This book offers detailed coverage of color, colorants, the coloring of materials, and reproducing the color of materials through imaging. It combines the clarity and ease of earlier editions with significant updates about the advancement in color theory and technology. Provides guidance for how to use color measurement instrumentation, make a visual assessment, set a visual tolerance, and select a formulation Supplements material with numerical examples, graphs, and illustrations that clarify and explain complex subjects Expands coverage of topics including spatial vision, solid-state lighting, cameras and spectrophotometers, and translucent materials
This book offers detailed coverage of color, colorants, the coloring of materials, and reproducing the color of materials through imaging. It combines the clarity and ease of earlier editions with significant updates about the advancement in color theory and technology. Provides guidance for how to use color measurement instrumentation, make a visual assessment, set a visual tolerance, and select a formulation Supplements material with numerical examples, graphs, and illustrations that clarify and explain complex subjects Expands coverage of topics including spatial vision, solid-state lighting, cameras and spectrophotometers, and translucent materials
Fully updated-the classic comprehensive introduction to color technology The Third Edition of Billmeyer and Saltzman's Principles of Color Technology combines the clarity and ease of use of earlier editions with two decades of advancement in the theory and technology of color. Defining color as "a certain kind of light, its effect on the human eye, or (most important of all) the result of this effect in the mind of the viewer," the book offers detailed coverage of color, colorants, the coloring of materials, and reproducing the color of materials through imaging. While retaining important material on the color technology of paints, plastics, textiles, and other materials, the Third Edition features in-depth coverage of computer-generated color, digital image capture, desktop color printing, and color management-achieving color fidelity among scanners, digital cameras, and other color imaging devices. The new edition of Principles of Color Technology offers expanded coverage that includes: * Measuring color quality-a new chapter describes the principles and applications of setting instrumental color tolerances * Mathematics of color technology-a new appendix presents principles of color technology using mathematics * Color modeling-additional material covers CRT displays and color printing Supplemented with copious numerical examples, graphs, and illustrations that clarify and explain complex material, as well as side bars that present technical details in a well-organized, accessible manner, this excellent and exciting introduction for newcomers to the field is also a valuable reference for experienced color technologists, color specialists, chemical and industrial engineers, computer scientists, research scientists, and mathematicians interested in color.
“A curator, a paintings conservator, a photographer, and a conservation scientist walk into a bar.” What happens next? In lively and accessible prose, color science expert Roy S. Berns helps the reader understand complex color-technology concepts and offers solutions to problems that occur when art is displayed, conserved, imaged, or reproduced. Berns writes for two types of audiences: museum professionals seeking explanations for common color-related issues and students in conservation, museum studies, and art history programs. The seven chapters in the book fall naturally into two sections: fundamentals, covering topics such as spectral measurements, metamerism, and color inconstancy; and applications, where artwork display, painting materials, and color reproduction are discussed. A unique feature of this book is the use of more than 200 images as its main medium of communication, employing color physics, color vision, and imaging science to produce visualizations throughout the pages. An annotated bibliography complements the main text with suggestions for further reading and more in-depth study of particular topics. Engaging, incisive, and absolutely critical for any scholar or student interested in color science, Color Science and the Visual Arts is sure to become a key reference for the entire field.
THE PERCEPTION, UNDERSTANDING, AND USES OF COLOR—EXPANDED AND REFRESHED Understanding Color is an essential resource for those needing to become proficient in color for business applications. The peerless treatment of this critical subject is beautifully illustrated with real-world examples. Designers have turned to this guide for nearly a generation for its authoritative and accessible instruction. The knowledge contained in this book sets you apart from other designers by enabling you to: Contribute more effectively to discussions on color harmony, complete with a vocabulary that enables in-depth understanding of hue, value, and saturation Apply the most-up-to-date information on digital color to your projects Address issues involved when colors must be translated from one medium to another Troubleshoot and overcome today's most common challenges of working with color Full-color images showcase real design examples and a companion website features a digital workbook for reinforcing color concepts. From theory and practical implementation to the business and marketing aspects, Understanding Color helps you gain a deep and discriminating awareness of color.
