This commemoration of African-Americans in the U.S. military includes contributions from W. Stephen Morris and Luther H. Smith, one of the most-celebrated Tuskegee Airmen. Other black military heroes featured in the book include Crispus Attucks, the first man to die in the Revolutionary War; Lt. James Reese Europe, who brought jazz music to Europe in 1918; Lt. Charity Adams, commander of the only all-black Women's Army Corps unit during World War II; and Gen. Colin Powell, who served with distinction in Vietnam, became the first African-American Chairman of the Joint Chiefs of Staff during the Gulf War, and retired a four-star general before becoming the first African-American Secretary of State.
A renowned collector of Civil War photographs and a prodigious researcher, Ronald S. Coddington combines compelling archival images with biographical stories that reveal the human side of the war. This third volume in his series on Civil War soldiers contains previously unpublished photographs of African American Civil War participants—many of whom fought to secure their freedom. During the Civil War, 200,000 African American men enlisted in the Union army or navy. Some of them were free men and some escaped from slavery; others were released by sympathetic owners to serve the war effort. African American Faces of the Civil War tells the story of the Civil War through the images of men of color who served in roles that ranged from servants and laborers to enlisted men and junior officers. Coddington discovers these portraits— cartes de visite, ambrotypes, and tintypes—in museums, archives, and private collections. He has pieced together each individual’s life and fate based upon personal documents, military records, and pension files. These stories tell of ordinary men who became fighters, of the prejudice they faced, and of the challenges they endured. African American Faces of the Civil War makes an important contribution to a comparatively understudied aspect of the war and provides a fascinating look into lives that helped shape America.
A collection of “first-rate frontline journalism” from the Spanish Civil War to US actions in Central America “by a woman singularly unafraid of guns” (Vanity Fair). For nearly sixty years, Martha Gellhorn’s fearless war correspondence made her a leading journalistic voice of her generation. From the Spanish Civil War in 1937 through the Central American wars of the mid-eighties, Gellhorn’s candid reporting reflected her deep empathy for people regardless of their political ideology. Collecting the best of Gellhorn’s writing on foreign conflicts, and now with a new introduction by Lauren Elkin, The Face of War is a classic of frontline journalism by “the premier war correspondent of the twentieth century” (Ward Just, The New York Times Magazine). Whether in Java, Finland, the Middle East, or Vietnam, she used the same vigorous approach. “I wrote very fast, as I had to,” she says, “afraid that I would forget the exact sound, smell, words, gestures, which were special to this moment and this place.” As Merle Rubin noted in his review of this volume for The Christian ScienceMonitor, “Martha Gellhorn’s courageous, independent-minded reportage breaks through geopolitical abstractions and ideological propaganda to take the reader straight to the scene of the event.”
Archival images and biographical sketches of Union soldiers tell the stories of their lives during and after the Civil War. Before leaving to fight in the Civil War, many Union and Confederate soldiers posed for a carte de visite, or visiting card, to give to their families, friends, or sweethearts. Invented in 1854 by a French photographer, the carte de visite was a small photographic print roughly the size of a modern trading card. The format arrived in America on the eve of the Civil War, fueling intense demand for the keepsakes. Many cards of Civil War soldiers survive today, but the experiences?and often the names?of the individuals portrayed have been lost to time. A passionate collector of Civil War–era photography, Ron Coddington researched the history behind these anonymous faces in military records, pension files, and other public and personal documents. In Faces of the Civil War, Coddington presents 77 cartes de visite of Union soldiers from his collection and tells the stories of their lives during and after the war. These soldiers came from all walks of life. All were volunteers. Their personal stories reveal a tremendous diversity in their experience of war: many served with distinction, some were captured, some never saw combat while others saw little else. The lives of survivors were even more disparate. While some made successful transitions back to civilian life, others suffered permanent physical and mental disabilities, which too often wrecked their families and careers. In compelling words and haunting pictures, Faces of the Civil War offers a unique perspective on the most dramatic and wrenching period in American history.
