The main theme of this book revolves around the idea of Europeanization of the Western Balkans. In that respect, the volume discusses the fight against corruption and regional relations in former Yugoslav states, such as Bosnia and Herzegovina, Kosovo, Macedonia, Montenegro, and Serbia. The objective of the book is to detect the level of effectiveness of the EU impact on domestic structural changes in the Western Balkans regarding aforementioned research issues. The contributors argue that the EU impact in the Western Balkans has so far been limited and point to limitations in this regard. «The book Balkanizing Europeanisation offers timely, detailed, critical and excellently researched insight into the complicated mutual relations of the EU and the countries of the Balkan Peninsula. Based on excellent scholarship, meticulous original research and first-hand experience with the Balkan area, the authors provide a reader with rich and profound analysis of successes and failures of Europeanisation of the Balkan countries. The volume shall become an obligatory reading for many categories of scholars, experts, and people practicing diplomacy with and in the region.» Vít Hlousek, Professor of European Politics, Masaryk University «The limits to and problems connected with processes of Europeanization in the Western Balkans remain an important topic both for policy-makers and for scholarly inquiry. Vučkovic and Đorđevic are to be congratulated for having assembled a first-rate teach of scholars to examine the most vital issues at hand.» Sabrina P. Ramet, Professor of Political Science, The Norwegian University of Science & Technology
This book explores how ‘balkanization’ as a discourse underpins the policies of the European Union (EU) and the North Atlantic Treaty Organization (NATO) toward the Western Balkans. It shows how EU and NATO policies have emerged from, and led to, the constant reinvention of the unity of the West through ‘balkanizing’ the region and illustrates how this dynamic is maintained by and instrumentalized for the political elites. Through a genealogical analysis that stretches from the Balkans Wars to more recent events such as North Macedonia’s change of name in 2018, the author shows how Western policies have aimed at recreating the united West on the back of the ‘broken’ Balkans. The book will appeal to scholars and students of Southeast Europe, International Relations, Political Science, Peace and Conflict Studies and History.
Can we be optimistic about the future of Europe? To what extent has the European integrationist project affected the discourse about the core and the (semi-)periphery? Why does the European Union struggle with its own, and the neighbouring, Other? These are some of the questions addressed in this thought-provoking volume about the dilemmas surrounding the ever-uncertain European unity. A wide range of contributors have drawn upon invaluable sources and data to examine a broad selection of official discords and discrepancies characterizing the EU’s relations with the Balkans, East-Central Europe, and beyond. Moreover, past events have shaped present political and socioeconomic cooperation (or its deficiencies), with no reason to believe that these present challenges will not further influence future arrangements at a supranational or intergovernmental level. Whichever the period, questions of belonging, solidarity, and the (un)wanted Other have remained relevant and have continued to penetrate discussions. In addition to complementing the existing analyses of European developments, the present findings are of great relevance for researchers, policymakers, and general readership. In fact, they are essential if we want to see Europe develop.
This volume studies the relevance of European integration for conflict settlement and conflict resolution in divided states such as Cyprus or Serbia and Montenegro.
This book demonstrates the importance of the credibility and the costs of accession conditionality for the adoption of EU rules in Central and Eastern Europe.
Why did Yugoslavia fall apart? Was its violent demise inevitable? Did its population simply fall victim to the lure of nationalism? How did this multinational state survive for so long, and where do we situate the short life of Yugoslavia in the long history of Europe in the twentieth century? A History of Yugoslavia provides a concise, accessible, comprehensive synthesis of the political, cultural, social, and economic life of Yugoslavia—from its nineteenth-century South Slavic origins to the bloody demise of the multinational state of Yugoslavia in the 1990s. Calic takes a fresh and innovative look at the colorful, multifaceted, and complex history of Yugoslavia, emphasizing major social, economic, and intellectual changes from the turn of the twentieth century and the transition to modern industrialized mass society. She traces the origins of ethnic, religious, and cultural divisions, applying the latest social science approaches, and drawing on the breadth of recent state-of-the-art literature, to present a balanced interpretation of events that takes into account the differing perceptions and interests of the actors involved. Uniquely, Calic frames the history of Yugoslavia for readers as an essentially open-ended process, undertaken from a variety of different regional perspectives with varied composite agenda. She shuns traditional, deterministic explanations that notorious Balkan hatreds or any other kind of exceptionalism are to blame for Yugoslavia’s demise, and along the way she highlights the agency of twentieth-century modern mass society in the politicization of differences. While analyzing nuanced political and social-economic processes, Calic describes the experiences and emotions of ordinary people in a vivid way. As a result, her groundbreaking work provides scholars and learned readers alike with an accessible, trenchant, and authoritative introduction to Yugoslavia's complex history.
