Beyond the Image Machine
Beyond the Image Machine

Author: David Tomas

Publisher: A&C Black

Published: 2004-03-01

Total Pages: 241

ISBN-13: 1441187650

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Beyond the Image Machine is an eloquent and stimulating argument for an alternative history of scientific and technological imaging systems. Drawing on a range of hitherto and marginalised examples from the world of visual representation and the work of key theorists and thinkers, such as Latour, de Certeau, McLuhan and Barthes, David Tomas offers a disarticulated and deviant view of the relationship between archaic and new representations, imaging technologies and media induced experience. Rejecting the possibility of absolute forms of knowledge, Tomas shows how new media technologies have changed the nature of established disciplines. The book develops Tomas's own theory of transcultural space and makes several original contributions to current debates on the culture of advanced technology.

Beyond the Image
Beyond the Image

Author: Brendan T. Kelly

Publisher: CreateSpace

Published: 2014-02-13

Total Pages: 104

ISBN-13: 9781495923012

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Beyond The Image is about seeing the story that exists in an image, a visual story. With this collection of images, I have also included the tales they have told me, the stories about acquiring them, and the places around the United States they were captured. Beyond The Image is an inspiring visual tale about life all around us. It captures the overlooked, the forgotten, and sometimes the unseen.

Image Beyond the Screen
Image Beyond the Screen

Author: Daniel Schmitt

Publisher: John Wiley & Sons

Published: 2020-02-19

Total Pages: 189

ISBN-13: 1119706858

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Videomapping with its use of digital images is an audiovisual format that has gained traction with the creative industries. It consists of projecting images onto diverse surfaces, according to their geometric characteristics. It is also synonymous with spatial augmented reality, projection mapping and spatial correspondence. Image Beyond the Screen lays the foundations for a field of interdisciplinary study, encompassing the audiovisual, humanities, and digital creation and technologies. It brings together contributions from researchers, and testimonials from some of the creators, technicians and organizers who now make up the many-faceted community of videomapping. Live entertainment, museum, urban or event planning, cultural heritage, marketing, industry and the medical field are just a few examples of the applications of this media.

Beyond Our Self-Image
Beyond Our Self-Image

Author: N. T. Hettigei

Publisher: John Hunt Publishing

Published: 2024-04-24

Total Pages: 167

ISBN-13: 1803414758

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Addressing a dilemma that spiritual seekers and others face in their pursuit of happiness, Beyond Our Self-Image presents a unique and simple approach to experiencing true happiness - free from confusing thoughts and wavering satisfaction. You may be an experienced meditator facing difficulty receiving the full benefits of your meditation, stuck at one level of absorption, or you may be on the brink of transcendence. The practices in this book resolve those obstacles and help you experience your true self. While its purpose is primarily to enhance your first-hand experiences of well-being through practices in this book, Beyond Our Self-Image also attempts to heal a world divided by petty differences and wakes its readers up to a wiser civilization, resulting in widespread peace in this world.

Encounters with Godard
Encounters with Godard

Author: James S. Williams

Publisher: State University of New York Press

Published: 2016-05-09

Total Pages: 340

ISBN-13: 1438460643

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Encounters with Godard takes the reader on a personal voyage into the sensory pleasures and polyphonic rhythms of Jean-Luc Godard's multimedia work since the late 1970s, from his feature films and video essays to his published writings, art books, and media performances. Godard, suggests James S. Williams, lays ethical claim to the cinematic, defined in the broadest terms as relationality and artistic resistance. An introductory chapter on the extended history of La Chinoise (1967), a film explicitly of montage, is followed by seven different types of critical encounters with Godard, encompassing the fields of art and photography, music and literature, and foregrounding themes of gender and sexuality, race and violence, mystery and emotion. The Godard who emerges here is a restless and radical experimenter who establishes new cinematic thresholds through new technology and expands the creative potential and free exchange of the archives. Williams examines works including Nouvelle vague (1990), Film socialisme (2010), Hélas pour moi (1993), and the magnum opus Histoire(s) du cinéma (1988–98). Wide-ranging and accessible, Encounters with Godard marks a major intervention in the study of film aesthetics and ethics while forging a vital dialogue with literature, history and politics, art and art history, music and musicology, philosophy, and aesthetics.

Light
Light

Author: William Thomas Allder Emtage

Publisher:

Published: 1903

Total Pages: 368

ISBN-13:

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