BACK ISSUE Under the guidance of Leslie Heaphy and an editorial board of leading historians, this peer-reviewed, annual book series offers new, authoritative research on all subjects related to black baseball, including the Negro major and minor leagues, teams, and players; pre-Negro League organization and play; barnstorming; segregation and integration; class, gender, and ethnicity; the business of black baseball; and the arts. Prior to Volume 9, Black Ball was published as Black Ball: A Negro Leagues Journal. This is a back issue of that journal.
BACK ISSUE Under the guidance of Leslie Heaphy and an editorial board of leading historians, this peer-reviewed, annual book series offers new, authoritative research on all subjects related to black baseball, including the Negro major and minor leagues, teams, and players; pre-Negro League organization and play; barnstorming; segregation and integration; class, gender, and ethnicity; the business of black baseball; and the arts. Prior to Volume 9, Black Ball was published as Black Ball: A Negro Leagues Journal. This is a back issue of that journal.
SHORTLISTED FOR THE WILLIAM HILL SPORTS BOOK OF THE YEAR AWARD 2014 Spectator sport is living, breathing, non-stop theatre for all. Focusing on spectator sports and their accompanying issues, tracing their origins, evolution and impact, inside the lines and beyond the boundary, this book offers a thematic history of professional sport and the ingredients that magnetise millions around the globe. It tells the stories that matter: from the gladiators of Rome to the runners of Rift Valley via the innovator-missionaries of Rugby School; from multi-faceted British exports to the Americanisation of professionalism and the Indianisation of cricket. Rob Steen traces the development of these sports which captivate the turnstile millions and the mouse-clicking masses, addressing their key themes and commonalities, from creation myths to match fixing via race, politics, sexuality and internationalism. Insightful and revelatory, this is an entertaining exploration of spectator sports' intrinsic place in culture and how sport imitates life – and life imitates sport.
BACK ISSUE Under the guidance of Leslie Heaphy and an editorial board of leading historians, this peer-reviewed, annual book series offers new, authoritative research on all subjects related to black baseball, including the Negro major and minor leagues, teams, and players; pre-Negro League organization and play; barnstorming; segregation and integration; class, gender, and ethnicity; the business of black baseball; and the arts. Prior to Volume 9, Black Ball was published as Black Ball: A Negro Leagues Journal. This is a back issue of that journal.
How good was Negro League Baseball (1920-1948)? Some experts maintain that the quality of play was equal to that of the American and National Leagues. Some believe the Negro Leagues should be part of Major League Baseball's official record and that more Negro League players should be in the Hall of Fame. Skeptics contend that while many players could be rated highly, NL organizations were minor league at best. Drawing on the most comprehensive data available, including stats from more than 2,000 interracial games, this study finds that black baseball was very good indeed. Negro leaguers beat the big leaguers more than half the time in head-to-head contests, demonstrated stronger metrics within their own leagues and excelled when finally allowed into the majors. The authors document the often duplicitous manner in which MLB has dealt with the legacy of the Negro Leagues, and an appendix includes the scores and statistics from every known contest between Negro League and Major League teams.
For more than half a century, Black baseball players, barred from the Major Leagues by systemic racism, competed in leagues of their own. This book re-interprets the history of race in baseball from the ground up. It tells the story of how the Major Leagues became the "Caucasian Leagues," and names the person most responsible for their segregation; showing how Major League owners and executives tried to delay and even prevent integration; and proving, using a broad range of methods, that Negro League players were every inch the equals of their Major League counterparts. Cherished records held by white players since the days of segregation are shown to belong rightfully to Negro League superstars. This book takes a fresh look at a subject that's both straight from today's headlines and as old as baseball itself.
