Through both archival research and lucid readings of literature, art, and law, from the plight of the Fourteenth Amendment to the myth of the cowboy, Carico breaks open the icons of liberalism to expose the shaping influence of slavery's political economy in America after 1865. Ultimately, Black Market shows how a radically incomplete and fundamentally failed abolition enabled the emergence of a modern nation-state, in which slavery still determined--and now goes on to determine--economic, political, and cultural life.