(Piano/Vocal/Guitar Artist Songbook). 16 songs from these perennial R&B and soul favorites. Includes: Between the Sheets * Fight the Power (Part 1) * Harvest for the World * Love the One You're With * Shout * This Old Heart of Mine (Is Weak for You) * Twist and Shout * and more.
A capacious and stimulating tour de force of the mainstream music industry that reveals the cultural import of even the most deliberately banal performers and songs. Weisbard finds depths in our culture s shallows as he investigates and articulates the cultural construction of such phenomena as Dolly Parton, Elton John, the Isley Brothers, A&M Records, and the rise of radio populism. He further sheds new light on the upheavals in the music industry over the last fifteen years and the implications of them for the audiences the industry has shaped. Each chapter brings us to see afresh precisely that music and those musicians that have become the most familiar and overexposed, by delving into the minutiae of how pop stars and their music were made and framed for repeated consumption in the era dominated by radio."
One Isley Brother’s daughter is a personal journey of one daughters experience growing up in a famous rock n roll family called the IsleyBrothers.I talk about what it was like going to my fathers and uncles concerts. The excitement, as well as the pressures of being a daughter and living the dream.I am writing for all the fans, to try and sooth their obsessions about ‘stars’ in general. To get them to see thatthe limelight isn’t always bright but could be a dark place. A place where you might not want to go. www.oneisleybrothersdaughter.com
Funk used to be a bad word. That was then. Now, funk is a pervasive style of music that has earned its rightful place alongside such other aural American art forms such as folk, blues, jazz and rock 'n roll. What's more, for those who free themselves, funk is a positive state of consciousness that brings together mind, body and soul in a quasi-spiritual experience of mesmerizing intensity. It took quite a while for funk to gain the respect it deserves. As with most other American music forms of the 20th century, funk remained a predominantly black phenomenon until the white public caught up and embraced it some 20 years after the fact. It had to survive the psychedelic 1960s, the disco 1970s and the new wave 1980s. This long-overdue book is a labor of love from a devout lifelong funk enthusiast. Everything Is on the One: The First Guide to Funk is designed to serve as an eye-opener for the uninitiated and as a reference guide for those already indoctrinated. The following pages thoroughly examine every aspect of funk through the inclusion of assorted text, reviews and lists. Everyone from J.B., Sly Stone and Hendrix to Clinton, Prince and the Red Hot Chili Peppers to Kool & the Gang and the Isley Brothers to the Bar-Kays and Slave to Run-D.M.C. and Dr. Dre to Stanley Clarke and Tom Browne to Muddy Waters and Stevie Ray Vaughan to the Talking Heads and Aerosmith is covered. There isn't really any specific formula for funk. But, you must have the right attitude and the music has to be on THE ONE. THE ONE stands for the first beat of standard four/four time in music (four counts per measure). Funk jumps on the first beat with a hard accent and then lays back in the groove for counts two through four. So just about everything in this book is on THE ONE. The content of this book is intended to be opinionated. It is designed to stimulate intelligent debate as to myriad topics that fall under the umbrella of funk. The objective is not to bash musical achievements or pursue character assassinations, but at the same time, measures are necessary to ensure the book's integrity. There are far too many music publications out there that find pandering to the industry and soft-pedaling issues seemingly unavoidable. This isn't one of them. By the same token, exceptional artists and outstanding work are given their just due. At this point, a word of caution is in order. Funk is extremely addictive and frequently results in an unquenchable desire to fill your ear hole with thumpin', bumpin', slammin', jammin' tunes. It can be an expensive habit, but always an immensely rewarding one. So slap your favorite jams into your stereo or iPod and read to the rhythmic rush while The First Guide of Funk does it to your eyeballs baby bobba!
In Listening to the Future, Bill Martin sets the scene for the emergence of progressive rock and examines the most important groups, from the famous to the obscure. He also surveys the pathbreaking albums and provides resources for readers to explore the music further. "Written with the insights of an academic, the authority of a musicologist, and—best of all—the passion of a true fan. Martin charts topographic oceans, courts crimson kings, does some brain salad surgery, and generally rocks out in 7/8 time." —Jim DeRogatis Sun-Times music critic
The poetic verses in this book express some of my beliefs on how faith in God can turn things around when dealing with life's ups and downs. I have shared these verses with many in the course of my duties as a spiritual counselor. I use many of them on a daily basis to remind people about the power of God and his word. Although they are original verses, they are spiritually inclined, inspired by the Bible. They are designed to provide courage and strength as we encounter life's trial and tribulations. This book is the result of the encouragement and inspiration he has received to publish his works. Elder Larry D. Harris was born in Matthews County, VA and at an early age moved to Gloucester County, VA where he attended public school. He obtained his GED at Atterbury Job Corp. in Edinburgh, IN. and then went to Brooklyn, NY to attend Erasmus School for the Gifted. While in New York City he performed with local bands such as Crown Heights Affair. Although he became a professional performing artist, he served in the Marine Corp., moonlighting as a commercial artist, singer and fashion designer. During college in Newport News, VA, he presented portraits to renowned individuals such as: John F. Kennedy; Jimmy Carter; Diana Ross; Lyndon B. Johnson; the Isley Brothers; Aretha Franklin; Mohammad Ali; Bishop S. Green and Elvis Presley. Ordained as Elder Larry D. Harris in June 1997, he founded Warpath Ministries, a telephone ministry, providing spiritual counseling; spreading the Word of God nationwide.
A photographic look into the world of vinyl record collectors—including Questlove—in the most intimate of environments—their record rooms. Compelling photographic essays from photographer Eilon Paz are paired with in-depth and insightful interviews to illustrate what motivates these collectors to keep digging for more records. The reader gets an up close and personal look at a variety of well-known vinyl champions, including Gilles Peterson and King Britt, as well as a glimpse into the collections of known and unknown DJs, producers, record dealers, and everyday enthusiasts. Driven by his love for vinyl records, Paz takes us on a five-year journey unearthing the very soul of the vinyl community.
"You have to bear in mind that [Questlove] is one of the smartest motherf*****s on the planet. His musical knowledge, for all practical purposes, is limitless." --Robert Christgau A punch-drunk memoir in which Everyone's Favorite Questlove tells his own story while tackling some of the lates, the greats, the fakes, the philosophers, the heavyweights, and the true originals of the music world. He digs deep into the album cuts of his life and unearths some pivotal moments in black art, hip hop, and pop culture. Ahmir "Questlove" Thompson is many things: virtuoso drummer, producer, arranger, Late Night with Jimmy Fallon bandleader, DJ, composer, and tireless Tweeter. He is one of our most ubiquitous cultural tastemakers, and in this, his first book, he reveals his own formative experiences--from growing up in 1970s West Philly as the son of a 1950s doo-wop singer, to finding his own way through the music world and ultimately co-founding and rising up with the Roots, a.k.a., the last hip hop band on Earth. Mo' Meta Blues also has some (many) random (or not) musings about the state of hip hop, the state of music criticism, the state of statements, as well as a plethora of run-ins with celebrities, idols, and fellow artists, from Stevie Wonder to KISS to D'Angelo to Jay-Z to Dave Chappelle to...you ever seen Prince roller-skate?!? But Mo' Meta Blues isn't just a memoir. It's a dialogue about the nature of memory and the idea of a post-modern black man saddled with some post-modern blues. It's a book that questions what a book like Mo' Meta Bluesreally is. It's the side wind of a one-of-a-kind mind. It's a rare gift that gives as well as takes. It's a record that keeps going around and around.