Flynn Campbell is mine. We have overcome every obstacle determined to beat us down. I have lied, cheated, and killed for the man I love. And he has done the same for me. I’m his wife, his confidant, the mother of his son. We’re indestructible and our world finally knows peace. And then a traitor threatens everything I hold sacred. I am the queen, and I have but one objective: protect the king, no matter the costs. BIRTH OF A QUEEN is book two in the SINS series from Wall Street Journal and USA Today bestselling author Emma Slate about vengeance and seduction in the game of love.
“Marilyn Yalom has written the rare book that illuminates something that always has been dimly perceived but never articulated, in this case that that the power of the chess queen reflects the evolution of female power in the western world.” —Cleveland Plain Dealer Everyone knows that the queen is the most dominant piece in chess, but few people know that the game existed for five hundred years without her. It wasn't until chess became a popular pastime for European royals during the Middle Ages that the queen was born and was gradually empowered to become the king's fierce warrior and protector. Birth of the Chess Queen examines the five centuries between the chess queen's timid emergence in the early days of the Holy Roman Empire to her elevation during the reign of Isabel of Castile. Marilyn Yalom, inspired by a handful of surviving medieval chess queens, traces their origin and spread from Spain, Italy, and Germany to France, England, Scandinavia, and Russia. In a lively and engaging historical investigation, Yalom draws parallels between the rise of the chess queen and the ascent of female sovereigns in Europe, presenting a layered, fascinating history of medieval courts and internal struggles for power.
Almost 200 years ago, the cries of a newborn baby echoed through the halls of London’s Kensington Palace. No one who celebrated Princess Victoria’s birth in the late spring of 1819 could have imagined that the little girl born fifth in line to the English throne would be the ruling monarch of the United Kingdom in just a few short years.The 19th century was a time of great change. For Princess Alexandrina Victoria, misfortune would strike early with the loss of her father, a lonely childhood, and a mother determined to control her. As teen queen, Queen Victoria ruled with stubbornness, strength, and humility that nourished the advancement of the Industrial Revolution, soothed the tempers of European warmongers, and changed life in England in diverse and sometimes controversial ways. Through her published journals and letters, this beloved figure has come to be known as more than just an aristocratic young woman with a crown, but a queen for the ages. Victoria ruled on her own terms for an astounding 63 years. She survived illness, political plots, the birth of nine children, assassination attempts, and a personal heartbreak that would transform her from a royal ruling mother into a mourning widow. Through it all, she maintained an iron determination to finish her course. Under her reign, the United Kingdom reached its historic peak of world power and dominion, influencing change and life around the globe. A small woman with glowing, round eyes and a ready wit, Queen Victoria is remembered today as the charming giantess who ruled while the sun never set on the British Empire.
1603 was the year that Queen Elizabeth I, the last of the Tudors, died. Her cousin, Robert Carey, immediately rode like a demon to Scotland to take the news to James VI. The cataclysmic time of the Stuart monarchy had come and the son of Mary Queen of Scots left Edinburgh for London to claim his throne as James I of England. Diaries and notes written in 1603 describe how a resurgence of the plague killed nearly 40,000 people. Priests blamed the sins of the people for the pestilence, witches were strangled and burned and plotters strung up on gate tops. But not all was gloom and violence. From a ship's log we learn of the first precious cargoes of pepper arriving from the East Indies after the establishment of a new spice route; Shakespeare was finishing Othello and Ben Jonson wrote furiously to please a nation thirsting for entertainment. 1603 was one of the most important and interesting years in British history. In 1603: The Death of Queen Elizabeth I, the Return of the Black Plague, the Rise of Shakespeare, Piracy, Witchcraft, and the Birth of the Stuart Era, Christopher Lee, acclaimed author of This Sceptred Isle, unfolds its story from first-hand accounts and original documents to mirror the seminal year in which Britain moved from Tudor medievalism towards the wars, republicanism and regicide that lay ahead.
From baby's first shoes, embroidered with tiny crowns, to golden rattles and miniver-trimmed short coats, this new book, the latest in Royal Collection Trust's best-selling series of Souvenir Albums, tells the story of eight royal babies, from Queen Victoria to the new prince. Using a wealth of previously unpublished items and documents from the Royal Collection and Royal Archives, it details the lives of seven of these royal babies from infancy and babyhood to first steps, and on to first days at school. Here are the dolls and teddy-bears, the prams and cots and tricycles, the lost teeth and locks of hair that all parents know and treasure, together with the little notes in childish scrawl, the family photographs, and the first dainty sets of 'best clothes'. And where else could such a celebration of baby- and childhood end, but with a chapter devoted to our new Prince, to bring this happy history up to the present day.
In The Kingdoms of Thorn and Bone, Greg Keyes has crafted a brilliant saga of magic, adventure, and love set against a backdrop of clashing empires and an ancient, reawakened evil. Now, with The Born Queen, Keyes brings his epic to a masterly close, gathering the strands of plot and character into a stunning climax that both completes and transcends all that has gone before. The Briar King is dead, and the world itself follows him to ruin. Aspar White, wounded and tired, must embark on one last quest to save the forest and the people he loves, but he has little hope of success. Anne Dare at last sits on the throne of Crotheny, but for how long? The Church, now led by the corrupt and powerful Marché Hespero, has declared a holy war against her, giving the king of Hansa the pretext he needs to unleash his vast might on the young queen and her unready army. But Hansa is the least of Anne’s worries. The Hellrune, war seer of Hansa, strikes at her through vision and prophecy. The Kept–last of the elder Skasloi lords–weaves his own dark webs. Anne’s teacher and ally in the sedos world might also be her worst enemy, and Anne’s own mounting strength compels her toward madness. Surviving these dangers and mastering her eldritch abilities are merely prelude to the real struggle. There are many–some with power matching or even exceeding Anne’s own–who are willing to kill in order to seize control. For whoever sits upon the throne will have the ultimate command to bring about the world’s salvation–or its apocalypse.
