Biculturalism at New Zealand’s National Museum

Biculturalism at New Zealand’s National Museum

Author: Tanja Schubert-McArthur

Publisher: Routledge

Published: 2019-03-14

Total Pages: 249

ISBN-13: 1351121375

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The Museum of New Zealand Te Papa Tongarewa has been celebrated as an international leader for its bicultural concept and partnership with Māori in all aspects of the museum, but how does this relationship with the indigenous partner work in practice? Biculturalism at New Zealand’s National Museum reveals the challenges, benefits and politics of implementing a bicultural framework in everyday museum practice. Providing an analysis of the voices of museum employees, the book reflects their multifaceted understandings of biculturalism and collaboration. Based on a year of intensive fieldwork behind the scenes at New Zealand’s national museum and drawing on 68 interviews and participant observations with 18 different teams across the organisation, this book examines the interactions and cultural clashes between Māori and non-Māori museum professionals in their day-to-day work. Documenting and analysing contemporary museum practices, this account explores how biculturalism is enacted, negotiated, practised and envisioned on different stages within the complex social institution that is the museum. Lessons learnt from Te Papa will be valuable for other museums, NGOs, the public service and organisations facing similar issues around the world. Biculturalism at New Zealand’s National Museum addresses a gap in the literature on biculturalism and reaffirms the importance of ethnography to the anthropological enterprise and museum studies research. As such, it will be essential reading for academics, researchers and postgraduate students in the fields of cultural anthropology, museum anthropology, museum studies, and Māori studies or indigenous studies. It should also be of great interest to museum professionals.


Biculturalism at New Zealand's National Museum

Biculturalism at New Zealand's National Museum

Author: TANJA. SCHUBERT-MCARTHUR

Publisher: Routledge

Published: 2020-12-20

Total Pages: 242

ISBN-13: 9780367731243

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The Museum of New Zealand Te Papa Tongarewa has been celebrated as an international leader for its bicultural concept and partnership with Māori in all aspects of the museum, but how does this relationship with the indigenous partner work in practice? Biculturalism at New Zealand's National Museum reveals the challenges, benefits and politics of implementing a bicultural framework in everyday museum practice. Providing an analysis of the voices of museum employees, the book reflects their multifaceted understandings of biculturalism and collaboration. Based on a year of intensive fieldwork behind the scenes at New Zealand's national museum and drawing on 68 interviews and participant observations with 18 different teams across the organisation, this book examines the interactions and cultural clashes between Māori and non-Māori museum professionals in their day-to-day work. Documenting and analysing contemporary museum practices, this account explores how biculturalism is enacted, negotiated, practised and envisioned on different stages within the complex social institution that is the museum. Lessons learnt from Te Papa will be valuable for other museums, NGOs, the public service and organisations facing similar issues around the world. Biculturalism at New Zealand's National Museum addresses a gap in the literature on biculturalism and reaffirms the importance of ethnography to the anthropological enterprise and museum studies research. As such, it will be essential reading for academics, researchers and postgraduate students in the fields of cultural anthropology, museum anthropology, museum studies, and Māori studies or indigenous studies. It should also be of great interest to museum professionals.


Assembling the Centre: Architecture for Indigenous Cultures

Assembling the Centre: Architecture for Indigenous Cultures

Author: Janet McGaw

Publisher: Routledge

Published: 2014-11-13

Total Pages: 213

ISBN-13: 1317598946

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Metropolitan Indigenous Cultural Centres have become a focal point for making Indigenous histories and contemporary cultures public in settler-colonial societies over the past three decades. While there are extraordinary success stories, there are equally stories that cause concern: award-winning architecturally designed Indigenous cultural centres that have been abandoned; centres that serve the interests of tourists but fail to nourish the cultural interests of Indigenous stakeholders; and places for vibrant community gathering that fail to garner the economic and politic support to remain viable. Indigenous cultural centres are rarely static. They are places of ‘emergence’, assembled and re-assembled along a range of vectors that usually lie beyond the gaze of architecture. How might the traditional concerns of architecture – site, space, form, function, materialities, tectonics – be reconfigured to express the complex and varied social identities of contemporary Indigenous peoples in colonised nations? This book, documents a range of Indigenous Cultural Centres across the globe and the processes that led to their development. It explores the possibilities for the social and political project of the Cultural Centre that architecture both inhibits and affords. Whose idea of architecture counts when designing Indigenous Cultural Centres? How does architectural history and contemporary practice territorialise spaces of Indigenous occupation? What is architecture for Indigenous cultures and how is it recognised? This ambitious and provocative study pursues a new architecture for colonised Indigenous cultures that takes the politics of recognition to its heart. It advocates an ethics of mutual engagement as a crucial condition for architectural projects that design across cultural difference. The book’s structure, method, and arguments are dialogically assembled around narratives told by Indigenous people of their pursuit of public recognition, spatial justice, and architectural presence in settler dominated societies. Possibilities for decolonising architecture emerge through these accounts.


