A calligraphy book guide to Blackletter Rotunda This book covers everything from basic tools and letter shapes to advanced script construction. Lavishly illustrated with over 750 handmade illustrations, this book covers historical and contemporary variations of the Rotunda alphabet. The Rotunda Book, created by professional calligraphers and type researchers, includes impressive examples of Rotunda art that will delight you!
Whether this is your first time approaching blackletter calligraphy or you have already dedicated years to the craft, you're in the right place. The materials herein were created to help aspiring calligraphy artists learn the ins and outs of an age-old (but certainly not forgotten) form of script. If you follow these materials from beginning to end, you will walk away with a deep understanding of Rotunda's history, how to distinguish it from other blackletter scripts, and most importantly, you'll be armed with the skills needed to reproduce it effortlessly in beautiful compositions and hand-written excerpts. This blackletter calligraphy manual and workbook covers the history of blackletter and provides insights on the best writing tools, in-depth written instruction and technique on how to approach individual strokes and letterforms for both the minuscule (lowercase) and majuscule (uppercase) alphabets, and a wealth of templated practice sheets to apply your learnings. Table of Contents: Introduction An Overview of Rotunda Calligraphy Blackletter Calligraphy Tools Minuscule Stroke Exercises Minuscule Alphabet Exercises Majuscule Stroke Exercises Majuscule Alphabet Exercises Blank Practice Sheets Mastering any style of calligraphy takes time and dedication -- but that's all it takes. Be patient in your studies and in time, this style of calligraphy will become second nature. Note: This is one part of a four part book series where each book covers one of the four styles of blackletter (Textura, Rotunda, Bastarda, and Fraktur) comprehensively. Be sure to check the others out as well if you're interested in learning other styles of blackletter calligraphy!
Whether this is your first time approaching blackletter calligraphy or you have already dedicated years to the craft, you're in the right place. The materials herein were created to help aspiring calligraphy artists learn the ins and outs of an age-old (but certainly not forgotten) form of script. If you follow these materials from beginning to end, you will walk away with a deep understanding of Fraktur's history, how to distinguish it from other blackletter scripts, and most importantly, you'll be armed with the skills needed to reproduce it effortlessly in beautiful compositions and hand-written excerpts. This blackletter calligraphy manual and workbook covers the history of blackletter and provides insights on the best writing tools, in-depth written instruction and technique on how to approach individual strokes and letterforms for both the minuscule (lowercase) and majuscule (uppercase) alphabets, and a wealth of templated practice sheets to apply your learnings. Table of Contents: Introduction An Overview of Fraktur Calligraphy Blackletter Calligraphy Tools Minuscule Stroke Exercises Minuscule Alphabet Exercises Majuscule Stroke Exercises Majuscule Alphabet Exercises Blank Practice Sheets Mastering any style of calligraphy takes time and dedication -- but that's all it takes. Be patient in your studies and in time, this style of calligraphy will become second nature. Note: This is one part of a four part book series where each book covers one of the four styles of blackletter (Textura, Rotunda, Bastarda, and Fraktur) comprehensively. Be sure to check the others out as well if you're interested in learning other styles of blackletter calligraphy!
Whether this is your first time approaching blackletter calligraphy or you have already dedicated years to the craft, you're in the right place. The materials herein were created to help aspiring calligraphy artists learn the ins and outs of an age-old (but certainly not forgotten) form of script. If you follow these materials from beginning to end, you will walk away with a deep understanding of Bastarda's history, how to distinguish it from other blackletter scripts, and most importantly, you'll be armed with the skills needed to reproduce it effortlessly in beautiful compositions and hand-written excerpts. This blackletter calligraphy manual and workbook covers the history of blackletter and provides insights on the best writing tools, in-depth written instruction and technique on how to approach individual strokes and letterforms for both the minuscule (lowercase) and majuscule (uppercase) alphabets, and a wealth of templated practice sheets to apply your learnings. Table of Contents: Introduction An Overview of Bastarda Calligraphy Blackletter Calligraphy Tools Minuscule Stroke Exercises Minuscule Alphabet Exercises Majuscule Stroke Exercises Majuscule Alphabet Exercises Blank Practice Sheets Mastering any style of calligraphy takes time and dedication -- but that's all it takes. Be patient in your studies and in time, this style of calligraphy will become second nature. Note: This is one part of a four part book series where each book covers one of the four styles of blackletter (Textura, Rotunda, Bastarda, and Fraktur) comprehensively. Be sure to check the others out as well if you're interested in learning other styles of blackletter calligraphy!
Whether this is your first time approaching blackletter calligraphy or you have already dedicated years to the craft, you're in the right place. The materials herein were created to help aspiring calligraphy artists learn the ins and outs of an age-old (but certainly not forgotten) form of script. If you follow these materials from beginning to end, you will walk away with a deep understanding of Textura's history, how to distinguish it from other blackletter scripts, and most importantly, you'll be armed with the skills needed to reproduce it effortlessly in beautiful compositions and hand-written excerpts. This blackletter calligraphy manual and workbook covers the history of blackletter and provides insights on the best writing tools, in-depth written instruction and technique on how to approach individual strokes and letterforms for both the minuscule (lowercase) and majuscule (uppercase) alphabets, and a wealth of templated practice sheets to apply your learnings. Table of Contents: Introduction An Overview of Textura Calligraphy Blackletter Calligraphy Tools Minuscule Stroke Exercises Minuscule Alphabet Exercises Majuscule Stroke Exercises Majuscule Alphabet Exercises Blank Practice Sheets Mastering any style of calligraphy takes time and dedication -- but that's all it takes. Be patient in your studies and in time, this style of calligraphy will become second nature. Note: This is one part of a four part book series where each book covers one of the four styles of blackletter (Textura, Rotunda, Bastarda, and Fraktur) comprehensively. Be sure to check the others out as well if you're interested in learning other styles of blackletter calligraphy!
