To the dry bones of grammar Bhatti gave juicy flesh in his poem, telling the greatest Indian story in elegant Sanskrit. Composed in the fourth century CE, in South India, ”Bhatti’s Poem: The Death of Rávana” is both a poetic retelling of Rama’s adventures, and a compendium of grammatical and rhetorical examples for students. Bhatti’s study aid to Pánini’s groundbreaking grammatical treatise, the “Eight Books,” gives examples disguised as the gripping, morally improving “Ramáyana” story. In Bhatti’s own words: “This composition is a lamp to those whose eyes have language as their goal.” Tradition has it that an elephant ambled between Bhatti and his pupils, interrupting their outdoors grammar class. By Hindu law this intrusion canceled class for a year. Lest time be lost, Bhatti composed his poem to teach grammar without textbooks. Ever since, “The Death of Rávana” has been one of the most popular poems in Sanskrit literature.
The issues discussed in the essays pertain to various aspects of Indian culture. Analysis of the Vedic pantheon is juxtaposed with comparative approach to Indian mythology Examination of different historical and textual layers of vedic exegesis is enriched by reflection on sanskrit epics and Puranas. Insightful pursuance of various semantic development combined with Bhartrhari`s philosophy of language and complexities and are interwoven with on the one hand the question of reationality and philosophic discourse as reflected on Indian dialectical traditiona Ganeri, Shoryu katsura, Ernst Prets and the vedantic hermeneutics and with on the other the issue of individual freedom against the soteriological background.
This first, systematic survey of the Tibetan non-canonical literature dealing with Sanskrit grammar, partly consists of translations of Indic works, such as revisions of canonical versions, and translations of works not contained in the canon, and partly of original Tibetan works. In the first chapter of the book a detailed description of these textual materials is presented - sixty-one titles in total - which were produced during all periods of Tibetan literary history, from the ninth to the twentieth centuries. The second chapter discusses one specific effect of the impetus of Indic traditional grammar within Tibetan scholastics, namely the influence of Indic models of linguistic description on Tibetan indigenous grammar. This particular assimilation of an Indic technical discipline into Tibetan scholarship is examined in detail, and it is shown that other segments of Indic Buddhism were sources of inspiration and derivation for the Tibetan grammarians as well.
It is a pioneer attempt of its kind to study Indian Buddhism in its entirety as a system of rational philosophy, profound faith, and as a historical matrix of creative human culture and civilized institution during the 7th and 8th centuries the brilliant epoch of the University of Nalanda, the mere name of which spells the great wonder that was Buddhism in Ancient India.A chapter on the contribution of Buddhism to Indian Civilization has also been added. The treatment of the subject is critical and integral though not traditional.
It Is A Bibliography Of Sanskrit Dissertations Submitted And Approved By Various Universities In The Country From 1857 To 1988. Contains More Than 35 Entries Arranged Her Different Heads. Covers Areas Of Research-History Of Literature, Vedic Literature, Classical Literative Drama, Poetry, Grammar, Prose, Alankaras, Ayurveda Etc. Excellent Reference Tool.
To the dry bones of grammar Bhatti gave juicy flesh in his poem, telling the Indian story in Sanskrit. This book is both a poetic retelling of Rama's adventures, and a compendium of grammatical and rhetorical examples for students.