"Water witch Annwyn Avalon presents a comprehensive guide to Celtic water lore including spells, rituals, water spirits, and merfolk. She explores the magic of the sea, but also features lakes, rivers, canals, swamps, and other watery locations as well as the craft and magic that have been and continue to be practiced at these places. Within these pages, you will learn how to set up your own personal water altars and shrines, gather or craft the magical tools of water witchery, and access the power of rain and ice. Most crucially, you will learn how to connect and communicate with the water spirits themselves."--Back cover.
In a murky swamp on the east side of Flat Lake Sanctuary is a magical place located deep in a murky swamp in Louisiana. It is protected by woodland fairies, sylvan, werewolves and magical humans called guardians. Additionally, Sanctuary itself has its own immune defense against trespassers. But Sanctuary has no protection against the dark fey that have escaped from the netherworld prisons of Faerie. The demons and other dark fey have set their sights on the Sanctuary’s destruction. When Jean Lafitte Gateaux, the most powerful guardian to enter Sanctuary in 300 years, joins forces with the other protectors to defend Sanctuary, they go head-to-head with the dark fey and the menacing demon behind it all—Golva, the chaos demon. Blackwater Magic offers fantasy fans an epic collision between good and evil. As the protectors of Sanctuary race against the clock to prevent its destruction, readers are left with bated breath and the beating question: Will time be on their side?
Three stories from New York Times bestselling author Faith Hunter, starring shapeshifting skinwalker Jane Yellowrock. In Snafu, a young Jane shows up for her internship with a securities firm. But before she even gets her foot in the door, she’s accosted by two street toughs and is forced to draw on her new-found Beast-magic to defend herself… In Black Water, Jane encounters a dire situation involving an escaped prisoner and endangered hostages. With a helpful—and oddly sane—werewolf, Jane goes after the criminals, but can she stop them in time to bring the kidnapped women home alive? In Off the Grid, Jane goes on what looks like a simple mission for the Knoxville blood-master—finding a missing Mithran. Her search leads Jane to a young woman named Nell, a woman with a scarred past and a strange power, a woman who may hold the key to saving the missing vampire, if Jane can convince her to assist. Includes an exclusive preview of the Jane Yellowrock novel, Broken Soul, coming October 2014 from Roc! Snafu and Off the Grid are never before published. The story Black Water was previously published as an Audible Audio Edition. Praise for Faith Hunter’s Jane Yellowrock Novels “Jane Yellowrock is smart, sexy, and ruthless.”—New York Times Bestselling Author Kim Harrison “There is nothing as satisfying as the first time reading a Jane Yellowrock novel.”—Fresh Fiction Faith Hunter is the New York Times bestselling author of the Jane Yellowrock series, as well as the Rogue Mage novels. She lives in Rock Hill, South Carolina.
Teagan must unravel a legion of secrets to break a curse and solve her grandmother's murder. It's no secret Teagan doesn't feel up to the task, but she is the new Swamp Witch of Firewater Springs, so what choice does she have? Everyone is counting on her.
The first entry in Llewellyn's exciting new Elements of Witchcraft series, Water Magic reveals the amazing possibilities of using water in your modern practice. Once you learn to access the enormous depths of this life-giving and powerful element, it will enhance your magic and help you grow into a better version of yourself. Cleansing and strong, the power of water is all around you and in you. Lilith Dorsey presents many ways to incorporate water into your magic, from washes and baths to spells and rituals. Discover how to use the symbols of water in your magical workings. Learn the histories and wisdom of rivers, lakes, and oceans, as well as water's relationship to the wheel of the year. Explore water and its manifestations in mythology and lore and meet the gods and goddesses who rule over the element.
The Pulitzer Prize-nominated novel from the author of the New York Times bestselling novel We Were the Mulvaneys “Its power of evocation is remarkable.” —The New Yorker In the midst of a long summer on Grayling Island, Maine, twenty-six-year-old Kelly Kelleher longs for something interesting to happen to her—something that will make her finally feel some of what she imagines other people must feel when they watch the fireworks explode off the beach. So when Kelly meets The Senator at an exclusive party and he asks her to go back to a hotel room on the main island with him, she says yes. Even though the senator is old enough to be her father, even though he has perhaps been drinking too heavily to get behind the wheel, the danger of saying yes is an inevitable and even exciting part of the adventure Kelly is finally going to have. However, as The Senator’s car whips around the island’s roads and eventually crashes through a guardrail, it becomes clear to Kelly and the reader that this man embodies a wholly different and more sinister type of danger, one much larger and harder to contain than the horrible events that unfold as Kelly is left in the sinking car. Black Water is a chilling meditation on power, trust, and violation and a timeless classic from one of America’s foremost storytellers.
