Better Punctuation in 30 Minutes a Day

Better Punctuation in 30 Minutes a Day

Author: Ceil Cleveland

Publisher: ReadHowYouWant.com

Published: 2008-08-22

Total Pages: 310

ISBN-13: 1427099405

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Who cares about commas, semicolons, dashes, and hyphens? Well, you should. A misplaced punctuation mark can confuse physicians and surgeons, cause thousands of dollars in legal fees, misinform judges, puzzle bankers, misguide stockbrokers and create lumps in your pudding. You dont need a teacher with a mouthful of jargon to help you understand how to make yourself clearly understood. Better Punctuation in 30 Minutes a Day will help you teach yourself.


3 Summers

3 Summers

Author: Lisa Robertson

Publisher: Coach House Books

Published: 2016-09-26

Total Pages: 122

ISBN-13: 1770564802

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Recite your poem to your aunt. I threw myself to the ground. Where were you in the night? In a school among the pines. What was the meaning of the dream? Organs, hormones, toxins, lesions: what is a body? In 3 Summers, Lisa Robertson takes up her earlier concerns with form and literary precedent, and turns toward the timeliness of embodiment. What is form's time? Here the form of life called a poem speaks with the body's mortality, its thickness, its play. The 10 poem-sequences in 3 Summers inflect a history of textual voices — Lucretius, Marx, Aby Warburg, Deleuze, the Sogdian Sutras — in a lyricism that insists on analysis and revolt, as well as the pleasures of description. The poet explores the mysterious oddness of the body, its languor and persistence, to test how it shapes the materiality of thinking, which includes rivers and forests. But in these poems' landscapes, the time of nature is inherently political. Now only time is wild, and only time — embodied here in Lisa Robertson’s forceful cadences — can tell. "Robertson proves hard to explain but easy to enjoy. . . . Dauntlessly and resourcefully intellectual, Robertson can also be playful or blunt. . . . She wields language expertly, even beautifully."—The New York Times "Robertson makes intellect seductive; only her poetry could turn swooning into a critical gesture."— The Village Voice Lisa Robertson's books include Cinema of the Present, Debbie: An Epic, The Men, The Weather, R's Boat and Occasional Works and Seven Walks from the Office for Soft Architecture. Lisa Robertson's Magenta Soul Whip was named one of The New York Times' 100 Notable Books. She lives in France.


Letters Against the Firmament

Letters Against the Firmament

Author: Sean Bonney

Publisher:

Published: 2015

Total Pages: 0

ISBN-13: 9781910392157

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Sean Bonney offers a user's report on the end of the world, a treatise against Tory terror, a proposal for a new zodiac, a defence of poetry and a hex against the devourers of planet Earth. The letters and fierce epistolary poems provide a vivid account of the sheer panic and brutality of the austerity years.


The Oxford Handbook of Media Psychology

The Oxford Handbook of Media Psychology

Author: Karen E. Dill

Publisher: Oxford University Press, USA

Published: 2013

Total Pages: 578

ISBN-13: 0195398807

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The Oxford Handbook of Media Psychology explores facets of human behaviour, thoughts, and feelings experienced in the context of media use and creation.


Narrative Impact

Narrative Impact

Author: Melanie C. Green

Publisher: Taylor & Francis

Published: 2003-01-30

Total Pages: 396

ISBN-13: 1135673284

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The impact of public narratives has been so broad (including effects on beliefs and behavior but extending beyond to emotion and personality), that the stakeholders in the process have been located across disciplines, institutions, governments, and, indeed, across epochs. Narrative Impact draws upon scholars in diverse branches of psychology and media research to explore the subjective experience of public narratives, the affordances of the narrative environment, and the roles played by narratives in both personal and collective spheres. The book brings together current theory and research presented primarily from an empirical psychological and communications perspective, as well as contributions from literary theory, sociology, and censorship studies. To be commensurate with the broad scope of influence of public narratives, the book includes the narrative mobilization of major social movements, the formation of self-concepts in young people, banning of texts in schools, the constraining impact of narratives on jurors in the court room, and the wide use of education entertainment to affect social changes. Taken together, the interdisciplinary nature of the book and its stellar list of contributors set it apart from many edited volumes. Narrative Impact will draw readership from various fields, including sociology, literary studies, and curriculum policy. Providing new explanatory concepts, this book: *is the first account on the psychology of narrative persuasion and brings together the relevant conceptualizations from within various sectors of psychology together with the major issues that concern cognate disciplines outside of psychology; *focuses on understanding the mechanisms that underlie the power of public narratives to achieve broad historical and social changes; *offers breakthroughs to the future: the role of "presence" in virtual reality narratives; the role of "zines" in females' fashioning of their selves; and the central role of imagery in transportation into narrative worlds; *explains varying roles of emotion in narrative immersion; and *addresses the growing blurring of fact and fiction: mechanisms and implications for beliefs and behavior.


Introduction to Positive Media Psychology

Introduction to Positive Media Psychology

Author: Arthur A. Raney

Publisher: Routledge

Published: 2020-12-29

Total Pages: 224

ISBN-13: 1000295877

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Introduction to Positive Media Psychology summarizes and synthesizes the key concepts, theories, and empirical findings on the positive emotional, cognitive, and behavioral effects of media use. In doing so, the book offers the first systematic overview of the emerging field of positive media psychology. The authors draw on a growing body of scholarship that explores the positive sides of media use, including fostering one’s own well-being; creating greater connectedness with others; cultivating compassion for those who may be oppressed or stigmatized; and motivating altruism and other prosocial actions. The authors explore these issues across the entire media landscape, examining the ways that varying content (e.g., entertainment, news) delivered through traditional (e.g., film, television) and more recent media technologies (e.g., social media, digital games, virtual reality) can enhance well-being and promote other positive outcomes in viewers and users. This book serves as a benchmark of theory and research for current and future generations of advanced undergraduate students, graduate students, and scholars in communication, psychology, education, and social work.


Kim Kardashian's Marriage

Kim Kardashian's Marriage

Author: Sam Riviere

Publisher: Faber & Faber

Published: 2015-02-03

Total Pages: 109

ISBN-13: 0571321445

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The 72 poems in Kim Kardashian's Marriage mark out equally sharpened lines of public and private engagement. Kim Kardashian's 2011 marriage lasted for 72 days, and was seen by some as illustrative of celebrity life as a performance, as spectacle. Whatever the truth of this (and Kardashian's own statements refute it), Sam Riviere has used the furor as a point of ignition, deploying terms from Kardashian's make-up regimen to explore surfaces and self-consciousness, presentation and obfuscation. His pursuit is toward a form of zero-privacy akin, perhaps, to Kardashian's own life, that eschews a dependence upon confessional modes of writing to explore what kind of meaning lies in impersonal methods of creation. The poems have been produced by harvesting and manipulating the results of search engines to create a poetry of part-collage, part-improvisation. The effect is as refractive as it is reflective, and disturbs the slant on biography through a bricolage of recycled and cross-referenced language, until we are left with a pixellation of the first person.