Biographical Encyclopedia of American Radio

Biographical Encyclopedia of American Radio

Author: Christopher H. Sterling

Publisher: Routledge

Published: 2013-05-13

Total Pages: 482

ISBN-13: 1136993754

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The Biographical Encyclopedia of American Radio presents the very best biographies of the internationally acclaimed three-volume Encyclopedia of Radio in a single volume. It includes more than 200 biographical entries on the most important and influential American radio personalities, writers, producers, directors, newscasters, and network executives. With 23 new biographies and updated entries throughout, this volume covers key figures from radio’s past and present including Glenn Beck, Jessie Blayton, Fred Friendly, Arthur Godfrey, Bob Hope, Don Imus, Rush Limbaugh, Ryan Seacrest, Laura Schlesinger, Red Skelton, Nina Totenberg, Walter Winchell, and many more. Scholarly but accessible, this encyclopedia provides an unrivaled guide to the voices behind radio for students and general readers alike.


The Concise Encyclopedia of American Radio

The Concise Encyclopedia of American Radio

Author: Christopher H. Sterling

Publisher: Routledge

Published: 2010-04-12

Total Pages: 965

ISBN-13: 1135176841

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The Concise Encyclopedia of American Radio is an essential single-volume reference guide to this vital and evolving medium. Comprised of more than 300 entries spanning the invention of radio to the Internet, this refernce work addresses personalities, music genres, regulations, technology, programming and stations, the "golden age" of radio and other topics relating to radio broadcasting throughout its history. The entries are updated throughout and the volume includes nine new entries on topics ranging from podcasting to the decline of radio.


Encyclopedia of American Radio, 1920-1960

Encyclopedia of American Radio, 1920-1960

Author: Luther F. Sies

Publisher:

Published: 2000

Total Pages: 920

ISBN-13:

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This encyclopedic work comprehensively covers the performers and programming on American radio from its inception to its golden age. Extensively researched over the course of more than twenty years, this new work is the definitive source for scholars of communication, social and cultural history and the popular arts, as well as devoted fans of radio history. The encyclopedia includes entries for programs, announcers, orchestras, musicians, vocalists, comedians, vocal groups, readers, whistlers, musical saw soloists, ministers, sports commentators, reviewers (of books, plays and movies), celebrities, and other personnel broadcasting over American radio from the 1920s to the 1960s. Additional entries cover commercial radio, educational broadcasting, firsts in radio history, opera on radio, religious broadcasting, sports broadcasting, women in radio, border radio, children's programs, comedy on radio, crime shows and mysteries, daytime dramatic serials, and disk jockeys, among other topics.


The Handbook of Communication History

The Handbook of Communication History

Author: Peter Simonson

Publisher: Routledge

Published: 2013

Total Pages: 530

ISBN-13: 0415892597

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The Handbook of Communication History addresses central ideas, social practices, and media of communication as they have developed across time, cultures, and world geographical regions. It attends to both the varieties of communication in world history and the historical investigation of those forms in communication and media studies. The Handbook editors view communication as encompassing patterns, processes, and performances of social interaction, symbolic production, material exchange, institutional formation, social praxis, and discourse. As such, the history of communication cuts across social, cultural, intellectual, political, technological, institutional, and economic history. The volume examines the history of communication history; the history of ideas of communication; the history of communication media; and the history of the field of communication. Readers will explore the history of the object under consideration (relevant practices, media, and ideas), review its manifestations in different regions and cultures (comparative dimensions), and orient toward current thinking and historical research on the topic (current state of the field). As a whole, the volume gathers disparate strands of communication history into one volume, offering an accessible and panoramic view of the development of communication over time and geographical places, and providing a catalyst to further work in communication history.


Encyclopedia of American Radio, 1920-1960, 2d ed.

Encyclopedia of American Radio, 1920-1960, 2d ed.

Author: Luther F. Sies

Publisher: McFarland

Published: 2014-04-15

Total Pages: 0

ISBN-13: 9780786495634

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In this revised, expanded and corrected edition, the acclaimed Encyclopedia of American Radio, 1920-1960 (Booklist Editors' Choice; "recommended"--Library Journal) offers even better coverage of the performers and programming on American radio from its inception to its golden age. This work is the definitive source for scholars of communication, social and cultural history and the popular arts, as well as devoted fans of radio history. New entries include information on such fascinating topics as gender discrimination in radio; holidays on the airwaves; husband and wife teams; minstrel shows, vaudeville, and burlesque; Scopes "monkey" trial broadcasts; and super heroes. Also included is additional information on broadcasters of the twenties, thirties, and forties, as well as on unique entertainers ranging from astrologists and musical saw soloists to yodelers and whistlers. These new additions offer even fuller understanding of radio's important role in American social and cultural history.


