The shocking story of a deadly trend in Victorian wallpaper design, illustrated by beautiful and previously unseen arsenic-riddled designs from the British National Archives In Germany, in 1814, Wilhelm Sattler created an extremely toxic arsenic and verdigris compound pigment, Schweinfurt green–known also as Paris, Vienna, or emerald green–which became an instant favorite amongst designers and manufacturers the world over, thanks to its versatility in creating enduring yellows, vivid greens, and brilliant blues. Most insidiously, the arsenic-laced pigment made its way into intricately patterned, brightly colored wallpapers and from there, as they became increasingly in vogue, into the Victorian home. As its use became widespread, commercial arsenic mines increased production to meet the near-insatiable demand. Not least of which was the UK’s largest mining plant, DGC whose owner was William Morris, originator of the British Arts and Crafts movement and arguably the finest wallpaper designer of his generation. Bitten by Witch Fever (Morris’s own phrase to dismiss arsenic- and- wall-paper-related public health concerns in 1885) tells this fatal story of Victorian home décor, building upon new research conducted especially for this book by the British National Archive, on their own samples. Spliced between the sections of text are stunning facsimiles of the wallpapers themselves.
The collection comprises contributions from leading artist-theorists in the fields of necropolitics and tactical media, and from increasingly influential scholars of biomediality and urban performativity
A Civil War veteran who perpetrated one of the most ghastly mass slaughters in the annals of U.S. crime. A nineteenth-century female serial killer whose victims included three husbands and six of her own children. A Gilded Age “Bluebeard” who did away with as many as fifty wives throughout the country. A decorated World War I hero who orchestrated a murder that stunned Jazz Age America. While other infamous homicides from the same eras—the Lizzie Borden slayings, for example, or the “thrill killing” committed by Leopold and Loeb—have entered into our cultural mythology, these four equally sensational crimes have largely faded from public memory. A quartet of gripping historical true-crime narratives, Butcher’s Work restores these once-notorious cases to vivid, dramatic life.
The history books are full of heroes and villains … but what about all the idiots? Comedian and armchair historian Mikey Robins tells the astonishing story of human stupidity, one idiot at a time. Two things are infinite: the universe and human stupidity, and I’m not sure about the universe. Albert Einstein History is full of heroes and villains. But then there are the idiots. Idiots, Follies & Misadventures shows that human stupidity has always been our constant companion. History tends to omit tales of human fallibility. We overlook the dubious and ridiculous contributions made by history’s tawdry parade of knuckleheads. But this book is a call to arms … knuckleheads assemble! And once assembled, prepare to be mocked. Just because history has mostly swept these idiots under the carpet does not make them by any means unsung heroes. These are rather ridiculous cautionary tales, to amuse and add some perspective to our current rash of stupidity. Tales such as: Why you shouldn’t soak your underpants in mercury. The booze cruise that plunged England into civil war. The Russian nuclear briefcase and pizzas. Flatulence jars and The Great Plague of London. The deadly green wallpaper that proved a problem for Britain's trendy middle-class.
Although poisonous substances have been a hazard for the whole of human history, it is only with the development and large-scale production of new chemical substances over the last two centuries that toxic, manmade pollutants have become such a varied and widespread danger. Covering a host of both notorious and little-known chemicals, the chapters in this collection investigate the emergence of specific toxic, pathogenic, carcinogenic, and ecologically harmful chemicals as well as the scientific, cultural and legislative responses they have prompted. Each study situates chemical hazards in a long-term and transnational framework and demonstrates the importance of considering both the natural and the social contexts in which their histories have unfolded.
Archives have never been more complex, expansive, or ubiquitous. Archives: Power, Truth, and Fiction is an indispensable research and reference book: a hugely helpful guide to archives in the twenty-first century. Material discussed ranges from medieval manuscripts to born-digital archival content, and art objects to state papers.
This book offers a whistle-stop guide to the history of dyeing. The story begins in prehistory when people discovered and used the glory of colors created by earth pigments, plants and more. We move through history from the medieval dye gardens to the horrors of chemical dyes from the Victorian era that damaged watercourses, created pollution and caused terrible sickness and untold deaths. Today, along with safe commercial dyes, modern ‘cottage industries’ are once more the leaders in the innovative use of dye plants. The second part of the book brings us up to date, via interviews with modern day artisans. These dye workers generously allowed the author access to their studios and creative lives and discussed the way they use and adapt traditional methods, techniques and tools for the twenty-first century. Photos of their craft offers a unique window into the world of dyes. Finally, if you are inspired to try your hand at this fascinating craft, the book has a section that explains simple eco dyeing and planning your own dye garden. It also has a resources section containing a valuable list of suppliers of plants, seeds, dyes, tools and materials, as well as information about training courses, useful websites and more – everything you need to get started!