Treasury of Alphabets and Lettering is a classic source book of the most beautiful type and letters of all time selected by Jan Tschichold, internationally renowned typographer and master of lettering. It contains only letters of timeless and lasting beauty--the true mainsprings of the art of lettering. One hundred and seventy-six type specimens are presented, most of them in complete alphabets.
An illuminating account of the design inspirations and technical transformations that have shaped the digital typefaces of the 21st century In this fascinating tour through typographic history, Paul Shaw provides a visually rich exploration of digital type revival. Many typefaces from the pre-digital past have been reinvented for use on computers and mobile devices, while other new font designs are revivals of letterforms, drawn from inscriptions, calligraphic manuals, posters, and book jackets. Revival Type deftly introduces these fonts, many of which are widely used, and engagingly tells their stories. Examples include translations of letterforms not previously used as type, direct revivals of metal and wood typefaces, and looser interpretations of older fonts. Among these are variations on classic designs by John Baskerville, Giambattista Bodoni, William Caslon, Firmin Didot, Claude Garamont, Robert Granjon, and Nicolas Jenson, as well as typefaces inspired by less familiar designers, including Richard Austin, Philippe Grandjean, and Eudald Pradell. Updates and revisions of 20th-century classics such as Palatino, Meridien, DIN, Metro, and Neue Haas Grotesk (Helvetica) are also discussed. Handsomely illustrated with annotated examples, archival material depicting classic designs, and full character sets of modern typefaces, Revival Type is an essential introduction for designers and design enthusiasts into the process of reinterpreting historical type.
The Rob Roy Kelly Wood Type Collection is a comprehensive collection of wood type manufactured and used for printing in nineteenth-century America. Comprising nearly 150 typefaces of various sizes and styles, it was amassed by noted design educator and historian Rob Roy Kelly starting in 1957 and is now held by the University of Texas. Although Kelly himself published a 1969 book on wood type and nineteenth-century typographic history, there has been little written about the creation of the wood type forms, the collection, or Kelly. In this book, David Shields rigorously updates and expands upon Kelly’s historical information about the types, clarifying the collection’s exact composition and providing a better understanding of the stylistic development of wood type forms during the nineteenth century. Using rich materials from the period, Shields provides a stunning visual context that complements the textual history of each typeface. He also highlights the non-typographic material in the collection—such as borders, rules, ornaments, and image cuts—that have not been previously examined. Featuring over 300 color illustrations, this written history and catalog is bound to spark renewed interest in the collection and its broader typographic period.
Named a Library Journal Best Reference of 2023 - From Library Journal's Starred Review: "This ambitious and entertaining update solidifies Berger’s volume as a must-have title for librarians, booksellers, collectors, and students of the book arts and book history." This new edition of The Dictionary of the Book adds more than 700 new entries and many new illustrations and brings the vocabulary and theory of bookselling and collecting into the modern commercial and academic world, which has been forced to adjust to a new reality. The definitive glossary of the book covers all the terms needed for a thorough understanding of how books are made, the materials they are made of, and how they are described in the bookselling, book collecting, and library worlds. Every key term—more than 2,000—that could be used in booksellers’ catalogs, library records, and collectors’ descriptions of their holdings is represented in this dictionary. This authoritative source covers all areas of book knowledge, including: The book as physical object Typeface terminology Paper terminology Printing Book collecting Cataloging Book design Bibliography as a discipline, bibliographies, and bibliographical description Physical Condition and how to describe it Calligraphy Language of manuscripts Writing implements Librarianship Legal issues Parts of a book Book condition terminology Pricing of books Buying and selling Auctions Items one will see an antiquarian book fairs Preservation and conservation issues, and the notion of restoration Key figures, presses / publishers, and libraries in the history of books Book collecting clubs and societies How to read and decipher new and old dealers’ catalogs And much more The Dictionary also contains an extensive bibliography—more than 1,000 key readings in the book world and it gives current (and past) definitions of terms whose meaning has shifted over the centuries. More than 200 images accompany the entries, making the work even more valuable for understanding the terms described.
The court of Holy Roman Emperor Rudolf II produced nothing more amazing than the Mira colligrophioe monumenta, a flamboyant demonstration of two arts-calligraphy and miniature painting. The project began when Rudolf's predecessor commissioned the master calligrapher Georg Bocskay to create a model book of calligraphy. A preeminent scribe, Bocskay assembled a vast selection of contemporary and historic scripts. Many were intended not for practical use but for virtuosic display. Years later, at Rudolf's behest, court artist Joris Hoefnagel filled the spaces on each manuscript page with images of fruit, flowers, insects, and other natural minutiae. The combination of word and images is rare and, on its tiny scale, constitutes one of the marvels of the Central European Renaissance. The manuscript is now in the collections of the Getty Museum. Forty-eight of its pages are reproduced in this book, containing samples of classic italic hands; historical, invented, and exhibition hands; Rotunda, a classicizing humanist script based on Carolingian miniscule; classically based scripts; and Gothic blackletter and chancery.
