This thoroughly up-to-date book covers all of the new features of Photoshop CS3 and Lightroom and reveals the secrets to successful black and white conversion and printmaking. In-depth explanations of methods, suggested practices, and tutorials for black and white conversions show which tool works best for particular projects.
Black and white photography has come a long way in the digital world. Feeling overwhelmed by the endless conversion options in (and around) Photoshop, Lightroom and beyond? If so, you are not alone, and this is definitely the book for you! In this thoroughly up-to-date book that covers all of the new features of Photoshop CS3 and Lightroom, you'll learn how to use methods within an application or raw converter, scripts, plug-ins, and more. Leslie Alsheimer and Bryan O'Neil Hughes show you everything you need to know to uncover the secrets to successful black and white conversion and printmaking. Let the stunning images (presented in both color and black and white) show you just what is possible when you master these powerful tools. Bryan O'Neil Hughes is a Product Manager for the Photoshop team, and a Product Evangelist for the Photoshop Lightroom Team. Working for Adobe since 1999, Bryan has helped test, develop, drive and demonstrate Adobe's digital imaging applications. Beyond Adobe, Bryan is a published photographer, editor and author. Leslie Alsheimer is a freelance photographer, and photo educator based in Santa Fe, New Mexico. With the Santa Fe Digital Darkroom, Leslie travels around the country teaching photography, Photoshop and digital imaging workshops, as well as working with private clients as a creative imaging consultant, instructor, and trainer. She has worked extensively with many of the foremost digital image makers in the US. She is an instructor with the American Photo/Nikon Mentor Series and a member of the Adobe Beta Testing Team. Leslie is also the Director of Community Photography Outreach. Find out more about Leslie at: www.santafedigitaldarkroom.com/ What the readers are saying: "I have a bunch of Photoshop and Lightroom books but yours is overwhelmingly the very best. Congratulations!"--Leo Skogstroem Pyttis, Finland "I learned more about photoshop in the three days I spent studying your book than I did in the 5 years playing around with it on my own. Your coverage of Color Management solved many issues I'd been having in trying to get the printed image to look like what I was seeing on my monitor. What I learned from you is that I was doing just about everything wrong with regards to capture and destructive editing. I have now completely changed both my pre- and post production work flow habits with amazing results. As a writer and small-publisher, I give you many kudos on creating a book that is by all accounts a real home run."--Rick Miller "I just wanted to write and say this is one of the best books I have ever read! I got it today and have spent all night reading it (it's about 1 am now) and I'm almost half way through it. Everything makes so much more sense now. I just wanted to tell you great job! It has gotten me more excited about photography in six hours than otherwise in the last six years! I really like your style and would like to "relearn" photography with your way of explaining. Thank you so much for writing this book. It's the first time I've been impressed enough with a product to write the maker and thank them."--Zachary Miklich Nashville, TN "Long story short this is probably the best book that anyone in the digital world should put their hand to, it is far from being only about BW."--Patrick Lavoie photo.net patron "I am halfway through your new book on B & W in CS 3 and LR and I want to compliment you on a clear and concise treatise on CS3 and LR and your integrated workflow. Again, congratulations on an excellent book!"--Jeff Peters "I am enjoying your new book "Black and White". It is rare to find so many wonderful images in a 'How To' book."--Robert Sachs "I wish that I can tell you how I appreciate your contribution to making the digital darkroom something that I have fell in love with. Up to now I have used various books and sources: bits here and bits there. I have actually build up quite a library. No one particular reference book addressed the B+W worker with some basic understanding of Photoshop. You have produced something that fills this gap, and which is written and illustrated in a remarkable manner. I hail from the chemical darkroom, and as such have never really enjoyed correcting images on the computer. Photoshop, which is my program of choice, is quite intimidating, and the haphazard way in which I learned my skills from various sources, reflected in the inconsistent results that I was producing. Well, now all have changed. At least - something good is happening. I hope that you make a killing with your book - you deserve to! Keep abreast of the distant 'also-runners' by releasing updates as the technology changes."--Andre du Plessis (South African, living in London) "Black And White In Photoshop CS3 And Lightroom explains in clear and easy to understand steps what it takes to generate quality black and white images using Photoshop and/or Lightroom. It is really geared for the intermediate to advanced user who is looking to understand both workflow and color management techniques. There are a number of thing that I like about Black And White In Photoshop CS3 And Lightroom. First, I like the fact that it takes you down a number of paths on creating black and white images. It doesn't just say this is the best way and so that is all you learn. Second, I like the step-by-step approach to guide you through what you need to do to get results like this. I think that if you want to become a master of Black and White photography then Black And White In Photoshop CS3 And Lightroom is highly recommended reading." -T. Michael Testi Published January 25, 2008 Part of The Enlightened Image . Learn from step-by-step tutorials and work through each conversion with clear, easy-to-follow instructions illustrated by a multitude of images and screengrabs . Maximize image quality in capture and output with professional tips and tricks for speeding up your workflow . Save time and learn professional techniques to creatively and technically improve your black and white photography and printmaking
Eismann is world known for her talent as a Photoshop expert and photographer, but above all she's considered one of the best teachers her field has ever seen. In this book she uses the tutorial approach that made her two previous Photoshop books bestsellers to take photographers beyond quick tips and gimmicky effects.
