The Black Horn: The Story of Classical French Hornist Robert Lee Watt tells the story of the first African American French Hornist hired by a major symphony in the United States. Today, few African Americans hold chairs in major American symphony orchestras, and Watt is the first in many years to write about this uniquely exhilarating—and at times painful—experience. The Black Horn chronicles the upbringing of a young boy fascinated by the sound of the French horn. Watt walks readers through the many obstacles of the racial climate in the United States, both on and off stage, and his efforts to learn and eventually master an instrument little considered in the African American community. Even the author’s own father, who played trumpet, sought to dissuade the young classical musician in the making. He faced opposition from within the community—where the instrument was deemed by Watt’s father a “middle instrument suited only for thin-lipped white boys”—and from without. Watt also documented his struggles as a student at a nearly all-white major music conservatory, as well as his first job in a major symphony orchestra after the conservatory canceled his scholarship. Watt subsequently chronicles his triumphs and travails as a musician when confronting the realities of race in America and the world of classical music. This book will surely interest any classical musician and student, particularly those of color, seeking to grasp the sometimes troubled history of being the only “black horn.”
A child reflects on the meaning of being Black in this moving and powerful anthem about a people, a culture, a history, and a legacy that lives on. Red is a rainbow color. Green sits next to blue. Yellow, orange, violet, indigo, They are rainbow colors, too, but My color is black . . . And there’s no BLACK in rainbows. From the wheels of a bicycle to the robe on Thurgood Marshall's back, Black surrounds our lives. It is a color to simply describe some of our favorite things, but it also evokes a deeper sentiment about the incredible people who helped change the world and a community that continues to grow and thrive. Stunningly illustrated by Caldecott Honoree and Coretta Scott King Award winner Ekua Holmes, Black Is a Rainbow Color is a sweeping celebration told through debut author Angela Joy’s rhythmically captivating and unforgettable words. An ALSC Notable Children's Book 2021 An NCTE 2021 Notable Poetry Book A 2021 Notable Social Studies Trade Book of the NCSS/CBC A New York Public Library Best Book of 2020 A Washington Post Best Book of 2020 A Horn Book Fanfare Best Book of the Year A 2020 Jane Addams Children's Book Award Honoree
A searing new work of nonfiction from award-winning author Brandy Colbert about the history and legacy of one of the most deadly and destructive acts of racial violence in American history: the Tulsa Race Massacre. Winner, Boston Globe-Horn Book Award. In the early morning of June 1, 1921, a white mob marched across the train tracks in Tulsa, Oklahoma, and into its predominantly Black Greenwood District—a thriving, affluent neighborhood known as America's Black Wall Street. They brought with them firearms, gasoline, and explosives. In a few short hours, they'd razed thirty-five square blocks to the ground, leaving hundreds dead. The Tulsa Race Massacre is one of the most devastating acts of racial violence in US history. But how did it come to pass? What exactly happened? And why are the events unknown to so many of us today? These are the questions that award-winning author Brandy Colbert seeks to answer in this unflinching nonfiction account of the Tulsa Race Massacre. In examining the tension that was brought to a boil by many factors—white resentment of Black economic and political advancement, the resurgence of white supremacist groups, the tone and perspective of the media, and more—a portrait is drawn of an event singular in its devastation, but not in its kind. It is part of a legacy of white violence that can be traced from our country's earliest days through Reconstruction, the Civil Rights movement in the mid–twentieth century, and the fight for justice and accountability Black Americans still face today. The Tulsa Race Massacre has long failed to fit into the story Americans like to tell themselves about the history of their country. This book, ambitious and intimate in turn, explores the ways in which the story of the Tulsa Race Massacre is the story of America—and by showing us who we are, points to a way forward. YALSA Honor Award for Excellence in Nonfiction
Novel of violence, vengeance and love featuring legendary mercenary, Creasy, first seen in M̀an on fire', spanning the African bush and the backstreets of Hong Kong.
The Society of Illustrators Original Art Exhibit 2015 2015 NAACP Image Award—Outstanding Literary Work, Children New York Public Library's 100 Titles for Reading and Sharing Notable Social Studies Trade Books for Young People 2016—CBC/NCSS STARRED REVIEW! "Weatherford writes in the present tense with intensity, carefully choosing words that concisely evoke the man. Parks' photography gave a powerful and memorable face to racism in America; this book gives him to young readers."—Kirkus Reviews starred review "This is a promising vehicle for introducing young children to the power of photography as an agent for social change, and it may make them aware of contemporary victims of injustice in need of an advocate with a camera."—The Bulletin of the Center for Children's Books The story of a self-taught photographer who used his camera to take a stand against racism in America. His white teacher tells her all-black class, You'll all wind up porters and waiters. What did she know? Gordon Parks is most famous for being the first black director in Hollywood. But before he made movies and wrote books, he was a poor African American looking for work. When he bought a camera, his life changed forever. He taught himself how to take pictures and before long, people noticed. His success as a fashion photographer landed him a job working for the government. In Washington DC, Gordon went looking for a subject, but what he found was segregation. He and others were treated differently because of the color of their skin. Gordon wanted to take a stand against the racism he observed. With his camera in hand, he found a way. Told through lyrical verse and atmospheric art, this is the story of how, with a single photograph, a self-taught artist got America to take notice.