A feast for the senses, this sumptuously illustrated book will introduce you to some of the most infamous women throughout world history, united by their shared taste for poison. Welcome to the League of Lady Poisoners. This riveting and well-researched volume by Lisa Perrin weaves together the stories of more than twenty-five accused women poisoners, exploring the circumstances and skill sets that led them to lives of crime. You might find yourself rooting for some of them—like Sally Bassett, who helped poison her granddaughter's enslavers in Bermuda, or Giulia Tofana, who sold her name-brand concoction to women wanting to be rid of their abusive (or otherwise undesirable) husbands. Other stories, though—including that of Yiya Murano, one of Argentina's most notorious swindlers and serial killers, or the terrifying Nurse Jane Toppan—may prove less palatable. Organized into thematic chapters based on the women's motives, the book also includes an illustrated primer that delves into the origins and effects of common poisons throughout history, as well as a foreword by Holly Frey and Maria Trimarchi, creators and hosts of the podcast Criminalia. It is a treat for true crime fans, feminist history buffs, and any curious readers fascinated by the more macabre side of human nature. TRUE CRIME GALORE: Women can do anything—even commit murder. This thoughtfully researched and insightful survey into the lives of the poisoners explores the toxic events that put these women in the spotlight, the deceptive methods and substances they used, and their legacies today. The League of Lady Poisoners is a thrilling deep dive for fans of true crime podcasts, docuseries, and books. EYE-CATCHING GIFT: Illustrator and author Lisa Perrin's beautiful and distinctive art style blends the romantic allure of these pop culture legends with the disturbing and twisted facts of their lives. The hardcover is decorated with shining foil, and the interior contains clever Victorian-inspired lettering, borders, and diagrams that complement the text. Readers and illustrated book collectors will love all the details honoring the Golden Age of Poison. FASCINATING, DIVERSE STORIES OF WOMEN WHO KILL: These women lived in different time periods and had varying cultural and socioeconomic backgrounds that influenced their motives. Some acted out of defiance—like the Angel Makers of Nagyrév, who taught women how to dispose of their abusive husbands in Hungary. Others schemed their way to power and money, including Empress Wu Zetian of China and Belle Gunness, who killed more than 14 people in the American Midwest. Discover all their stories in this engaging collection . . . if you have the stomach for them. Perfect for: Lovers of true crime podcasts like My Favorite Murder, Morbid, and Criminalia Readers who enjoy historical biographies, especially of women Readers who love a good villain, antihero, or underdog story Murder mystery fans Art lovers and illustrated book collectors Fans of Lisa Perrin's beautiful illustration Shoppers looking for a unique feminist gift book Fans of period dramas like The Serpent Queen and The Borgias Readers who enjoy books like Lady Killers: Deadly Women Throughout History and The Trial of Lizzie Borden
Winner, 2020 Isaac and Tamara Deutscher Memorial Prize A fascinating reinterpretation of the radical and socialist origins of ecology Twenty years ago, John Bellamy Foster’s Marx’s Ecology: Materialism and Nature introduced a new understanding of Karl Marx’s revolutionary ecological materialism. More than simply a study of Marx, it commenced an intellectual and social history, encompassing thinkers from Epicurus to Darwin, who developed materialist and ecological ideas. Now, with The Return of Nature: Socialism and Ecology, Foster continues this narrative. In so doing, he uncovers a long history of the efforts to unite questions of social justice and environmental sustainability, and helps us comprehend and counter today’s unprecedented planetary emergencies. The Return of Nature begins with the deaths of Darwin (1882) and Marx (1883) and moves on until the rise of the ecological age in the 1960s and 1970s. Foster explores how socialist analysts and materialist scientists of various stamps, first in Britain, then the United States, from William Morris and Frederick Engels, to Joseph Needham, Rachel Carson, and Stephen J. Gould, sought to develop a dialectical naturalism, rooted in a critique of capitalism. In the process, he delivers a far-reaching and fascinating reinterpretation of the radical and socialist origins of ecology. Ultimately, what this book asks for is nothing short of revolution: a long, ecological revolution, aimed at making peace with the planet while meeting collective human needs.