Having discovered the true nature of the old woman known as the Witch of Blackwater Swamp, fifth grader Ted must decide whether to come to her aid when she is accused of the thefts plaguing his small Louisiana town.
• Explains how Kimbanda’s presiding deity Eshu embodies both masculine and feminine principles, both god and devil, and thus represents human nature itself with all its vices and virtues • Discusses Kimbanda’s magical practices, initiation rites, sacred knives, and sacrificial offerings • Details the seven realms and the entities that inhabit and govern each of them Although it has been demonized as a form of Satanic cult, Kimbanda--the tradition of Afro-Brazilian black magic--is a spiritual practice that embraces both the light and dark aspects of life through worship of the entities known as Eshu and Pombajira. Exploring the history and practice of Kimbanda, also known as Quimbanda, Diego de Oxóssi builds a timeline from the emergence of Afro-Brazilian religions in the 17th century when African slaves were first brought to Brazil, through the development of Orisha cults and the formation of Candomblé, Batuque, Macumba, and Umbanda religious practices, to the modern codification of Kimbanda by Mãe Ieda do Ogum in the 1960s. He explains how Kimbanda’s presiding deity Eshu Mayoral embodies both masculine and feminine principles, both god and devil, and thus represents human nature itself with all its vices and virtues. Discussing the magical practices, initiation rites, and spiritual landscape of Kimbanda, the author explains how there are seven realms, each with nine dominions, and he discusses the entities that inhabit and govern each of them. The author explores spirit possession and Kimbanda’s sacrificial practices, which are performed in order to honor and obtain the blessing of the entities of the seven realms. He discusses the sacred knives of the practice and the role each plays in it. He also explores the 16 zimba symbols and sigils used to attract the spirits most apt to realizing the magician’s will as well as traditional enchantment songs to summon and work with those spirits. Offering an accessible guide to Kimbanda, the author shows that this religion of the people is popular because it recognizes the dark and light sides of human morality and provides a way to interact with the deities to produce direct results. DIEGO DE OXÓSSI is a Chief of Kimbanda and Orishas Priest. For more than 20 years he has been researching and presenting courses, lectures, and workshops on pagan and African-Brazilian religions. He writes a weekly column at CoreSpirit.com and is the publisher at Arole Cultural. He lives in São Paulo, Brazil.
A Globe and Mail Top 100 Book of the Year A Quill & Quire Book of the Year A CBC Books Nonfiction Book of the Year A Maclean’s 20 Books You Need to Read this Winter “An instant classic that demands to be read with your heart open and with a perspective widened to allow in a whole new understanding of family, identity and love.” —Cherie Dimaline In this bestselling memoir, a son who grew up away from his Indigenous culture takes his Cree father on a trip to the family trapline and finds that revisiting the past not only heals old wounds but creates a new future The son of a Cree father and a white mother, David A. Robertson grew up with virtually no awareness of his Indigenous roots. His father, Dulas—or Don, as he became known—lived on the trapline in the bush in Manitoba, only to be transplanted permanently to a house on the reserve, where he couldn’t speak his language, Swampy Cree, in school with his friends unless in secret. David’s mother, Beverly, grew up in a small Manitoba town that had no Indigenous people until Don arrived as the new United Church minister. They married and had three sons, whom they raised unconnected to their Indigenous history. David grew up without his father’s teachings or any knowledge of his early experiences. All he had was “blood memory”: the pieces of his identity ingrained in the fabric of his DNA, pieces that he has spent a lifetime putting together. It has been the journey of a young man becoming closer to who he is, who his father is and who they are together, culminating in a trip back to the trapline to reclaim their connection to the land. Black Water is a memoir about intergenerational trauma and healing, about connection and about how Don’s life informed David’s own. Facing up to a story nearly erased by the designs of history, father and son journey together back to the trapline at Black Water and through the past to create a new future.
Walter de la Mare was a 20th century writer whose most famous work was actually a kid's book, which is ironic because most of his works consisted of psychological horror stories, most notably "Seaton's Aunt" and "Out of the Deep".