Today's digital cameras continue to produce increasingly higher definition image data files, making high resolution, large-format output possible. As printing technology moves forward at an equally fast pace, the new inkjet printers are capable of printing with great precision at a very fine resolution, providing an amazing tonal range and significantly superior image permanence at a more affordable price. In the hands of knowledgeable photographers, these printers are able to produce prints that are comparable to the highest quality darkroom prints on fine art paper. The third edition of this best-selling book provides the necessary foundation for successful fine art printing: the understanding of color management, profiling, paper, and inks. It offers advice on selecting an appropriate printer for long-lasting fine art prints, demonstrates how to set up the printing workflow and select a suitable paper for your subject, and guides you step-by-step through the process of converting an image file to an outstanding fine art print. This new edition covers the most recent lines of high-end inkjet printers, photo papers, and devices for monitor and printer profiling. It also addresses the printing dialogs and some new features of Photoshop CS6.
The digital photographer's workflow is divided into two distinct parts - the Production Workflow and the Creative Workflow. The Production workflow is used to import and organize large numbers of images, and prepare them for presentation via proof printing, Web, or slideshow. Increasingly, photographers are turning to Adobe's acclaimed new Lightroom software to manage this part of the workflow. After the best images are identified, photographers move to the second part of the workflow, the Creative Workflow, to fine-tune special images using a variety of advanced digital tools so that the creative vision is realized. An overwhelming majority of digital photographers use Photoshop for this advanced editing. Adobe Photoshop Lightroom & Photoshop Workflow Bible effectively guides digital photographers through both parts of this process. Author Mark Fitzgerald, an Adobe Certified Expert and Adobe Certified Instructor in Photoshop CS3 offers readers a clear path to using both Lightroom 2 and Photoshop CS3 to create a complete digital workflow. Fitzgerald uses tips, tricks, and step-by-step directions to demonstrate how to integrate these two powerful programs to optimize image management and create stunning images. The first part of this book is dedicated to offering an overview of the complete workflow, clearly defining the purpose of both Photoshop and Lightroom within a photographer’s workflow and explaining the basics of image files and how to organize them. The second part delves into using Lightroom to manage the Production Workflow. It begins with an in-depth look at the Lightroom workspace and how images are imported into it. Photographers are then guided through organizing images within Lightroom, processing photos, sharing photos with others in a variety of formats and creating files to use outside of Lightroom. Finally, the workflow is put into action by demonstrating how a wildlife photographer used Lightroom in the field while photographing migrating polar bears in the arctic. The third part focuses on Photoshop and the Creative Workflow, starting with opening files in Photoshop as well as suggesting when and how photographers should be utilizing Bridge and Adobe Camera Raw. A review of the Photoshop workspace is followed by information on adjusting tonality and color with a wide variety of tools, and working with layers. Part four moves into more advanced Photoshop tools and techniques, such as selections, layer masks and using Photoshop’s retouching tools. There is also a discussion on the nuances of using Photoshop and Lightroom together and how to use Photoshop actions in Lightroom. Part five focuses on putting all of the pieces together to create the complete Creative Workflow with Photoshop. It begins with a discussion for creating strategies for success. The author then moves on to how to solve special portrait retouching problems and how to add creative finishing touches. Then Fitzgerald demonstrates the entire process with a downloadable practice file so you can follow along and practice your newly learned skills.
Computers in Earth and Environmental Sciences: Artificial Intelligence and Advanced Technologies in Hazards and Risk Management addresses the need for a comprehensive book that focuses on multi-hazard assessments, natural and manmade hazards, and risk management using new methods and technologies that employ GIS, artificial intelligence, spatial modeling, machine learning tools and meta-heuristic techniques. The book is clearly organized into four parts that cover natural hazards, environmental hazards, advanced tools and technologies in risk management, and future challenges in computer applications to hazards and risk management. Researchers and professionals in Earth and Environmental Science who require the latest technologies and advances in hazards, remote sensing, geosciences, spatial modeling and machine learning will find this book to be an invaluable source of information on the latest tools and technologies available. - Covers advanced tools and technologies in risk management of hazards in both the Earth and Environmental Sciences - Details the benefits and applications of various technologies to assist researchers in choosing the most appropriate techniques for purpose - Expansively covers specific future challenges in the use of computers in Earth and Environmental Science - Includes case studies that detail the applications of the discussed technologies down to individual hazards
