Details of every Black Sabbath UK release on the Vertigo swirl and Vertigo spaceship, WWA and NEMS labels from 1970 to 1980 with full colour, high quality photography throughout of labels, sleeves and inserts along with detailed analysis and identifi cation of the crucial 1st pressing details of every album and single. Essential reading for collectors of Black Sabbath UK 1st pressings. The only book of its kind with this information for vinyl record collectors of rare UK first pressing Black Sabbath albums and singles.
Heavy Metal, Gender and Sexuality brings together a collection of original, interdisciplinary, critical essays exploring the negotiated place of gender and sexuality in heavy metal music and its culture. Scholars debate the current state of play concerning masculinities, femininities, queerness, identity aesthetics and monstrosities in an area of music that is sometimes mistakenly treated as exclusively sustaining a masculinist hegemony. The book combines a broad variety of perspectives on the main topic, regarding gender in connection to: the history of the genre; the range of metal subgenres; heavy metal's multidimensional scope (music, lyrics, performance, style, illustrations); men and women; sexualities and various local and global perspectives. Heavy Metal, Gender and Sexuality is a text that opens up the world of heavy metal to reveal that it is a very diverse and ground-breaking stage where gender play is at the centre of its theatricality and sustains its mass appeal.
This is a comprehensive, illustrated book about one of the most enduringly popular forms of music. Combining biography, critical analysis, and detailed reference sections, it profiles all the major heavy metal artists as well as a huge selection of other niche acts from around the world. Metal: The Definitive Guide includes new firsthand interviews with many major metal musicians and detailed discographies. It is the definitive metal encyclopedia.The over 300 illustrations in this book encompass fantastic including artist pictures and memorabilia such as posters, ticket stubs, and much more.
Music and Heritage provides new thinking about the diverse ways people engage with heritage. By exploring the relationships that exist between music, place and identity, the book illustrates how people form attachments to place and how such attachments are represented by sound and music-making. Presenting case studies and perspectives from across a range of genres, the volume argues that combining music with heritage provides an alternative and productive opportunity to think about heritage values and place attachment. Contributions to this edited collection use a diversity of methods, perspectives, cues and genres to reflect critically on issues related to these and other interconnections in ways that encourage new thinking about the character, meaning and purpose of cultural heritage, and the various ways in which people can interact with it through sound – thus re-encountering the supposedly familiar world around them. Taking heritage studies, musicology and place-making research in new directions, Music and Heritage will be of interest to academics and students engaged in the study of heritage, history, music, geography and anthropology. It will also be relevant to those with an interest in how music relates to place-making and place attachment, as well as to practitioners and policymakers working in the planning, design and creative sectors.
Arranged in sixteen musical categories, provides entries for twenty thousand releases from four thousand artists, and includes a history of each musical genre.
For over a full decade Black Sabbath had dominated Heavy Metal. As much as Led Zeppelin scorned the term Black Sabbath embraced it. In an age of bona fide supergroups Sabbath were unquestionably the heaviest thing stalking the planet and quite remarkably had remained a solid unit where others around them suffered ongoing membership fall outs and line-up reincarnations. Tony Iommi, Geezer Butler, Ozzy Osbourne and Bill Ward had weathered internal storms just as ferocious as every other band out on the circuit but had remained resolute. They had conquered the globe, sold close to 50 million albums and without concession had not pulled back one iota from delivering absolute, pure Heavy Metal. In 1977 the unthinkable happened. Ozzy Osbourne decamped. He would be lured back for one last album 'Never Say Die' before flying solo, rapidly building a band unit that would equal the repute of the mother-ship. Between 1979 and 1997 Tony Iommi and Ozzy Osbourne were pitched against each other in a titanic struggle unprecedented in Rock n' Roll. Both stars would employ the very finest players of the genre in the conflict and produce some of the finest Heavy Metal of the generation in the process. Tony Iommi, the man who without question invented Heavy Metal, fronted up Sabbath with vocal legends such as Ronnie James Dio, Ian Gillan, Glenn Hughes and Tony Martin against Ozzy's awesome arsenal of guitar innovators Randy Rhoads, Jake E. Lee and Zakk Wylde. Both Tony Iommi and Ozzy Osbourne reinvented their bands time and time again. The huge array of elite players that travelled through the ranks is now a constant source of fascination and rumours for Sabbath fanatics. 'Sabbath Bloody Sabbath: The Battle for Black Sabbath' reforges the author's two previous landmark tomes 'Ozzy Osbourne: The Story of the Ozzy Osbourne band' & 'Black Sabbath: Never Say Die!' along with additional material into this one definitive Metal milestone. Complete with over 140 images, many never seen before, and unique interviews, including with the late Ray Gillen and Cozy Powell as well as the highly controversial figure of Jeff Fenholt and mysterious Dave Donato, 'Sabbath Bloody Sabbath' is the definitive account of those years (1979 to 1997) before the reunion. Exclusive interview content with Tony Iommi, Geezer Butler, Cozy Powell, Ronnie James Dio, Ian Gillan, Glenn Hughes, Ray Gillen, Tony Martin, Geoff Nicholls, Rob Halford, Bob Daisley, Lee Kerslake, Carmine Appice, Tommy Aldridge, Neil Murray, Dave Spitz, Eric Singer, David Donato, Jeff Fenholt, Bobby Rondinelli, Rudy Sarzo, Phil Soussan, Randy Castillo, Bernie Torme, Brad Gillis, Jo Burt, Pete Way, Dana Strum, Terry Chimes, Lita Ford, Steve Vai, Don Airey, Lindsey Bridgewater, Terry Nails and many, many more. Additional details: 8 page discography appendix detailing 264 career albums and singles from Black Sabbath, Ozzy Osbourne, Dio, Bill Ward, Geezer and Tony Iommi; plus 7 page index with 694 entries. Product Dimensions: 8.25 x 11.0 inches (210 x 279 mm). Weight: approximately 1.6 lbs (0.75 kg).
This one-of-a-kind reference investigates the music and the musicians that set the popular trends of the last half century in America. Many rock fans have, at one time or another, ranked their favorite artists in order of talent, charisma, and musical influence on the world as they see it. In this same spirit, author and music historian David V. Moskowitz expands on the concept of "top ten" lists to provide a lineup of the best 100 musical groups from the past 60 years. Since the chosen bands are based on the author's personal taste, this two-volume set provokes discussion of which performers are included and why, offering insights into the surprising influences behind them. From the Everly Brothers, to the Ramones, to Public Enemy, the work covers a wide variety of styles and genres, clearly illustrating the connections between them. Entries focus on the group's history, touring, membership, major releases, selected discography, bibliography, and influence. Contributions from leading scholars in popular music shed light on derivative artists and underscore the overall impact of the performers on the music industry.
The New York Times bestselling autobiography by the lead guitarist of Black Sabbath and the architect of heavy metal Iron Man chronicles the story of both pioneering guitarist Tony Iommi and legendary band Black Sabbath, dubbed "The Beatles of heavy metal" by Rolling Stone. Iron Man reveals the man behind the icon yet still captures Iommi's humor, intelligence, and warmth. He speaks honestly and unflinchingly about his rough-and-tumble childhood, the accident that almost ended his career, his failed marriages, personal tragedies, battles with addiction, band mates, famous friends, newfound daughter, and the ups and downs of his life as an artist. Everything associated with hard rock happened to Black Sabbath first: the drugs, the debauchery, the drinking, the dungeons, the pressure, the pain, the conquests, the company men, the contracts, the combustible drummer, the critics, the comebacks, the singers, the Stonehenge set, the music, the money, the madness, the metal.
