This book, whose title references the epitaph on Marcel Duchamp's tombstone, is based on a conversation held in Rome on January 19, 2014, between E. Fantin, L. Negro, G. Norese, C. Pietroiusti, L. Presicce, M. Pellegrini, R. Tenace, C. Pecchioli, D. Ricco, G. Marinelli, S. Alberani, I. Coppola, S. Ciracì, L. Batacchi, L. Musacchio, M. Benincasa and C. Christov-Bakargiev.This artist's book is an exploration of the topic of death by the Italian artists collective Lu Cafausu, encompassing both past projects and new plans, the result of meetings with old and new companions.
Revised edition of the best-selling memoir that has been read by over a million people worldwide with translations in 29 languages. After too many years of unfulfilling work, Bronnie Ware began searching for a job with heart. Despite having no formal qualifications or previous experience in the field, she found herself working in palliative care. During the time she spent tending to those who were dying, Bronnie's life was transformed. Later, she wrote an Internet blog post, outlining the most common regrets that the people she had cared for had expressed. The post gained so much momentum that it was viewed by more than three million readers worldwide in its first year. At the request of many, Bronnie subsequently wrote a book, The Top Five Regrets of the Dying, to share her story. Bronnie has had a colourful and diverse life. By applying the lessons of those nearing their death to her own life, she developed an understanding that it is possible for everyone, if we make the right choices, to die with peace of mind. In this revised edition of the best-selling memoir that has been read by over a million people worldwide, with translations in 29 languages, Bronnie expresses how significant these regrets are and how we can positively address these issues while we still have the time. The Top Five Regrets of the Dying gives hope for a better world. It is a courageous, life-changing book that will leave you feeling more compassionate and inspired to live the life you are truly here to live.
From ancient Egypt to today, enjoy a sweeping survey of world history through its most memorable words in this completely revised and updated nineteenth edition. More than 150 years after its initial publication, Bartlett’s Familiar Quotations now enters its nineteenth edition. First compiled by John Bartlett, a bookseller in Cambridge, Massachusetts, as a commonplace book of only 258 pages, the original 1855 edition mainly featured selections from the Bible, Shakespeare, and the great English poets. Today, Bartlett’s includes more than 20,000 quotes from roughly 4,000 contributors. Spanning centuries of thought and culture, it remains the finest and most popular compendium of quotations ever assembled. While continuing to draw on timeless classical references, this edition also incorporates more than 3,000 new quotes from more than 700 new sources, including Alison Bechdel, Ta-Nehisi Coates, Pope Francis, Atul Gawande, Ruth Bader Ginsburg, Hilary Mantel, Lin-Manuel Miranda, Claudia Rankine, Fred Rogers, Bernie Sanders, Patti Smith, and Malala Yousafzai. Bartlett’s showcases the thoughts not only of renowned figures from the arts, literature, politics, science, sports, and business, but also of otherwise unknown individuals whose thought-provoking ideas have moved, unsettled, or inspired readers and listeners throughout the ages. Bartlett’s makes searching for the perfect quote easy in three ways: alphabetically by author, chronologically by the author’s birth date, or thematically by subject. Whether one is searching for appropriate remarks for a celebration, comforting thoughts for a serious occasion, or simply to answer the question “Who said that?” Bartlett’s offers readers and scholars alike a stunning treasury of words that have influenced
Consider this edition your personal Parisian address directory for the renowned that have historically shaped France and the world. This illustrated guide transports you geographically and photographically to famous residences formerly occupied by historical leaders, noteworthy figures, revolutionaries, famous writers, performers, composers and visual artists. It is your map of the stars within Paris with profiles framing the unique impact and background of the occupants. Known and unknown history, hidden delights and fascinating stories pervade the history of Paris. This kaleidoscope of discovery, personalities, egos, scandals, conflict framed by sheer beauty creates a vivid tapestry defining over two millenniums. You may imagine that you already know Paris, but that view is solely a prism of the