Broadcast Hysteria

Broadcast Hysteria

Author: A. Brad Schwartz

Publisher: Hill and Wang

Published: 2015-05-05

Total Pages: 351

ISBN-13: 0809031639

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On the evening of October 30, 1938, radio listeners across the United States heard a startling report of a meteor strike in the New Jersey countryside. With sirens blaring in the background, announcers in the field described mysterious creatures, terrifying war machines, and thick clouds of poison gas moving toward New York City. As the invading force approached Manhattan, some listeners sat transfixed, while others ran to alert neighbors or to call the police. Some even fled their homes. But the hair-raising broadcast was not a real news bulletin-it was Orson Welles's adaptation of the H. G. Wells classic The War of the Worlds. In Broadcast Hysteria, A. Brad Schwartz boldly retells the story of Welles's famed radio play and its impact. Did it really spawn a "wave of mass hysteria," as The New York Times reported? Schwartz is the first to examine the hundreds of letters sent to Orson Welles himself in the days after the broadcast, and his findings challenge the conventional wisdom. Few listeners believed an actual attack was under way. But even so, Schwartz shows that Welles's broadcast became a major scandal, prompting a different kind of mass panic as Americans debated the bewitching power of the radio and the country's vulnerability in a time of crisis. When the debate was over, American broadcasting had changed for good, but not for the better. As Schwartz tells this story, we observe how an atmosphere of natural disaster and impending war permitted broadcasters to create shared live national experiences for the first time. We follow Orson Welles's rise to fame and watch his manic energy and artistic genius at work in the play's hurried yet innovative production. And we trace the present-day popularity of "fake news" back to its source in Welles's show and its many imitators. Schwartz's original research, gifted storytelling, and thoughtful analysis make Broadcast Hysteria a groundbreaking new look at a crucial but little-understood episode in American history.


The Oxford Handbook of Radio and Podcasting

The Oxford Handbook of Radio and Podcasting

Author: Michele Hilmes

Publisher: Oxford University Press

Published: 2024

Total Pages: 793

ISBN-13: 0197551122

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The Oxford Handbook of Radio and Podcasting provides a concise yet in-depth overview of the development of radio as a creative and cultural form, from early broadcasting to the digital present. Organized around major aspects of radio's social and political impact - on the arts, on news and documentary, on community, nation, identity, and culture - it draws on contributors from interdisciplinary backgrounds and many nationalities to explore the world of sound-based communication across a century of practice. Links are provided to illustrative sound clips in many chapters, along with chapter-by-chapter audiographies offering digital links to enable further listening.


Theater of the Mind

Theater of the Mind

Author: Neil Verma

Publisher: University of Chicago Press

Published: 2012-07-11

Total Pages: 305

ISBN-13: 0226853500

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In this work, Neil Verma applies an array of critical methods to more than 6000 recordings to produce an account of radio drama from the Depression to the Cold War.


From Radio to the Big Screen

From Radio to the Big Screen

Author: Hal Erickson

Publisher: McFarland

Published: 2014-05-23

Total Pages: 317

ISBN-13: 1476615586

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There was a time when "American popular entertainment" referred only to radio and motion pictures. With the coming of talking pictures, Hollywood cashed in on the success of big-time network radio by bringing several of the public's favorite broadcast personalities and programs to the screen. The results, though occasionally successful, often proved conclusively that some things are better heard than seen. Concentrating primarily on radio's Golden Age (1926-1962), this lively history discusses the cinematic efforts of airwave stars Rudy Vallee, Amos 'n' Andy, Fred Allen, Joe Penner, Fibber McGee & Molly, Edgar Bergen, Lum & Abner, and many more. Also analyzed are the movie versions of such radio series as The Shadow, Dr. Christian and The Life of Riley. In addition, two recent films starring contemporary radio headliners Howard Stern and Garrison Keillor are given their due.


The Story of Radio Mind

The Story of Radio Mind

Author: Pamela E. Klassen

Publisher: University of Chicago Press

Published: 2018-04-23

Total Pages: 340

ISBN-13: 022655287X

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At the dawn of the radio age in the 1920s, a settler-mystic living on northwest coast of British Columbia invented radio mind: Frederick Du Vernet—Anglican archbishop and self-declared scientist—announced a psychic channel by which minds could telepathically communicate across distance. Retelling Du Vernet’s imaginative experiment, Pamela Klassen shows us how agents of colonialism built metaphysical traditions on land they claimed to have conquered. Following Du Vernet’s journey westward from Toronto to Ojibwe territory and across the young nation of Canada, Pamela Klassen examines how contests over the mediation of stories—via photography, maps, printing presses, and radio—lucidly reveal the spiritual work of colonial settlement. A city builder who bargained away Indigenous land to make way for the railroad, Du Vernet knew that he lived on the territory of Ts’msyen, Nisga’a, and Haida nations who had never ceded their land to the onrush of Canadian settlers. He condemned the devastating effects on Indigenous families of the residential schools run by his church while still serving that church. Testifying to the power of radio mind with evidence from the apostle Paul and the philosopher Henri Bergson, Du Vernet found a way to explain the world that he, his church and his country made. Expanding approaches to religion and media studies to ask how sovereignty is made through stories, Klassen shows how the spiritual invention of colonial nations takes place at the same time that Indigenous peoples—including Indigenous Christians—resist colonial dispossession through stories and spirits of their own.