Told from the perspective of their adoring nephew, Auntie Uncle: Drag Queen Hero is the story of a courageous drag queen who saves the day, and brings two communities together. The young narrator thinks it's awesome that his Uncle and his Auntie are the same person. Uncle Leo is an accountant, and is great at helping with math homework. Auntie Lotta is a fabulous performer, and loves to sing and dance with her nephew. One day Lotta's family comes to watch her perform at the local Pride parade. Suddenly, a dog breaks free of its leash and nearly causes a float-crash, but Lotta springs into action just in time to save the dog and the parade. The mayor wants to give her a medal for courage and to throw a big party for her and all her friends, but Lotta worries that her friends who only know him as "Leo" won't get along with her fellow drag performers who know her as "Lotta." With the help of their nephew they put together a fierce look that is both Leo and Lotta, the perfect ensemble for an Auntie Uncle. A sweet, uplifting story about fearlessley letting your true self shine.
"Not of woman born, the Fortunate, the Unborn"—the terms designating those born by Caesarean section in medieval and Renaissance Europe were mysterious and ambiguous. Examining representations of Caesarean birth in legend and art and tracing its history in medical writing, Renate Blumenfeld-Kosinski addresses the web of religious, ethical, and cultural questions concerning abdominal delivery in the Middle Ages and the Renaissance. Not of Woman Born increases our understanding of the history of the medical profession, of medical iconography, and of ideas surrounding "unnatural" childbirth. Blumenfeld-Kosinski compares texts and visual images in order to trace the evolution of Caesarean birth as it was perceived by the main actors involved—pregnant women, medical practitioners, and artistic or literary interpreters. Bringing together medical treatises and texts as well as hitherto unexplored primary sources such as manuscript illuminations, she provides a fresh perspective on attitudes toward pregnancy and birth in the Middle Ages and the Renaissance; the meaning and consequences of medieval medicine for women as both patients and practitioners, and the professionalization of medicine. She discusses writings on Caesarean birth from the twelfth and thirteenth centuries, when Church Councils ordered midwives to perform the operation if a mother died during childbirth in order that the child might be baptized; to the fourteenth century, when the first medical text, Bernard of Gordon's Lilium medicinae, mentioned the operation; up to the gradual replacement of midwives by male surgeons in the fifteenth and sixteenth centuries. Not of Woman Born offers the first close analysis of Frarnois Rousset's 1581 treatise on the operation as an example of sixteenth-century medical discourse. It also considers the ambiguous nature of Caesarean birth, drawing on accounts of such miraculous examples as the birth of the Antichrist. An appendix reviews the complex etymological history of the term "Caesarean section." Richly interdisciplinary, Not of Woman Born will enliven discussions of the controversial issues surrounding Caesarean delivery today. Medical, social, and cultural historians interested in the Middle Ages and the Renaissance, historians, literary scholars, midwives, obstetricians, nurses, and others concerned with women's history will want to read it.
Breastfeeding. The mere mention of it has many mothers wracked with anxiety (how will I manage with work, other kids, what if I don't make enough milk?) or guilt about not doing it (will I be hurting my child if I choose not to breastfeed? what will people think of me if I choose not to?). This hot-button issue is one we've talked about repeatedly in the media and in celebrity culture. Remember when Angelina Jolie posed for the cover of W nursing her newborn? Oh, the controversy! And when Barbara Walters complained about the woman breastfeeding next to her on a plane? She was forced to issue a public apology. Or what about when supermodel Gisele Bunchen declared that there should be worldwide law that mothers be required to breastfeed their babies for the first six months of life? All hell broke loose. This topic gets people riled up, and there has never been a narrative account that explores the breastfeeding big picture for parents and their children in today's world. THE BIG LETDOWN by author, journalist, and breastfeeding advocate Kimberly Seals Allers will change that for the better and open up a candid conversation about the cultural, sociological, and economic forces that shape the breastfeeding culture and how it undermines women in the process.
A true life Water for Elephants, Queen of the Air brings the circus world to life through the gorgeously written, true story of renowned trapeze artist and circus performer Leitzel, Queen of the Air, the most famous woman in the world at the turn of the 20th century, and her star-crossed love affair with Alfredo Codona, of the famous Flying Codona Brothers. Like today's Beyonce, Madonna, and Cher, she was known to her vast public by just one name, Leitzel. There may have been some regions on earth where her name was not a household expression, but if so, they were likely on polar ice caps or in the darkest, deepest jungles. Leitzel was born into Dickensian circumstances, and became a princess and then a queen. She was not much bigger than a good size fairy, just four-foot-ten and less than 100 pounds. In the first part of the 20th century, she presided over a sawdust fiefdom of never-ending magic. She was the biggest star ever of the biggest circus ever, the Ringling Bros. and Barnum & Bailey Circus, The Greatest Show on Earth. In her life, Leitzel had many suitors (and three husbands), but only one man ever fully captured her heart. He was the handsome Alfredo Codona, the greatest trapeze flyer that had ever lived, the only one in his time who, night after night, executed the deadliest of all big-top feats, The Triple--three somersaults in midair while traveling at 60 m.p.h. The Triple, the salto mortale, as the Italians called it, took the lives of more daredevils than any other circus stunt.
