Quentin Tarantino’s long-awaited first work of fiction—at once hilarious, delicious and brutal—is the always surprising, sometimes shocking, novelization of his Academy Award winning film. RICK DALTON—Once he had his own TV series, but now Rick’s a washed-up villain-of-the week drowning his sorrows in whiskey sours. Will a phone call from Rome save his fate or seal it? CLIFF BOOTH—Rick’s stunt double, and the most infamous man on any movie set because he’s the only one there who might have got away with murder. . . . SHARON TATE—She left Texas to chase a movie-star dream, and found it. Sharon’s salad days are now spent on Cielo Drive, high in the Hollywood Hills. CHARLES MANSON—The ex-con’s got a bunch of zonked-out hippies thinking he’s their spiritual leader, but he’d trade it all to be a rock ‘n’ roll star.
Award-winning films and movies, plus those motion pictures that were critically acclaimed, plus some purely personal picks (or should I say, "pix"?) figure in this new movie book by acclaimed (but also disparaged) critic, John Howard Reid. (You can't win them all!)
Although we tend to accord our highest praise to films with strong messages, Hollywood is resolutely unserious in its goals, and closer perhaps to music than to literature in this regard. Thus, in order to appreciate Hollywood's classic movies, we have to understand them as the result of a style of filmmaking that justifies itself through the grace and beauty of its form. This beauty, when seen, challenges our notion of film as the poorer cousin of the high arts, or as worthwhile only when it serves a social purpose. The Hidden Art of Hollywood draws from a huge fund of recorded interviews with the directors, writers, cinematographers, set designers, producers, and actors who were a part of the studio process, in order to give the filmmakers themselves the chance to explain a very elusive phenomenon: the glancing beauty of the Hollywood film. While the greatness of the classic Hollywood film is, for many of us, settled business, there are also a great number who have difficulty understanding why these films—which can often seem dated and unrealistic compared to modern fare—are taken as seriously as they are. Although we tend to accord our highest praise to films with strong and often didactic messages, Hollywood is resolutely unserious in its goals, and closer perhaps to music than to literature in this regard. Thus, in order to appreciate classic American movies, we have to understand them as the result of a style of filmmaking that justifies itself not through ideas or social relevance, but through the grace and beauty of its form. The beauty of the Hollywood film challenges our notion of film as the poorer cousin of the high arts, or as worthwhile only when it serves a social purpose. In his effort to answer the many questions that classic American cinema suggests, author John Fawell considers previous criticism of Hollywood, but also draws from a huge fund of recorded interviews with the directors, writers, cinematographers, set designers, producers, and actors who were a part of the studio process, in order to give the filmmakers themselves the chance to explain a very elusive phenomenon: the glancing beauty of the Hollywood film. The films of certain great auteurs, including Charlie Chaplin, Ernst Lubitsch, Preston Sturges, Alfred Hitchcock, Billy Wilder, John Ford, and Orson Welles, receive particular attention here, but this book is organized by ideas rather than films or artists, and it draws from a wide array of Hollywood films, both successes and failures, to make its points.
A complete index to all the films reviewed in all 24 of the "Hollywood Classics" movie books, this massive final volume not only devotes 120 pages to the title index but also contains 212 pages of exhaustive details and comments on an additional 80 must-see films. This additional 80 includes such classics as "A Streetcar Named Desire", the 1937 "Prisoner of Zenda", the multi-award winning "All the King's Men", Alfred Hitchcock's "Vertigo", Henry King's "Tol'able David", Cecil B. DeMille's "The Ten Commandments", Byron Haskin's "The War of the Worlds", the Vivien Leigh and Robert Taylor "Waterloo Bridge", the Clark Gable and Jean Harlow "Red Dust", Ronald Colman's "If I Were King", the classic noir "Out of the Past", three versions of "Romeo and Juliet", and the delightful Claudette Colbert and James Stewart comedy, "It's a Wonderful World".
Great Hollywood Wit rollicks with hilarious movie lines and backstage zingers-smart, tart, and (in Sir John Gielgud's case) wicked: "Ingrid Bergman speaks five languages and can't act in any of them." Julia Roberts, fashion buff: "I only put clothes on so that I'm not naked when I go out shopping." Retiring Burt Reynolds: "You can only hold your stomach in for so many years." Great Hollywood Wit is an unequaled cavalcade of hilarity that you'll laugh through again and again. A wonderful one-of-a-kind gift.
A round-up of favorite westerns from "Aces and Eights" to "River of No Return," from "Colorado Sundown" to "Under California Stars," from "Big Calibre" to "The Yodellin' Kid from Pine Ridge." Featured stars include Gene Autry, Roy Rogers, Bill Boyd, Charles Starrett, Buck Jones, Hoot Gibson, Bob Steele, Rex Bell, Tex Ritter, Ken Maynard, Tim McCoy, Jack Perrin, Johnny Mack Brown, Robert Mitchum, Randolph Scott.
Gathered in this large volume paperback are some of Hollywood's best loved and most famous movies. In addition to the many film classics, however, the author has included a number of equally entertaining films that deserve to be better known. Many of these movies are now available on DVD. Full credits and detailed reviews are provided for over a hundred of these classic films. Over two hundred more movies are represented by short reviews. Many of the reviews contain DVD details. Of course, not all classic movies have surfaced on DVD to date, but they are being issued at the rate of around forty a month! If you love classic movies, this book will provide an invaluable guide to some of the enjoyable films that are now available (and also, of course, some of the disappointing films that you might wisely avoid).
More than 50 of Hollywood's most famous movies are examined in detail in this book, which provides full cast and production credits, release dates, background information, DVD suppliers, plus up-to-date assessments and reviews. This information not only covers almost everything you would want to know about some of your favorite movies, but guides you towards further classic films you might enjoy! To name just twenty of the more than fifty titles, they include An American in Paris, The Apartment, The Caine Mutiny, Casablanca, China Seas, Duck Soup, From Here To Eternity, Gone With The Wind, The Greatest Show On Earth, If I Had a Million, In Old Chicago, It Happened One Night, Laura, Out of the Past, The Palm Beach Story, the Picture of Dorian Gray, A Place in the Sun, two versions of State Fair, The Wizard of Oz, Wonder Bar, and Yankee Doodle Dandy.
