In this fresh and generous collection of poems, Paul Taylor helps us all get a few things straight: how to use a pencil, what to look for at the seaside, how to watch TV, what beer can do for you, how to look on the bright side, how to be less stupid, what use is a trombone, what to do on underground trains, how to measure wind, what spoons can do for you, how to enjoy poetry, what are those insects doing?
Better Late Than Never is the extraordinary true story of how a man born into poverty in London's East End went on to find stardom late in life when he was chosen to be head judge on BBC1's Strictly Come Dancing. Len Goodman tells all about his new-found fame, his experiences on Strictly Come Dancing, and also on the no.1 US show Dancing with the Stars and his encounters with the likes of Heather Mills-McCartney and John Sergeant. But the real story is in his East End roots. And Len's early life couldn't be more East End. The son of a Bethnal Green costermonger he spent his formative years running the fruit and veg barrow and being bathed at night in the same water Nan used to cook the beetroot. There are echoes of Billy Elliot too. Though Len was a welder in the London Docks, he dreamt of being a professional footballer, and came close to making the grade had he not broken his foot on Hackney Marshes. The doctor recommended ballroom dancing as a light aid to his recovery. And Len, it turned out, was a natural. At first his family and work mates mocked, but soon he had made the final of a national competition and the welders descended en masse to the Albert Hall to cheer him on. With his dance partner, and then wife Cheryl, Len won the British Championships in his late twenties and ballroom dancing became his life. Funny and heart-warming, Len Goodman's autobiography has all the honest East End charm of Tommy Steele, Mike Read or Roberta Taylor.
Emma Mahony explores ADHD as a mental health issue, revealing her own journey with late diagnosis whilst offering readers advice on how to understand and cope with this complex disorder.
In this Library Lover’s Mystery from the New York Times bestselling author of A Likely Story, a decades-overdue book puts library director Lindsey Norris hot on the trail of a cold case… When the Briar Creek Public Library holds its first overdue book amnesty day—no fines for late returns—the volume of incoming materials is more than Lindsey and her staff can handle. But one tardy tome catches her attention—a copy of J. D. Salinger’s The Catcher in the Rye, twenty years past due. When Lindsey looks up the borrower, she’s shocked to discover it was a murdered teacher named Candice Whitley, whose killer was never found. Candice checked out the novel on the day she died. Now Lindsey wonders if it could provide a clue to the decades-old cold case. No one noticed who brought the book back in, but could it be Candice’s killer? Lindsey is determined to catch the culprit one way or another, because justice for Candice Whitley is long overdue... INCLUDES READING GROUP RECOMMENDATIONS
In this stunning conclusion to the bestselling Reverend Curtis Black series, Curtis's secret past returns in an unwelcome--but ultimately healing--visit. Rev. Curtis Black is no stranger to scandal. Throughout the decades, he has done much in the public eye, both good and evil. But what most people don't realize is that Curtis has been hiding a horrific childhood that has affected him in countless, unspeakable ways. His buried past resurfaces when his estranged sister becomes alarmingly ill and his youngest child, twelve-year-old Curtina, becomes the kind of problem daughter whom he never imagined she could be. This is only the beginning. The horror of Curtis's childhood secrets, as well as Curtina's wild and rebellious behavior, takes a critical toll on Curtis and the entire Black family. All the public scandals they've experienced over the years now seem like child's play compared to the turmoil they are facing in private. Who could have known that the deepest wounds would come from within?
Each year writers and editors submit over three thousand grammar and style questions to the Q&A page at The Chicago Manual of Style Online. Some are arcane, some simply hilarious—and one editor, Carol Fisher Saller, reads every single one of them. All too often she notes a classic author-editor standoff, wherein both parties refuse to compromise on the "rights" and "wrongs" of prose styling: "This author is giving me a fit." "I wish that I could just DEMAND the use of the serial comma at all times." "My author wants his preface to come at the end of the book. This just seems ridiculous to me. I mean, it’s not a post-face." In The Subversive Copy Editor, Saller casts aside this adversarial view and suggests new strategies for keeping the peace. Emphasizing habits of carefulness, transparency, and flexibility, she shows copy editors how to build an environment of trust and cooperation. One chapter takes on the difficult author; another speaks to writers themselves. Throughout, the focus is on serving the reader, even if it means breaking "rules" along the way. Saller’s own foibles and misadventures provide ample material: "I mess up all the time," she confesses. "It’s how I know things." Writers, Saller acknowledges, are only half the challenge, as copy editors can also make trouble for themselves. (Does any other book have an index entry that says "terrorists. See copy editors"?) The book includes helpful sections on e-mail etiquette, work-flow management, prioritizing, and organizing computer files. One chapter even addresses the special concerns of freelance editors. Saller’s emphasis on negotiation and flexibility will surprise many copy editors who have absorbed, along with the dos and don’ts of their stylebooks, an attitude that their way is the right way. In encouraging copy editors to banish their ignorance and disorganization, insecurities and compulsions, the Chicago Q&A presents itself as a kind of alter ego to the comparatively staid Manual of Style. In The Subversive Copy Editor, Saller continues her mission with audacity and good humor.
Shining the light of God's unchanging truth into some dark places, Better Late than Never provides the reader with rare insight into the harsh reality of sexual disorders. Unlike most books about sexual disorder, Better Late than Never is written from the point of view of a recovering addict, not a counselor or researcher. An inspirational book filled with adventure, hope, and divine truth, Better Late Than Never will encourage you to overcome your fears and weaknesses on the way to a more productive and meaningful life.
This book is concerned with an enigmatic set of experiences which theorists in the Object Relations tradition have characterised as regression to dependence, a return to a primitive, pre-verbal relational process presenting in some clients in psychotherapy. It highlights the effects of early infantile trauma resulting in the experience of failed dependency. Clients who present with chronic anxiety, relational failures and an inner emptiness are considered, and the opportunity for a therapeutic repair is explored with recommendations for the therapeutic stance being made. Written from an Integrative Psychotherapy perspective, it addresses the current absence of writing in the field from a relational / developmental viewpoint on concepts more usually addressed in psychoanalytic writing. The insights of Winnicott are particularly highlighted in relation to failed dependency and maternal failure. This work aims to offer a way forward to successfully work with this client group.