Museums and Maori

Museums and Maori

Author: Conal McCarthy

Publisher: Routledge

Published: 2016-06-16

Total Pages: 351

ISBN-13: 1315423871

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This groundbreaking book explores the revolution in New Zealand museums that is influencing the care and exhibition of indigenous objects worldwide. Drawing on practical examples and research in all kinds of institutions, Conal McCarthy explores the history of relations between museums and indigenous peoples, innovative exhibition practices, community engagement, and curation. He lifts the lid on current practice, showing how museum professionals deal with the indigenous objects in their care, engage with tribal communities, and meet the needs of visitors. The first critical study of its kind, Museums and Maori is an indispensible resource for professionals working with indigenous objects, indigenous communities and cultural centers, and for researchers and students in museology and indigenous studies programs.


Intangible Heritage and the Museum

Intangible Heritage and the Museum

Author: Marilena Alivizatou

Publisher: Routledge

Published: 2016-06-16

Total Pages: 226

ISBN-13: 1315426366

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Taking a multi-sited, cross-cultural approach, this book investigates the relationship between cultural institutions in presenting “intangible heritage.”


An Introductory Guide to Qualitative Research in Art Museums

An Introductory Guide to Qualitative Research in Art Museums

Author: Ann Rowson Love

Publisher: Taylor & Francis

Published: 2024-02-20

Total Pages: 246

ISBN-13: 0429557396

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An Introductory Guide to Qualitative Research in Art Museums is a practice-based guide that is designed to introduce qualitative research to established and upcoming museum professionals and increase their confidence to conduct this type of research. Highlighting the work of researchers who are studying museums around the world, the book begins by explaining why there is a need for qualitative research in museums. Rowson Love and Randolph then go on to provide guidance, including theories and frameworks, on how to envision a qualitative research project that facilitates meaningful interpretation of visitor experiences. Chapters in the methodology section begin with descriptions of featured qualitative methodologies and will assist readers as they determine which are most appropriate for their projects and as they advocate for their research. The final section will prepare readers still further by demonstrating data analysis and reporting using the examples in the book. An Introductory Guide to Qualitative Research in Art Museums will help museum professionals and students engaged in the study of museums expand their repertoire to include qualitative methodologies and explain the methods needed to conduct, analyze, and report their qualitative research. It will be particularly useful to those with an interest in museum education, visitor studies and audience research, exhibition development, leadership, and management.


Handbook of Ethnic Conflict

Handbook of Ethnic Conflict

Author: Dan Landis

Publisher: Springer Science & Business Media

Published: 2012-02-14

Total Pages: 672

ISBN-13: 1461404479

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Although group conflict is hardly new, the last decade has seen a proliferation of conflicts engaging intrastate ethnic groups. It is estimated that two-thirds of violent conflicts being fought each year in every part of the globe including North America are ethnic conflicts. Unlike traditional warfare, civilians comprise more than 80 percent of the casualties, and the economic and psychological impact on survivors is often so devastating that some experts believe that ethnic conflict is the most destabilizing force in the post-Cold War world. Although these conflicts also have political, economic, and other causes, the purpose of this volume is to develop a psychological understanding of ethnic warfare. More specifically, Handbook of Ethnopolitical Conflict explores the function of ethnic, religious, and national identities in intergroup conflict. In addition, it features recommendations for policy makers with the intention to reduce or ameliorate the occurrences and consequences of these conflicts worldwide.


Museums, Society, Inequality

Museums, Society, Inequality

Author: Richard Sandell

Publisher: Routledge

Published: 2003-08-29

Total Pages: 289

ISBN-13: 1134509081

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Museums, Society, Inequality explores the wide-ranging social roles and responsibilities of the museum. It brings together international perspectives to stimulate critical debate, inform the work of practitioners and policy makers, and to advance recognition of the purpose, responsibilities and value to society of museums. Museums, Society, Inequality examines the issues and: offers different understandings of the social agency of the museum presents ways in which museums have sought to engage with social concerns, and instigate social change imagines how museums might become more useful to society in future. This book is essential for all museum academics, practitioners and students.


Curatorship

Curatorship

Author: Canadian Museum of Civilization

Publisher: University of Ottawa Press

Published: 1996-01-01

Total Pages: 245

ISBN-13: 1772824313

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Museums and cultural centres play an important role in the re-emergence of cultural autonomy in indigenous societies. The May 1994 symposium, Curatorship: Indigenous Perspectives in Post-Colonial Societies, examined the realignment of relationships between indigenous and non-indigenous peoples of the Commonwealth in the context of traditional museum practices. It supported the right of Indigenous peoples to control the management of their cultural heritage and underlined the need for redefining museum models.


Conservation

Conservation

Author: Alison Richmond

Publisher: Routledge

Published: 2010-07-15

Total Pages: 268

ISBN-13: 1136441697

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* Conservation ethics and principles, such as minimum intervention, integrity and authenticity of an object, addressed from a wide range of professional and academic viewpoints, including contributions from curators, museology theorists and philosophers * Theory and principles presented and analysed both from a Western perspective and outside the boundaries of North America and Europe * Brings together conservation theory relevant to collections, historic buildings, monuments and archaeological sites