Young Bethany has spent her entire life trying to be righteous and just in the eyes of the Lord. She has worked hard to please her Mama and to make sure she could live up to the trust Reverend Jones had put in her. Now Bethany's faith and life are put to the test as what she always thought was a stone-likeness of the Lord Jesus Christ decides it doesn't want to be up on that cross anymore! Can Bethany stop the Zombie Jesus before he brings the End of Days upon the Earth? With 11 other tales of horror and grotesquery! Ranging from deep space terror (Through The Last WH) to bedbug bizarro (All The Freaky Bedbugs Of The World) and dark horror fantasy (Leather Belts & Wooden Spoons), this collection has a little bit of something for all the warped minds in the world! Keywords: zombies, apocalypse, wormholes, military scifi, horror, dark fantasy, nightmares, aliens, vampires
Will fifty foot battle mechs be enough against hundreds of thousands of techno-zombies ready to wipe everything living off the scorched map that is the wasteland? Alliances are formed and broken, mech pilots are made and murdered, secrets are revealed and agendas destroyed, and thousands of bodies fall and rise again What began in the wasteland of DEAD MECH, continued alongside in Europe and Asia in The Americans, now has its epic conclusion in Metal and Ash! Reviews: “Wow wow wow!!!! I literally could not stop reading this book. Action packed all the way to the last page. I'm sad that it's over.”- Amy, Goodreads review “A great end to the Apex series.”- Matt, Goodreads review “To start in, this was the best of the 3 books. Hands down, I felt that as a whole, this last book was the real prize.”- Bex, Goodreads review Keywords: zombies, mech, post-apocalyptic, mecha, wasteland, apocalypse, science fiction, undead, mechs, scifi, action/adventure, military, armor, power armor, cyberpunk, technothriller, post-apocalypse, techno-zombies Key Phrases: the walking dead, apocalyptic fiction, apocalyptic books, post-apocalypse books, zombie apocalypse weapons, mech warrior, battletech, post-apocalyptic books, post-apocalyptic fiction, post-apocalyptic collection, zombie apocalypse survival kit, zombie apocalypse books, battle machine books, military science fiction kindle books, technothriller books, military scifi books Other books by Jake Bible: By Series: Roak: Galactic Bounty Hunter Series The Z-Burbia Series The Mega/Team Grendel Thrillers The Flipside Sagas Max Rage: Intergalactic Badass! Black Box Inc. Series Dead Mech/The Apex Trilogy The Salvage Merc One Series Fighting Iron Series Dead Team Alpha Series The AntiBio Series The Kaiju Winter Series Reign of Four By Genre: Science Fiction- Roak: Galactic Bounty Hunter Series Max Rage: Intergalactic Badass! The Flipside Sagas The Salvage Merc One Series Drop Team Zero Outpost Hell Galactic Vice Agent Prime Dead Mech/The Apex Trilogy Fighting Iron Series Mech Corps Reign of Four The AntiBio Series In Perpetuity Thriller/Action/Adventure- Max Rage: Intergalactic Badass! The Mega/Team Grendel Thrillers The Flipside Sagas Blood Cruise Agent Prime Galactic Vice Post-Apocalyptic- The Z-Burbia Series Dead Team Alpha Series Dead Mech/The Apex Trilogy EverRealm Fighting Iron Series The AntiBio Series The Kaiju Winter Series Zombies!- The Z-Burbia Series Dead Team Alpha Series Dead Mech/The Apex Trilogy EverRealm Horror- The Z-Burbia Series Blood Cruise Stone Cold Bastards Fantasy/Urban Fantasy/Dark Fantasy- Black Box Inc. Series Stone Cold Bastards EverRealm YA/MG Novels- ScareScapes! (middle grade scifi adventure Intentional Haunting (2014 Bram Stoker Award Finalist- YA horror) Little Dead Man (YA zombie apocalypse)
The films of John Carpenter cover a tremendous range and yet all bear his clear personal stamp. From the horrifying (Halloween) to the touching (Starman) to the controversial (The Thing) to the comic (Big Trouble in Little China), his films reflect a unique approach to filmmaking and singular views of humanity and American culture. This analysis of Carpenter's films includes a historical overview of his career, and in-depth entries on each of his films, from 1975's Dark Star to 1998's Vampires. Complete cast and production information is provided for each. The book also covers those films written and produced by Carpenter, such as Halloween II and Black Moon Rising, as well as Carpenter's work for television. Appendices are included on films Carpenter was offered but turned down, the slasher films that followed in the wake of the highly-successful Halloween, the actors and characters who make repeated appearances in Carpenter's films, and ratings for Carpenter's work. Notes, bibliography, and index are included.
