Celebrate a century of the weird, the eccentric and the amazing with 100 Years of Ripley's Believe It Or Not! From humble beginnings in 1918, Ripley has become the world's best-known brand when it comes to incredible-but-true facts. Now, the most remarkable stories from 100 years of adventures have been brought together in this colourful compendium. Its pages contain the most fascinating and surprising stories from a century of Ripley, including: - The fascinating true story of the original Mr Ripley, who built a global business from his love of unusual stories - Awe-inspiring fold-out pages that bring the Ripley story alive in three dimensions - Never-before-seen images of the oddest objects from the depths of the Ripley archive Spectacular, surprising and inspiring at turns, 100 Years of Ripley's Believe It Or Not! is a must-have for anyone intrigued by the weirder side of the last century . . .
One of the most successful entertainment figures of his time, Robert Ripley’s life is the stuff of a classic American fairy tale. Bucktoothed and hampered by shyness, Ripley turned his sense of being an outsider into an appreciation of the weird and wonderful. He sold his first cartoon to LIFE magazine at eighteen, but it was his wildly popular ‘Believe It or Not!’ radio shows that won him international fame, and spurred him on to search the globe’s farthest corners for bizarre facts, human curiosities and shocking phenomena. Ripley delighted in making preposterous declarations that somehow turned out to be true – such as that Charles Lindburgh was only the sixty-seventh man to fly across the Atlantic or that ‘The Star Spangled Banner’ was not the USA’s national anthem. And he demanded respect for those who were labelled ‘eccentrics’ or ‘freaks’ – whether it be E. L. Blystone, who wrote 2,871 alphabet letters on a grain of rice, or the man who could swallow his own nose. By the 1930s, Ripley possessed a wide fortune, a private yacht and a huge mansion stocked with such oddities as shrunken heads and medieval torture devices. His pioneering firsts in print, radio and television tapped into something deep in the American consciousness – a taste for the titillating and exotic, and a fascination with the fastest, biggest, wackiest and weirdest – and ensured a worldwide legacy that continues today. This compelling biography portrays a man who was dedicated to exalting the strange and unusual – but who may have been the most amazing oddity of all.
The author surveys Bion's publications and elaborates on his key contributions in depth while also critiquing them. The scope of this work is to synopsize, synthesize, and extend Bion's works in a reader-friendly manner. The book presents his legacy - his most important ideas for psychoanalysis. These ideas need to be known by the mental health profession at large. This work highlights and defines the broader and deeper implications of his works.It presents his ideas faithfully and also uses his ideas as "launching pads" for the author's conjectures about where his ideas point.
This book focuses on Samuel Beckett's psychoanalytic psychotherapy with W. R. Bion as a central aspect both of Beckett's and Bion's radical transformations of literature and psychoanalysis. The recent publication of Beckett's correspondence during the period of his psychotherapy with Bion provides a starting place for an imaginative reconstruction of this psychotherapy, culminating with Bion's famous invitation to his patient to dinner and a lecture by C.G. Jung. Following from the course of this psychotherapy, Miller and Souter trace the development of Beckett's radical use of clinical psychoanalytic method in his writing, suggesting the development within his characters of a literary-analytic working through of transference to an idealized auditor known by various names, apparently based on Bion. Miller and Souter link this pursuit to Beckett's breakthrough from prose to drama, as the psychology of projective identification is transformed to physical enactment.
A collection of papers on and about the work of Wilfred Bion and its continuing development. Most were presented at the International Centennial Conference on the work of Bion in Turin in 1997. Contributors include Francesca Bion, Andre Green, James Grotstein, and many others. “How are we to become wise when so much emphasis is placed on cleverness, on building increasingly complex substitutes for thought? Where does wisdom come on a scale measuring success?” So writes Francesca Bion, when considering her husband’s work. A fitting tribute to Bion would be a collection of papers containing passionate attempts at thinking, not substitutes for thought. In this book, concern with psychic life, far from being dead, reaches new places, takes deeper, more nuanced turns. Authors penetrate subtly into our lying ways and soundly appreciate the complexities of our hunger for truth and experience.
