Blasted Allegories is the first comprehensive collection of writing by contemporary artists, making available the best and most representative examples from the past ten years, an era marked by such pluralism and eclecticism that the voice of the artist may be the clearest one to listen to.
Blasted Allegories makes available the best and most representative examples of artists' writings from the past ten years, an era marked by such pluralism and eclecticism that the voice of the artist may be the clearest one to listen to. The writings, which included both criticism and fiction, have been selected both for their intrinsic, quality and their usefulness; to an understanding of contemporary art. Among the artists represented are Laurie Anderson, Eric Bogosian, Spalding Gray, Theresa Hak Kyng Cha, Dan Graham, Jenny Holzer, Barbara Kruger, Matt Mullican, Richard Prince, Martha Roster, Allan Sekula, and William Wegman. Brian Wallis an editor at Art in America. A publication of The New Museum of Contemporary Art, New York. Distributed by The MIT Press
Lieven Gevaert Series 7Does photography have a hybrid or chameleonic character because it can be part of entirely different mixed-media works of art? Photography as a medium is faced with the challenge of escaping from its too-frequent use as rather noncommittal and "poetic" visual imagery. How best might photographers proceed to maintain the integrity of their art? A distinguished group of art historians, art theorists, and specialists in contemporary photography address these issues in Photography between Poetry and Politics. They suggest that by raising a critical debate on the internal workings of the artistic system itself or on broader social problems, photographers might be able to transcend both political and aesthetic concerns, and so revitalize their art form and regain its autonomy.
The Complete Works of Nathaniel Hawthorne (Illustrated) is a collection of literary masterpieces by one of the greatest American authors of the 19th century. Known for his skillful blend of dark romanticism and moral allegory, Hawthorne's works delve into themes of sin, guilt, and redemption against the backdrop of early America. The book features iconic works such as The Scarlet Letter, The House of the Seven Gables, and Young Goodman Brown, each showcasing Hawthorne's intricate prose and profound exploration of human nature. This comprehensive collection serves as a valuable resource for scholars and readers alike, offering insight into the complexities of American literature during the Romantic period.Nathaniel Hawthorne, a descendant of Puritan settlers, drew inspiration from his family's history and New England upbringing to craft his timeless tales. His deep understanding of human psychology and morality shines through in his works, reflecting his own struggles with guilt and redemption. Hawthorne's unique storytelling style, characterized by rich symbolism and moral ambiguity, continues to captivate readers and critics to this day.I highly recommend The Complete Works of Nathaniel Hawthorne (Illustrated) to anyone interested in exploring the depths of American literature and delving into the intricacies of the human soul. This collection offers a comprehensive look into the genius of Hawthorne and his enduring impact on the literary world.
"The world is so sad and solemn," wrote Nathaniel Hawthorne, "that things meant in jest are liable, by an overwhelming influence, to become dreadful earnest; gaily dressed fantasies turning to ghostly and black-clad images of themselves." From the radical dualism of Hawthorne's vision, Samuel Coale argues, springs a continuing tradition in the American novel. In Hawthorne's Shadow is the first critical study to describe precisely the formal shape of Hawthorne's psychological romance and to explore his themes and images in relation to such contemporary writers as John Cheever, Norman Mailer, Joan Didion, John Gardner, Joyce Carol Oates, William Styron, and John Updike. When viewed from this perspective, certain writers—particularly Cheever, Mailer, Oates, and Gardner—appear in a new and very different light, leading to a considerable reevaluation of their achievement and their place in American fiction. Mr. Coale's long interviews and conversations with John Cheever, John Gardner, William Styron, and others have provided insights and perspectives that make this book particularly valuable to students of contemporary American literature. Coale links contemporary writers to an on-going American romantic tradition, represented by such earlier authors as Melville, Harold Frederic, Faulkner, Flannery O'Connor, and Carson McCullers. He explores the distinctly Manichean matter of much American romance, linking it to America's Puritan past and to the almost schizophrenic dynamics of American culture in general. Finally, he reexamines the post-modernist writers in light of Hawthorne's "shadow" and shows that, however similar they may be in some ways, they differ remarkably from the previous American romantic tradition.
Power, Image, and Memory examines how leaders and societies have used works of art commemorating historical events to shape collective memory. Through iconic artworks over centuries and across the globe, it explores the power of art to affirm cultural identities and thereby mold social groups and nations.