As American and coalition troops fight the first battles of this new century -- from Afghanistan to Yemen to the Philippines to Iraq -- they do so in ways never before seen. Until recently, information war was but one piece of a puzzle, more than a sideshow in war but far less than the sum total of the game. Today, however, we find information war revolutionizing combat, from top to bottom. Gone are the advantages of fortified positions -- nothing is impregnable any longer. Gone is the reason to create an overwhelming mass of troops -- now, troop concentrations merely present easier targets. Instead, stealth, swarming, and "zapping" (precision strikes on individuals or equipment) are the order of the day, based on superior information and lightning-fast decision-making. In many ways, modern warfare is information warfare. Bruce Berkowitz's explanation of how information war revolutionized combat and what it means for our soldiers could not be better timed. As Western forces wage war against terrorists and their supporters, in actions large and small, on several continents, The New Face of War explains how they fight and how they will win or lose. There are four key dynamics to the new warfare: asymmetric threats, in which even the strongest armies may suffer from at least one Achilles' heel; information-technology competition, in which advantages in computers and communications are crucial; the race of decision cycles, in which the first opponent to process and react to information effectively is almost certain to win; and network organization, in which fluid arrays of combat forces can spontaneously organize in multiple ways to fight any given opponent at any time. America's use of networked, elite ground forces, in combination with precision-guided bombing from manned and unmanned flyers, turned Afghanistan from a Soviet graveyard into a lopsided field of American victory. Yet we are not invulnerable, and the same technology that we used in Kuwait in 1991 is now available to anyone with a credit card and access to the Internet. Al Qaeda is adept in the new model of war, and has searched long and hard for weaknesses in our defenses. Will we be able to stay ahead of its thinking? In Iraq, Saddam's army is in no position to defeat its enemies -- but could it defend Baghdad? As the world anxiously considers these and other questions of modern war, Bruce Berkowitz offers many answers and a framework for understanding combat that will never again resemble the days of massive marches on fortress-like positions. The New Face of War is a crucial guidebook for reading the headlines from across our troubled planet.
The century-long struggle to achieve equality for America's black soldiers and sailors, in a stirring narrative history by the author of Root and Branch
"Like Men of War, originally published in 1998 by Little, Brown, was a groundbreaking early study of Black troops in the Civil War that It is still considered a major contribution to the literature on the USCT. This is a chronological operational history. Trudeau covers every major engagement in which the United States Colored Troops (USCT) participated, as well as some minor ones. He quotes generously from primary documents, including Black soldiers' letters. John David Smith said of the first edition, "Like Men of War is important and relevant because it remains the only extant narrative history of Black troops in the Union Army aimed at both general readers and scholars and students. William A. Dobak's Freedom by the Sword (2011), although an excellent work, is a finely-tuned tactical and strategic study, but one that omits the human element and fine writing that Trudeau's book exudes. It serves more as a tactical manual, not a monograph. Also, Dobak's logistical and institutional study is "dry as dust" whereas Trudeau's book breathes life into the men and battles of the USCT." What's new in the second edition: Updated language, e.g., "owner" to "enslaver" ; Text changes throughout - words, sentences, paragraphs; New photographs (we're only using five from the first edition), and placed throughout rather than gathered together; New chapters/sections: see TOC"--
The follow-up to Faces of World War I, this photographic journey is testament to the 100 million military men and women, and many more civilians, whose lives were so profoundly affected by the catastrophic war of 1939-1945.
Author's selection from her reporting on wars in progress and wars about to be, during eight years in twelve countries, when she worked as a correspondent for "Colliers."
Charting the Allies' entry into warfare in 1914, Max Arthur tells the story in words and pictures of the new conscripted army's life through the five years of slaughter and suffering. He brilliantly conveys not only the heroism, but also the universal horror, futility, humour and boredom of warfare. From the front-line troops and the daily dice with death, to the support lines, communications, enlistment, training and propaganda, every aspect of the soldier's life is covered in this brilliant collection of images and interviews that brings the Great War to life once more.