Stephen C. Ferguson II provides a philosophical examination of Black popular culture for the first time. From extensive discussion of the philosophy and political economy of Hip-Hop music through to a developed exploration of the influence of the postmodernism-poststructuralist ideology on African American studies, he argues how postmodernism ideology plays a seminal role in justifying the relationship between corporate capitalism and Black popular culture. Chapters cover topics such as cultural populism, capitalism and Black liberation, the philosophy of Hip-Hop music, and Harold Cruse's influence on the cultural turn in African American studies. Ferguson combines case studies of past and contemporary Black cultural and intellectual productions with a Marxist ideological critique to provide a cutting edge reflection on the economic structure in which Black popular culture emerged. He highlights the contradictions that are central to the juxtaposition of Black cultural artists as political participants in socioeconomic struggle and the political participants who perform the rigorous task of social criticism. Adopting capitalism as an explanatory framework, Ferguson investigates the relationship between postmodernism as social theory, current manifestations of Black popular culture, and the theoretical work of Black thinkers and scholars to demonstrate how African American studies have been shaped.
This is the biography of Bud Fowler (ne John Jackson), the first African American to play in organized baseball, and the longest tenured at the time that the color line was drawn. In addition to his professional playing career, which lasted more than 25 years, Fowler was a scout, organizer, owner, and promoter of touring black baseball clubs--including the legendary Page Fence Giants--in the late nineteenth and early twentieth centuries. Emphasizing the social and cultural contexts for Fowler's accomplishments on and off the baseball diamond, and his prominence within the history and development of the national pastime, the text builds a convincing case for Fowler as one of the great pioneering figures of the early game.
Hugh Casey was one of the most colorful members of the iconic Brooklyn Dodgers of the 1940s, a team that took part in four great pennant races, the first National League playoff series, and two exciting World Series over the course of Casey’s career. That famed team included many outsized personalities, including executives Larry MacPhail and Branch Rickey, manager Leo Durocher, and players like Jackie Robinson, Pee Wee Reese, Dixie Walker, Joe Medwick, and Pete Reiser. In Hugh Casey: The Triumphs and Tragedies of a Brooklyn Dodger, Lyle Spatz details Casey’s life and career, from his birth in Atlanta to his suicide in that same city thirty-seven years later. Spatz includes such moments as Casey’s famous “pitch that got away” in Game Four of the 1941 World Series, the numerous brawls and beanball wars in which Casey was frequently involved, and the Southern-born Casey’s reaction to Jackie Robinson joining the Dodgers. Spatz also reveals how Casey helped to redefine the role of the relief pitcher, twice leading the National League in saves and twice finishing second—if saves had been an official statistic during his lifetime. While this book focuses on Casey’s baseball career in Brooklyn, Spatz also covers Casey’s often-tragic personal life. He not only ran into trouble with the IRS, he also got into a fistfight with Ernest Hemingway and was charged in a paternity suit that was decided against him. Featuring personal interviews with Casey’s son and with former teammate Carl Erskine, this bookwill fascinate and inform fans of the Brooklyn Dodgers and baseball historians alike.
The campaign to desegregate baseball was one of the most important civil rights stories of the 1930s and 1940s. But most of white America knew nothing about this story because mainstream newspapers said little about the color line and less about the efforts to end it. Even today, as far as most Americans know, the integration of baseball revolved around Branch RickeyOCOs signing of Jackie Robinson to the Brooklyn DodgersOCO organization in 1945. This book shows how RickeyOCOs move, critical as it may well have been, came after more than a decade of work by black and left-leaning journalists to desegregate the game. Drawing on hundreds of newspaper articles and interviews with journalists, Chris Lamb reveals how differently black and white newspapers, and black and white America, viewed racial equality. He shows how white mainstream sportswriters perpetuated the color line by participating in what their black counterparts called a OC conspiracy of silence.OCO Between 1933 and 1945, black newspapers and the Communist" Daily Worker" published hundreds of articles and editorials calling for an end to baseballOCOs color line. The efforts of the alternative presses to end baseballOCOs color line, chronicled for the first time in "Conspiracy of Silence," constitute one of baseballOCOsOCoand the civil rights movementOCOsOCogreat untold stories.