Winner of the 2013 Sigourney Award! Psychoanalysis seen through Bion's eyes is a radical departure from all conceptualizations which preceded him. In this major contribution to the series Makers of Modern Psychotherapy, Joan and Neville Symington concentrate on understanding Bion's concepts in relation to clinical practice, but their book is also accessible to the educated reader who wishes to understand the main contours of Bion's thinking. Rather than following the chronological development of Bion's ideas, each chapter looks in depth at an important theme in his thinking and describes how this contributes to his revolutionary model of the mind.
Wilfred Bion was one of the most original and influential thinkers in recent psychoanalysis. His ideas, which can be traced in direct line in the development of psychoanalytic theory from Freud to Melanie Klein, are difficult to grasp because his writing style was often enigmatic and ambiguous. This is the first full biography and the first comprehensive explication of his significant contribution to psychoanalytic theory and practice. Dr. Bleandonu takes us through Bion's personal and intellectual explorations and gives clear accounts of his key concepts, including work groups and basic assumption groups, psychotic processes, catastrophic change, abandonment of memory and desire, the mystic, and ultimate truth. In addition, the grid is carefully laid out and explicated; the emergence of the idea of links, and attacks on them, as a core theme for the rest of Bion's working life is given proper attention; and Bion's attempt to creat an extensive psychoanalytic epistemology is discusses. Finally Bleandonu guides the reader through the fantasy writings in Memoir of the Future, the masterpiece that is Bion's autobiography, and his final writings, including the posthumous Cogitations. Significant reading for anyone with an interest in psychoanalysis, psychotherapy, and the development of psychoanalytic thought, this volume will be valued by professionals and students alike.
With emphasis on the personal, business, and technology aspects that make using the Internet so unique, this handy reference presents more than 2,500 computer-related terms and industry-specific jargon for anyone who needs to learn the new language of the Net. Newbies as well as techies will find commonly used shorthand, modern office phrases, and a large collection of emoticons and ASII art. An index sorts the terms into 10 popular categories with a complete list of international country codes and file extensions.
The Literary Agenda is a series of short polemical monographs about the importance of literature and of reading in the wider world and about the state of literary education inside schools and universities. The category of 'the literary' has always been contentious. What is clear, however, is how increasingly it is dismissed or is unrecognised as a way of thinking or an arena for thought. It is sceptically challenged from within, for example, by the sometimes rival claims of cultural history, contextualized explanation, or media studies. It is shaken from without by even greater pressures: by economic exigency and the severe social attitudes that can follow from it; by technological change that may leave the traditional forms of serious human communication looking merely antiquated. For just these reasons this is the right time for renewal, to start reinvigorated work into the meaning and value of literary reading. Medical Humanities comprises disciplines as diverse as literature, the visual and performing arts, the history of medicine, bioethics. It claims a vast range of philosophical and political agendas, goals and purposes, including the education of medical students in areas of clinical empathy, critical thinking, ethical awareness, gender and race issues and cross-cultural medicine. Josie Billington argues that in so far as literature is offered as adding value to medical education in health training and practice, that defence tends to become instrumental in nature, whether consciously and explicitly, or otherwise. This book is interested, more widely, in the power of the arts as a remedial force. Following an introduction surveying the idea of the Medical Humanities, its history, and its development, the book's four chapters will look at illness and health as defined in medical terms and as complicated within the field of imaginative literature; at narrative and storytelling within the therapeutic meeting of medical and literary approaches; at reading groups and private reading, considering contemporary models of literary reading as a template for redefining literature's place and power not only within the discipline of Medical Humanities but within the wider world in relation to concerns of mental wellbeing that affect us all.
Cogitations, the last of the posthumous publications, is a collection of occasional writings representing Bion's attempts to clarify and evaluate both his own ideas and those of others by casting them in written form and frequently addressing them to an imaginary audience. Covering a period between February 1958 and April 1979, Cogitations delves into a wide range of material - psychoanalysis and science, mathematics and logic, literature and semantics. Some form a background to Bion's theoretical development, showing the doubts and arguments leading to the ideas expressed in his books, others highlighting and detailing some of the more abstract points in them, and some exploring topics destined for books that were to remain unwritten.