With the move of cinema away from film, the adoption of electronic-based production throughout all media is now complete. In order to exploit its advantages, the accurate definition, measurement and reproduction of colour has become more important than ever to achieve the best fidelity of colour reproduction. This book is concerned with providing readers with all they need to know about colour: how it is perceived and described, how it is measured and generated and how it is reproduced in colour systems. It serves as both a tutorial and a reference book, defining what we mean by colour and providing an explanation of the proper derivation of chromaticity charts and through to the means of ensuring accurate colour management. Key Features: Addresses important theory and common misconceptions in colour science and reproduction, from the perception and characteristics of colour to the practicalities of its rendering in the fields of television, photography and cinematography Offers a clear treatment of the CIE chromaticity charts and their related calculations, supporting discussion on system primaries, their colour gamuts and the derivation of their contingent red, green and blue camera spectral sensitivities Reviews the next state-of-the-art developments in colour reproduction beyond current solutions, from Ultra-High Definition Television for the 2020s to laser projectors with unprecedented colour range for the digital cinema Includes a companion website hosting a workbook consisting of invaluable macro-enabled data worksheets; JPEG files containing images referred to in the book, including colour bars and grey scale charts to establish perceived contrast range under different environmental conditions; and, guides to both the workbook and JPEG files
Thoroughly updated and expanded, this new Third Edition provides the latest information on dosage, forms, film defects, and polymer characterization. Written by renowned leaders in the field, Aqueous Polymeric Coatings for Pharmaceutical Dosage Forms is easily the most comprehensive book available on the market today. New to the Third Edition: the interaction of drugs with functional polymers the influence of processing parameters on coating quality the stabilization of polymeric film coats plasticizers and their applications in pharmaceutical coatings adhesion of polymeric films to solid substrates basic properties of latex and pseudolatex colloidal dispersions Key topics included: polymer interactions with drugs and excipients physical aging of polymeric films a complete overview and in-depth analysis of recent advances in the field, which includes information on the latest equipment used to apply polymers to a pharmaceutical system illustrated examples explaining the appropriate steps to be taken in order to solve formulation, processing, and stability problems to achieve an optimized dosage form
In Synthetic Vision: Using Volume Learning and Visual DNA, a holistic model of the human visual system is developed into a working model in C++, informed by the latest neuroscience, DNN, and computer vision research. The author's synthetic visual pathway model includes the eye, LGN, visual cortex, and the high level PFC learning centers. The corresponding visual genome model (VGM), begun in 2014, is introduced herein as the basis for a visual genome project analogous to the Human Genome Project funded by the US government. The VGM introduces volume learning principles and Visual DNA (VDNA) taking a multivariate approach beyond deep neural networks. Volume learning is modeled as programmable learning and reasoning agents, providing rich methods for structured agent classification networks. Volume learning incorporates a massive volume of multivariate features in various data space projections, collected into strands of Visual DNA, analogous to human DNA genes. VGM lays a foundation for a visual genome project to sequence VDNA as visual genomes in a public database, using collaborative research to move synthetic vision science forward and enable new applications. Bibliographical references are provided to key neuroscience, computer vision, and deep learning research, which form the basis for the biologically plausible VGM model and the synthetic visual pathway. The book also includes graphical illustrations and C++ API reference materials to enable VGM application programming. Open source code licenses are available for engineers and scientists. Scott Krig founded Krig Research to provide some of the world's first vision and imaging systems worldwide for military, industry, government, and academic use. Krig has worked for major corporations and startups in the areas of machine learning, computer vision, imaging, graphics, robotics and automation, computer security and cryptography. He has authored international patents in the areas of computer architecture, communications, computer security, digital imaging, and computer vision, and studied at Stanford. Scott Krig is the author of the English/Chinese Springer book Computer Vision Metrics, Survey, Taxonomy and Analysis of Computer Vision, Visual Neuroscience, and Deep Learning, Textbook Edition, as well as other books, articles, and papers.
