Inside Roman Libraries

Inside Roman Libraries

Author: George W. Houston

Publisher: UNC Press Books

Published: 2014-11-17

Total Pages: 349

ISBN-13: 1469617811

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Libraries of the ancient world have long held a place in the public imagination. Even in antiquity, the library at Alexandria was nearly legendary. Until now there has been relatively little research to discover what was inside these libraries, how the collections came into being and evolved, and who selected and maintained the holdings. In this engaging and meticulously researched study, George W. Houston examines a dozen specific book collections of Roman date in the first comprehensive attempt to answer these questions. Through a careful analysis of the contents of the collections, Houston reveals the personalities and interests of their owners, shows how manuscripts were acquired, organized, and managed, and identifies the various purposes that libraries served. He considers the life expectancy of manuscripts, the sizes of libraries, and dangers to books, as well as the physical objects within libraries from scribal equipment to works of art. The result is a clearer, more specific, and more detailed picture of ancient book collections and the elements of Roman libraries than has previously been possible.


Di chi tiene la penna: immagini di scrittori e scrittura nel romanzo italiano dal 1911 al 1942 [Italian-language Edition]

Di chi tiene la penna: immagini di scrittori e scrittura nel romanzo italiano dal 1911 al 1942 [Italian-language Edition]

Author: Simona Bianconi

Publisher: Columbia University Press

Published: 2014-03-01

Total Pages: 147

ISBN-13: 383826469X

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Simona Bianconi explores the creative process of writing, its communicative aspects and the traces of the writer himself in his creations, as well as the effect writing has on the personality of the author.Through the analysis of texts by six outstanding protagonists of the Italian novel in the first half of the 20th century, Bianconi gives answers to fascinating questions that arise about its creators and encourages the reader to experience and understand writing as a revelation of creativity and life.L'invenzione letteraria può dare vita a un secondo scrittore, a sua volta all'opera. A sua volta colui che comunica al di là della parola, che si assume l'importante responsabilità della creazione, che intende lasciare traccia di sé. Da lui nasce il libro, sua sfida, sostegno, tormento; prova unica o reiterata. Come prende forma nel romanzo di primo grado la figura centrale dell'autore? Come si mostra l'immagine ammaliante del suo lavoro nelle storie di lotta e rinuncia, successo e mediocrità presentate? E qual è l'effetto della scrittura sul personaggio - anche nella sua interazione sociale - che, pure tra gravi ostacoli, la elegge tra le vie da percorrere e ne fa il proprio destino?Attraverso la lettura di testi di sei straordinari protagonisti del romanzo italiano nella prima metà del Novecento, ideatori di altrettanti artisti, donne e uomini, si è tentato di dare una risposta ad interrogativi seducenti che il lettore si pone.. In tal modo, penetrando il motivo dell'esperienza della letteratura, si giunge a toccare la scrittura come rivelazione e sigillo di vita.


The Italia Judaica Jubilee Conference

The Italia Judaica Jubilee Conference

Author: Shlomo Simonsohn

Publisher: BRILL

Published: 2012-12-03

Total Pages: 280

ISBN-13: 9004243321

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This volume contains the proceedings of the Italia Judaica Jubilee Conference, held at Tel Aviv University 3-5 January, 2010, on the occasion of the jubilee celebration of outstanding scholarship on the history of Italian Jewry. Established in 1960 by Professor Shlomo Simonsohn and scholars from Israel and other countries, the Italia Judaica Project has sponsored documentation and research and organized international conferences, including some as part of the Israeli-Italian cultural agreement. The conference records the success of the project, exploring a broad range of topics related to the culture and history of the Jews in Italy in the Middle Ages and early modern times, such as: Jewish community, economy, literature, medicine and science, and the Arts. This volume contains nineteen of the twenty-seven lectures presented at the conference, including such topics as “International Trade and Italian Jews at the Turn of the Middle Ages,” “The Angevins of Naples and the Jews,” and “Dante and the Literary Identity of Jews in Italy.” The conference was organized by the Goldstein-Goren Diaspora Research Centre at Tel Aviv University, in cooperation with the Fred W. Lessing Institute for European History and Civilization, the Cymbalista Jewish Heritage Centre, the Faculty of Jewish Studies and the Golda and Israel Koschitzky Department of Jewish History at Bar-Ilan University, and the Istituto Italiano di Cultura.


Italian Medieval Sculpture in the Metropolitan Museum of Art and the Cloisters

Italian Medieval Sculpture in the Metropolitan Museum of Art and the Cloisters

Author: Metropolitan Museum of Art (New York, N.Y.)

Publisher: Metropolitan Museum of Art

Published: 2010

Total Pages: 370

ISBN-13: 1588393968

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"The collection of Italian medieval sculpture in The Metropolitan Museum of Art and The Cloisters began with the acquisition in 1908 of a Romanesque column statue; today the Museum's holdings comprise more than seventy works dating from the ninth to the late fifteenth century ... The birthplaces of these works range from Sicily to Venice; some typify local styles, others illustrate the intense artistic exchanges taking place within Italy and between Italy and the wider world ... Technological advances of the last decades have made it possible to determine more precisely the materials and techniques from which works of art are made, the history of their alteration, and the mechanisms of their deterioration. Using such techniques, scholars have been able to ascertain, for example, that sculptures previously thought to be modern works carved in the medieval manner were in fact completely authentic. This innovative volume represents a watershed in the study of sculpture: a collaborative dialogue between an art historian and a conservator—between art history and art science—that deepens our understanding of the object we see, while illuminating its elusive, enigmatic history"--From publisher's description.