Subject of the upcoming film Free State of Jones, this book provides recollections of the man who took on the Confederacy during the Civil War and established the liberated Mississippi county. Soldier, Father, Rebel. Outlaw. A man of deep convictions, Captain Newt Knight disagreed with the values of the South and was accused of deserting the Confederate army. He was a believer in doing what was just. During the Civil War, he formed his own band of deserters who would rebel against the Confederacy and support the Union. In the spring of 1864, the government in Jones County was effectively overthrown, and, the county was dubbed “The Free State of Jones.” Eventually, Knight would establish a mixed race town for both whites and former slaves to inhabit together. This edition merges two rare books on the subject; Thomas Jefferson Knight’s The Life and Activities of Captain Newt Knight and Ethel Knight’s The Echo at the Black Horn. Each paints a singular portrait of this elusive historical figure. Was he Civil War-Era Robin Hood or a manipulative cult leader? Both surely have fictitious elements determined by the authors' biases. Historian Jim Kelly provides a forward that helps examine the importance of each position on Newt Knight’s role in the conflict and what his motivations truly were. Now the subject of a new feature film, the experiences of Newt Knight will be brought back to light. This highly informative book helps to explore his life and give an in-depth look at the man—through the eyes of his son and grand-niece.
A National Book Award Finalist A Coretta Scott King Author Award Honor Book A Michael L. Printz Honor Book A Walter Dean Myers Honor Book With passion and precision, Kekla Magoon relays an essential account of the Black Panthers—as militant revolutionaries and as human rights advocates working to defend and protect their community. In this comprehensive, inspiring, and all-too-relevant history of the Black Panther Party, Kekla Magoon introduces readers to the Panthers’ community activism, grounded in the concept of self-defense, which taught Black Americans how to protect and support themselves in a country that treated them like second-class citizens. For too long the Panthers’ story has been a footnote to the civil rights movement rather than what it was: a revolutionary socialist movement that drew thousands of members—mostly women—and became the target of one of the most sustained repression efforts ever made by the U.S. government against its own citizens. Revolution in Our Time puts the Panthers in the proper context of Black American history, from the first arrival of enslaved people to the Black Lives Matter movement of today. Kekla Magoon’s eye-opening work invites a new generation of readers grappling with injustices in the United States to learn from the Panthers’ history and courage, inspiring them to take their own place in the ongoing fight for justice.
The black rhino is nature's tank, feared by all animals. Even lions will break off a hunt to detour around one. And yet the black rhino is on the edge of extinction, its numbers dwindling from 100,000 at the turn of the century, to less than 2,500 today. The reason is that in places like Yemen, China, Korea, Taiwan, and Thailand, the rhino's horn is more valuable than gold, so valuable that people will risk their lives to harvest it. To deter rhino poachers, African governments have spent millions--on helicopters, paramilitary operations, fences and guard dogs, even relocation to protected areas. Finally, Namibia decided to de-horn its rhino population, in a last ditch effort to stop the slaughter. In 1991, Carol Cunningham and Joel Berger, and their eighteen-month-old daughter Sonja, went to Namibia to weigh the effects of de-horning on rhinos. In Horn of Darkness, they tell the story of three years in the Namib Desert, studying Africa's last sizable population of free-roaming black rhinos. This is the closest most readers will come to experiencing life in the remaining wilds of Africa. Cunningham and Berger, writing nate chapters, capture what it is like to leave the comforts of civilization, to camp for months at a time in a land filled with deadly predators, to study an animal that is reclusive, unpredictable, and highly dangerous. The authors describe staking out water holes in the dead of the night, creeping to within twenty-seven meters of rhinos to photograph them, all the while keeping a lookout for hyenas, elephants, and lions. They recount many heart-pounding escapes--one rhino forces Carol Cunningham up a tree, an unseen lion in hot pursuit of hyenas races right past a frozen Joel Berger--and capture the adrenaline rush of inching closer to a rhino that might flee--or charge--at any moment. They also give readers a clear sense of the careful, patient work involved in studying animals, the frustration of long days without finding rhinos or seeing other people, coping with heat and thirst (the Namib desert is one of the driest on Earth), with dirt and insects, driving hundreds of kilometers in a Land Rover packed to capacity, slowing amassing records on one hundred individual rhinos over the course of several years. And perhaps most important, the authors reveal that the data they collected suggests that the de-horning project might backfire--that in the four years after de-horning began, calf survival was down (the evidence suggests that hyenas might be preying on calves and the horn less mothers couldn't defend their offspring). They also describe the dark side of scientific work, from the petty jealousy of other scientists--outside researchers were often seen as ecological imperialists--to the controversy that erupted after the authors published their findings, as furious officials of the Namibian conservation program denounced their findings and through delays and other tactics effectively withheld a permit to allow the couple to continue their study. Weaving together the historical accounts of other naturalists, a vividly detailed look at life in the wild, and a behind-the-scenes glimpse of scientific work and the dark side of the conservation movement, Horn of Darkness is destined to be a classic work on the natural world.