According to legend, the Virgin appeared one Christmas Eve to an artless young man standing in one of Constantinople's most famous Marian shrines. She offered him a scroll of papyrus with the injunction that he swallow it, and following the Virgin's command, he did so. Immediately his voice turned sweet and gentle as he spontaneously intoned his hymn "The Virgin today gives birth." So was born the career of Romanos the Melodist (ca. 485-560), one of the greatest liturgical poets of Byzantium, author of at least sixty long hymns, or kontakia, that were chanted during the night vigils preceding major feasts and festivals. In The Virgin in Song, Thomas Arentzen explores the characterization of Mary in these kontakia and the ways in which the kontakia echoed the cult of the Virgin. He focuses on three key moments in her story as marked in the liturgical calendar: her encounter with Gabriel at the Annunciation, her child's birth at Christmas, and the death of her son on Good Friday. Consistently, Arentzen contends, Romanos counters expectations by shifting emphasis away from Christ himself to focus on Mary—as the subject of the erotic gaze, as a breastfeeding figure of abundance and fertility, and finally as an authoritatively vocal woman who conveys the secrets of her son and the joys of the resurrection. Through his hymns, Romanos inspired an affective relationship between Mary and his audience, bringing the human and the holy into dialogue. By plumbing her emotional depths, the poet traces her process of understanding as she apprehends the mysteries that she embodies. By giving her a powerful voice, he grants subjectivity to a maiden who becomes a mediator. Romanos shaped a figure, Arentzen argues, who related intimately to her flock in a formative period of Christian orthodoxy.
Oral history and essays about the weird and wild B-movies screened at Austin's Alamo Drafthouse cinemas, and how the series later grew into today's American Genre Film Archive.
It was just a bit of fun, a local legend. The Devil's Footsteps: thirteen stepping stones, and whichever one you stopped on in the rhyme could predict how you would die. A harmless game for kids - and nobody ever died from a game. But it's not a game to Bryan. He's seen the Dark Man, because the Dark Man took his brother five years ago. He's tried to tell himself that it was his imagination, that the Devil's Footsteps are just stones and the Dark Man didn't take Adam. But Adam's still gone. And then Bryan meets two other boys who have their own unsolved mysteries. Someone or something is after the children in the town. And it all comes back to the rhyme that every local child knows by heart: Thirteen steps to the Dark Man's door, Won't be turning back no more . . .
SONS OF ANARCHY meets DAWN OF THE DEAD in this Post-Apocalyptic Thriller of a world gone mad. Wasteland Vikings raid the open roads as cannibal corpses roam the city streets.Romeo and Cisco are members of the Calaveras motorcycle club, who make their stand behind the barbed wire walls of their Texas compound. Cisco is hearing disembodied voices and re-writing the Gospel of Thomas in a tattered notebook while Romeo is seeing visions of Jesus as Armageddon washes across the world. Survivors of the plague must convert or die as vampires who serve the King in Yellow sweep across the land.The two prophets leave the safety of their biker fortress and set out across a post-apocalyptic landscape full of cannibal zombies, psychotic marauders, and biblical plagues while searching for the undead Lamb of God. To reach him they must defeat the Four Horsemen of the Apocalypse, who have taken physical form and roam the American Southwest as twisted riders.
Claire Redfield’s desperate search for her missing brother leads her to a remote island, where a mad genius has unleashed every grotesque creature at his disposal to stop her from interfering with his horrific agenda. Meanwhile, Chris Redfield has been fighting a one-man war against Umbrella’s creations... and is now on a collision course with the man who betrayed the S.T.A.R.S. in Raccoon City.
Pamela Gillilan was born in London in 1918, married in 1948 and moved to Cornwall in 1951. When she sat down to write her poem Come Away after the death of her husband David, she had written no poems for a quarter of a century. Then came a sequence of incredibly moving elegies. Other poems followed, and two years after starting to write again, she won the Cheltenham Festival poetry competition. Her first collection That Winter (Bloodaxe, 1986) was shortlisted for the Commonwealth Poetry Prize.
