Battle of the BFFs,' Part One. Betty and Veronica team up when Teen TV announces 'Battle of the BFFs,' a reality competition to find the world's greatest 'best friends forever.' After a pact to go Archie-free for the competition, it seems like an easy win for Riverdale's favorite BFFs. But master manipulator Cheryl Blossom is out to shake things up. Can Betty and Veronica overcome Cheryl's tricks and their own epic battle over Archie to win the 'Battle of the BFFs'?
Betty and Veronica teach a valuable lesson in "Peace and Harm-Ony" when their mastery of demanding yoga poses leads to subbing for their instructor! Then, as Betty daydreams about her future, will she long for "High School Daze"? Finally, Veronica gets tired of being "The Middle Ground" for Archie and Reggie. Can she make herself the center of attention instead of being stuck in the middle?
Betty & Veronica star in their first comic book series! Take a trip back to the earliest days of Archie Comics as Betty Cooper and Veronica Lodge show the town of Riverdale who's really in charge! Prepare to experience the original Betty and Veronica with stories like "The Generous Heart", "Love Machine" and more! DISCLAIMER: The stories, characters, and incidents in this publication are entirely fictional. This publication contains material that was originally created in a less racially and socially sensitive time in our society and reflects attitudes that may be represented as offensive today. The stories are represented here without alteration for historical reference.
With help from Dilton's holographic projector, Betty finds a way to declare her love for Archie without having to actually carve their initials in a tree. Then, the neighborhood paperboy is awfully interested in making deliveries at the Cooper home. Later, Nancy and Betty both wish they had more time for fun, and thanks to a wishbone those wishes may come true! Finally, Betty's Mom is shocked at how much effort Betty is putting into cleaning the house - until she learns Betty invited Archie over!
Whatever Happened to the Washington Reporters, 1978–2012, is the first book to comprehensively examine career patterns in American journalism. In 1978 Brookings Senior Fellow Stephen Hess surveyed 450 journalists who were covering national government for U.S. commercial news organizations. His study became the award-winning The Washington Reporters (Brookings, 1981), the first volume in his Newswork series. Now, a generation later, Hess and his team from Brookings and the George Washington University have tracked down 90 percent of the original group, interviewing 283, some as far afield as France, England, Italy, and Australia. What happened to the reporters within their organizations? Did they change jobs? Move from reporter to editor or producer? Jump from one type of medium to another—from print to TV? Did they remain in Washington or go somewhere else? Which ones left journalism? Why? Where did they go? A few of them have become quite famous, including television correspondents Ted Koppel, Sam Donaldson, Brit Hume, Carole Simpson, Judy Woodruff, and Marvin Kalb; some have become editors or publishers of the New York Times, Wall Street Journal, Chicago Tribune, Miami Herald, or Baltimore Sun; some have had substantial careers outside of journalism. Most, however, did not become household names. The book is designed as a series of self-contained essays, each concentrating on one characteristic, such as age, gender, or place of employment, including newspapers, television networks, wire services, and niche publications. The reporters speak for themselves. When all of these lively portraits are analyzed—one by one—the results are surprisingly different from what journalists and sociologists in 1978 had predicted. Praise for other books in the Newswork series: International News and Foreign Correspondents “It is not much in vogue to speak of things like the public trust, but thankfully Stephen Hess is old fashioned. He reminds us in this valuable and provocative book that journalism is a public trust, providing the basic information on which citizens in a democracy vote, or tune out.”—Ken Auletta, The New Yorker “Regardless of one’s view of American news media, one cannot help but be influenced by the information Stephen Hess puts forth in International News and Foreign Correspondents. After reading this book, it is not likely one will scan the newspaper or watch television news in the same way again.”—International Affairs Review “Readers of all backgrounds will find this a provocative text.”—The Harvard International Journal of Press/Politics Live from Capitol Hill “Hess is a treasure—a Washington insider with a sharp sense of the important, the interesting, and the mythological. This book is essential reading for Hill practitioners, journalists, and scholars of Congress and the media.”—Steven S. Smith, Washington University The Washington Reporters “A meticulously researched piece of anthropology that represents the first major look at the men and women who cover the government since Leo C. Rosten’s classic 1937 book.”—Newsweek
The Senate of Canada is the upper house of its parliamentary system. It is an appointed legislative chamber that has been frequently derided for its apparent lack of effective activity, its failure to represent Canada’s federal system, and the perceived lack of accountability among its members. Reform of the Senate persists as one of the most contentious issues in the country. Typical reform proposals begin with the assumption that it must become an elected body that primarily represents Canada’s provinces and can serve as an effective check on the federal government and the House of Commons. This book challenges those assumptions through a thorough analysis that places the Senate within the context of other parliamentary upper houses. It presents a hypothetical constitutional amendment and a proposal for non-constitutional reform that are based upon alternative models derived from that broader context. The book ultimately recommends a Senate that remains unelected but with a more expansive appointment process that more appropriately reflects the optimal role of a parliamentary upper house as well as the diversity, regional aspirations, and political principles of Canadian democracy.
Fourth wave feminism has entered the national conversation and established a highly visible presence in popular media, especially in cutting-edge science fiction and fantasy films and television series. Wonder Woman, the Wasp, and Captain Marvel headline superhero films while Black Panther celebrates nonwestern power. Disney princesses value sisterhood over conventional marriage. This first of two companion volumes addresses cinema, exploring how, since 2012, such films as the Hunger Games trilogy, Mad Max: Fury Road, and recent Star Wars installments have showcased women of action. The true innovation is a product of the Internet age. Though the web has accelerated fan engagement to the point that progressivism and backlash happen simultaneously, new films increasingly emphasize diversity over toxic masculinity. They defy net trolls to provide stunning role models for viewers across the spectrum of age, gender, and nationality.