whole. Many of the narratives defy believability, yet they are true. This Famous Historic Guide is your alternative to conventional travel. It accommodates the restless visitor, tourist and resident seeking a unique and different perspective to traditional tourism. Paris remains one of the most beguiling, seductive and enchanting cities of the world. Its famed personalities are as statuesque and substantial as its iconic monuments. HISTORICAL FIGURES: Joan of Ark, Nicholas Flamel, Diane de Poitiers, Queen Margot of Navarre, Cardinal Richelieu, Marquises of Montespan and Maintenon, Madame du Barry, Benjamin Franklin, Marquis de Lafayette, Thomas Jefferson, Jacques Necker, Marie Le Normand, Eugene Vidocoq, Duke de Praslin, Napoleon III, La Paiva, Otto von Bismarck, Madame Claude, George Boulanger, Coco Chanel, Francois Mitterrand, Charles Parnell, Jacques Verges. John Adams, Karl Lagerfeld and Samuel de Champlain. BONAPARTE ERA: Napoleon Bonaparte, Desiree Clary, Empress Josephine, Charles Maurice de Talleyrand, James Monroe, Pauline Bonaparte, Louis Bonaparte and the Duke of Wellington. THINKERS/PHILOSOPHERS/WRITERS: Rene Descartes, Jean-Jacques Rousseau, Voltaire, Marquis de Sade, Thomas Paine, Andre Chenier, Honore de Balzac, Victor Hugo, Emile Zola, Oscar Wilde, Colette, Sylvia Beach, Simone de Beauvoir, Albert Camus, Jean-Paul Sartre, Alexandre Dumas, Alexis de Tocqueville, Alfred de Musset, Alphonse Daudet, Andre Breton, Andre Malraux, Guillaume Apollinaire, Arthur Rambeau, Blaise Pascal, Charles Baudelaire, Theophile Gautier, Duke of Saint Simon, Ernest Hemingway, Vicomte de Chateaubriand, Ezra Pound, Francoise Sagan, F. Scott Fitzgerald, George Sand, Gertrude Stein, Gustave Flaubert, Heinrich Heine, Ivan Turguenev, James Baldwin, James Joyce, Jean Cocteau, Leo Tolstoy, Jules Verne, Marcel Proust, Stendhal and PERFORMANCE ARTS: Moliere, Pierre Beaumarchais, Gioachino Rossini, Frederick Chopin, Franz Liszt, Richard Wagner, Hector Berlioz, Jacques Offenbach, Sarah Bernhardt, George Bizet, Jean Sibelius, Isadora Duncan, Josephine Baker, Edith Piaf, Jacques Tati, Brigitte Bardot, Francois Truffaut, Jeanne Moreau, Serge Gainsbourg, George Moustaki, Dalida, Alain Delon and Jim Morrison, VISUAL ARTS: Jacques-Louis David, Auguste Rodin, Theo van Gough, Henri Toulouse-Lautrec, Pablo Picasso, Alberto Giacometti, Alfonse Mucha, Amedeo Modigliani, Andre Masson, Constantin Brancusi, Camille Claudel, Edgar Degas, Eugene Delacroix, Jean-Baptiste Corot, Claude Monet, Francis Bacon, Gustave Dore, Gustave Moreau, Henri Matisse, Honore Daumier, Jean Renoir, Joan Miro, Kiki de Montparnasse, Man Ray, Yves Klein, Marc Chagall, Marcel Duchamp and Paul Gauguin, REVOLUTIONARIES: Count Mirabeau, Georges Danton, Camille Desmoulins, Maximilien Robespierre, Pierre-Joseph Proudhon, Karl Marx, Friedrich Engels, Vladimir Lenin, Leon Trotsky, Ho Chi Minh and Jean-Paul Marat.
In Life-Destroying Diagrams, Eugenie Brinkema brings the insights of her radical formalism to bear on supremely risky terrain: the ethical extremes of horror and love. Through close readings of works of film, literature, and philosophy, she explores how diagrams, grids, charts, lists, abecedaria, toroids, tempos, patterns, colors, negative space, lengths, increments, and thresholds attest to formal logics of torture and cruelty, violence and finitude, friendship and eros, debt and care. Beginning with a wholesale rethinking of the affect of horror, orienting it away from entrenched models of feeling toward impersonal schemes and structures, Brinkema moves outward to consider the relation between objects and affects, humiliation and metaphysics, genre and the general, bodily destruction and aesthetic generation, geometry and scenography, hatred and value, love and measurement, and, ultimately, the tensions, hazards, and speculative promise of formalism itself. Replete with etymological meditations, performative typography, and lyrical digressions, Life-Destroying Diagrams is at once a model of reading without guarantee and a series of generative experiments in the writing of aesthetic theory.
MACHINE OF DEATH tells thirty-four different stories about people who know how they will die. Prepare to have your tears jerked, your spine tingled, your funny bone tickled, your mind blown, your pulse quickened, or your heart warmed. Or better yet, simply prepare to be surprised. Because even when people do have perfect knowledge of the future, there's no telling exactly how things will turn out.
Set in Paris on the eve of World War II, the novel draws upon Simone de Beauvoir's relationship with Jean-Paul Sartre, and the affair that almost destroyed it.