Offering a fresh look at the ways in which neoliberalism has claimed to cure the Balkan region of its ethnic particularities under the pretext of Europeanization, this book shows how the reconfiguration of the economic, political, and cultural landscape of the region has resulted in its functioning as Europe’s neocolony. The contributors to this volume engage in postcolonial analysis of the Balkans’ past and present coloniality by way of interrogating race, racism, trauma, film, and global capitalism. They challenge the idea of a United Europe that rests on the assumption that the European Union’s ‘newness’ represents both a clean slate and the right to shift ownership of its colonial histories to former colonial subjects and their national histories. Taken as a whole, the volume seeks to transform Europe’s colonial amnesia into postcolonial awareness and to speak from within the Balkans as a site of Europe’s neocolony. As it critically interrogates a neocolonial reconfiguration of the Balkans as a massive social overhaul, which includes at once global integration and local social disintegration, this book will be of interest to those studying the region, as well as postcolonialism in general. This book was originally published as a special issue of Interventions: Journal of Postcolonial Studies.
Rifkin delves deeply into the history of Europe--and eventually America--to show how Europeans have succeeded in slowly and steadily developing a more adaptive, sensible way of working and living.
This book explores the interaction of the EU in Greece, Slovenia, Croatia, and Macedonia in three key policy sectors – cohesion, border managements and the environment – and assesses the degree to which the European Union’s engagement with the democracies of South East Europe has promoted Europeanization and Multi-Level Governance. Although there is a tendency to view the Balkans as peripheral, this book argues that South East European states are central to what the EU is and aspires to become, and goes to the heart of many of the key issues confronting the EU. It compares changing modes of governance in the three policy areas selected because they are contentious issues in domestic politics and have trans-boundary policy consequences, in which there is significant EU involvement. The book draws on over 100 interviews conducted to explore actor motivation, preferences and perceptions in the face of pressure to adapt from the EU and uses Social Network Analysis. Timely and informative, this book considers broader dilemmas of integration and enlargement at a time when the EU’s effectiveness is under close scrutiny. The European Union and South East Europe will be of interest to students and scholars of European politics, public policy, and European Union governance and integration.
In the context of the transformations that Europe is undergoing, Zoom in, Zoom out: Crossing Borders in Contemporary European Cinema attempts to serve as a testimony to the multiple ways in which European filmmakers are questioning the many borders of the continent. European films have become a vital cultural space where the relationship between borders and identity is being renegotiated. The films discussed here self-consciously address the question of European identity while overtly crossing geographic, cultural, linguistic and aesthetic borders. While all the articles explore the crossing of borders in Contemporary European films, the volume maintains diverse themes and perspectives as subtopics. It includes articles not only about films that deal thematically with border-crossings, but also articles that examine movies that cross borders in genres and techniques. The articles have different theoretical approaches (Film theory, Cultural Studies, History, Sociology, Philosophy, and Psychoanalysis) and cover films from well-known cinematic traditions (French, Spanish, German, and Italian) as well as lesser-known cinematic traditions (Yugoslavian, Greek, and Irish). As a whole, the essays frame the self-conscious gesture by European filmmakers to define European cinema as a work-in-progress, or at the very least, as a project that, like Europe itself, raises as many questions as it answers. "This volume is a welcome addition to the growing critical literature on the evolution of the conception and practice of national cinema in Europe over the last two decades. Sandra Barriales-Bouche and Marjorie Attignol Salvodon have chosen a solid selection of representative case studies that reflects different critical approaches to the problem of maintaining local or national cinema production in Europe during a period of intense globalization. Their insightful introduction formulates the theme of “unsettled borders” and “renegotiated identities” that will resonate in the nine essays that follow. With a focus on the critical concept of these unsettled borders, the various authors explore the ways that the traditional mark of national space has been transformed through political and economic realignments as well as new technologies and the emergence of a new generation of filmmakers for whom national cinema no longer means what it did even twenty years ago. The volume provides a good balance of critical approaches that includes auteur studies, descriptions of state policies and the particular practices of filmmakers and producers in different parts of the continent (Spain, Germany, Ireland, the Balkans) and, finally, useful appendices that provide a close-up view of the complex nature of international co-productions." —Marvin D’Lugo, Professor of Spanish, Clark University "This is an interesting collection of essays that has been well conceived and organised. The standard of writing is high and I recommend publication. I particularly commend the conceptual framework underpinning the volume. This marries a cultural studies approach, which still dominates the study of film in Area Studies and language departments across Europe and the US (where filmic texts are increasingly used as teaching tools), with the more industry-based focus one tends to find adopted by Media and Screen Studies departments. Thus this collection will appeal to a wide range of students and academics. The introduction sets out the volume’s overarching framework cogently and clearly, giving a nuanced exploration of the way that the notion of the border can be used as a dynamic prism to help define and explore the limits of our understanding of Europe, European identity and European culture, within which cinema has long played a key role. The editors give a good account, for example, of the way film has been employed as a space to explore the possibilities of European integration by EU politicians as well as highlighting the flaws inherent within this project. They do, however, perhaps suggest a certain Western European/North American-centric view in their suggestion that the cinema of Yugoslavia, Greece or Ireland is somehow less well known than other national and transnational cinemas explored here. Less well known to whom? ... However, from the broad range of cinemas explored in the rest of the volume clearly this is not the case. Particular high points for me are the chapters on the work of Fatih Akin by Janis Little Solomon and John Davidson’s discussion of Schulze gets the Blues, as well as Olivier Asselin’s fascinating account of Database Cinema. This will be a good addition to scholarship on European film and I look forward to receiving my copy." —Professor Paul Cooke (University of Leeds)
