At Christmastime, Bear gets to join his special friend, Annie, in the festivities in her grandma's gift shop, but this year is different because the gift shop is closing and Bear's future seems uncertain.
A stunning celebration of girlhood around the world, from the New York Times Featuring and photographed by young women, This Is 18 is an immersive look at what it means to be on the cusp of adulthood around the world and across cultures. Twenty-two empowering and uniquely personal profiles, expanded from the New York Times interactive feature and curated by Gender Editor Jessica Bennett, with Sandra Stevenson, Anya Strzemien, and Sharon Attia, give teen readers a rare glimpse at the realities and interests of their contemporaries. With stunning photography and a gifty design, This Is 18 is a perfect tribute to girlhood for readers of all ages.
This book explores the co-dependency of monotheism and idolatry by examining the thought of several prominent twentieth-century Jewish philosophers—Cohen, Buber, Rosenzweig, and Levinas. While all of these thinkers were keenly aware of the pitfalls of scriptural theism, to differing degrees they each succumbed to the temptation to personify transcendence, even as they tried either to circumvent or to restrain it by apophatically purging kataphatic descriptions of the deity. Derrida and Wyschogrod, by contrast, carried the project of denegation one step further, embarking on a path that culminated in the aporetic suspension of belief and the consequent removal of all images from God, a move that seriously compromises the viability of devotional piety. The inquiry into apophasis, transcendence, and immanence in these Jewish thinkers is symptomatic of a larger question. Recent attempts to harness the apophatic tradition to construct a viable postmodern negative theology, a religion without religion, are not radical enough. Not only are these philosophies of transcendence guilty of a turn to theology that defies the phenomenological presupposition of an immanent phenomenality, but they fall short on their own terms, inasmuch as they persist in employing metaphorical language that personalizes transcendence and thereby runs the risk of undermining the irreducible alterity and invisibility attributed to the transcendent other. The logic of apophasis, if permitted to run its course fully, would exceed the need to posit some form of transcendence that is not ultimately a facet of immanence. Apophatic theologies, accordingly, must be supplanted by a more far-reaching apophasis that surpasses the theolatrous impulse lying coiled at the crux of theism, an apophasis of apophasis, based on accepting an absolute nothingness—to be distinguished from the nothingness of an absolute—that does not signify the unknowable One but rather the manifold that is the pleromatic abyss at being’s core. Hence, the much-celebrated metaphor of the gift must give way to the more neutral and less theologically charged notion of an unconditional givenness in which the distinction between giver and given collapses. To think givenness in its most elemental, phenomenological sense is to allow the apparent to appear as given without presuming a causal agency that would turn that given into a gift.
Among His Troops: Washington's War Tent in a Newly Discovered Watercolor provides an eyewitness view of the Revolutionary War. A chance find of the only known wartime image of General George Washington's headquarters tent, the original of which is on display at the Museum of the American Revolution, inspired this exploration of the fortunes of the Continental Army between the last major victory at Yorktown in 1781 and the final peace in 1783. Washington's grand encampment on the Hudson River at Verplanck's Point, New York in 1782 showed the French that the United States was still a formidable ally against Great Britain.Based on the Museum's first special exhibition of the same name, Among His Troops brings together the newly discovered panoramic watercolor of the Verplanck's Point encampment and a watercolor of the Continental Army's fortress at West Point, both painted by French-born military officer and eyewitness Pierre Charles L'Enfant. These paintings, paired with original objects from the encampments, reveal the proud, yet precarious situation of Washington's army as the Revolutionary War neared its end.
What does it take to be one of the world's best high-altitude mountain climbers? A lot of fundraising; traveling in some of the world's most dangerous countries; enduring cold bivouacs, searing lungs, and a cloudy mind when you can least afford one. It means learning the hard lessons the mountains teach. Steve House built his reputation on ascents throughout the Alps, Canada, Alaska, the Karakoram and the Himalaya that have expanded possibilities of style, speed, and difficulty. In 2005 Steve and alpinist Vince Anderson pioneered a direct new route on the Rupal Face of 26,600-foot Nanga Parbat, which had never before been climbed in alpine style. It was the third ascent of the face and the achievement earned Steveand Vince the first Piolet d"or (Golden Ice Axe) awarded to North Americans. Steve is an accomplished and spellbinding storyteller in the tradition of Maurice Herzog and Lionel Terray. Beyond the Mountain is a gripping read destined to be a mountain classic. And it
In their first book, acclaimed architects Ken Pursley and Craig Dixon explore how to create gracious homes with welcoming entryways, soulful interiors, inviting porches, and ebullient gardens. Founded on the simple principle “Build beautiful things,” the architectural team of Pursley Dixon, like populist architects Bobby McAlpine and Jeff Dungan, is known for blending elements of tradition with a modern lifestyle. In Finding Home, they share 15 stunning houses in three distinct styles: rustic mountain escapes, dreamy retreats by the water, and elegant houses in town. Each house has its own thoughtful visual narrative, but all are connected on an innate and authentic level by their sense of proportion, attention to detail, and a marvelous affinity with nature, displayed in their soothing neutral palettes, oversize windows that bring the outdoors in, and natural materials such as rough-hewn stone and unfinished wood. Little touches of humanity await discovery, such as a sleeping nook perched right out into the highest branches of a tree. These eccentricities and secrets add to the distinctly Southern sense of warmth and refuge these homes provide, homes whose open interiors and majestic porches easily accommodate family and gatherings. Featuring their own interior design work as well as that of acclaimed decorators such as Suzanne Kasler, Phoebe Howard, and Circa Interiors, Finding Home is about creating houses of inherent beauty that will spark an emotional connection to last a lifetime.
"In Beyond Welcome: Building Communities of Love, editor Linnea Nelson and contributors dream of a future Unitarian Universalism that upholds abundant love and universal justice within every community. The lived experiences of these hopeful Unitarian Universalists-ministers, religious professionals, and laypeople alike-illuminate the relevancy of liberation in each and every one of our communities. Examining both the joys of community and the responsibilities we have to one another, Beyond Welcome provides clarity about current structures and behaviors that create barriers to equity in our faith communities as a passageway to building foundational structures of love and liberation"--
This stand-alone novel in the four-part Book of Books series presents the people and the events that brought the Bible into the English language. These historical novels are told in high drama, but with great respect for God's Word and for the courageous people who translated it.
Artist Alexis Ross along with Tattooist Bert Krak created a special installation as part of the massive Beyond The Streets exhibition. Alexis Ross designed and art directed the installation, described on-site as follows: "Magic Touch is the name of this artistic expression celebrating the creative follies of Canarsie homeowners from the late 20th century - a sort of shade-tree tattoo parlor that might exist on your cousin Carmine's back porch from a time when Cadillac was king and you picked your tattoo design off the wall." Krak's real world business, Smith Street Tattoo Parlour supplied the magnetism, world-wide notoriety and talented tattooists. They made a splash on-site as they mugged with fans and tattooed real life flesh and blood right from "flash" on the wall. Known as a standard bearer of neo-classical tattoo, Bert Krak draws enthusiasts of the style from near and far, and Magic Touch provides a cross section of the scene. This book documents hundreds of tattoos inscribed on site, 50 pages of tattoo "flash" art and atmospheric shots from the installation itself. Includes 24 page mini booklet.