Christianity and Confucianism: Culture, Faith and Politics, sets comparative textual analysis against the backcloth of 2000 years of cultural, political, and religious interaction between China and the West. As the world responds to China's rise and China positions herself for global engagement, this major new study reawakens and revises an ancient conversation. As a generous introduction to biblical Christianity and the Confucian Classics, Christianity and Confucianism tells a remarkable story of mutual formation and cultural indebtedness. East and West are shown to have shaped the mind, heart, culture, philosophy and politics of the other - and far more, perhaps, than either knows or would want to admit. Christopher Hancock has provided a rich and stimulating resource for scholars and students, diplomats and social scientists, devotees of culture and those who pursue wisdom and peace today.
When the Eternal Can Be Met excavates the philosophy behind the theology of the twentieth century's most prominent Christian writers: C. S. Lewis, T. S. Eliot, and W. H. Auden. These three literary giants converted to Christianity within little more than a decade of one another, and interestingly, all three theological authors turned to the theme of time. All three authors also came to remarkably similar conclusions about time, positing that the temporal present moment allowed one to meet the eternal. Decades before Lewis, Eliot, and Auden sought to creatively construct a fictive or poetic theology of time, the prominent philosopher Henri Bergson wrote about time's power to transform an individual's emotional and spiritual state, a theory well known by Lewis, Eliot, and Auden. When the Eternal Can Be Met argues that one cannot fully understand Lewis, Eliot, and Auden's theology of time without understanding Bergson's theories. From the secular philosophy of Bergson dawned the most important works of literary theology and treatments of time of the twentieth century, and in the Bergson-influenced literary constructs of Lewis, Eliot, and Auden, a common theological articulation sounds out--time present is where humans meet God.
Ezra Pound belatedly conceded that T.S.Eliot "was the true Dantescan voice" of the modern world. With this assertion in mind, this study examines the relationship between the two poets. It attempts to show how Dante's total vision impinges on Eliot's craft and thought.
Drawing on the latest scholarship and criticism, this volume provides an authoritative, accessible introduction to T. S. Eliot's complete oeuvre. It extends the focus of the original 1994 Companion, addressing issues such as gender and sexuality and challenging received accounts of his at times controversial critical reception.
In late 1910, after graduating from Harvard with a master’s degree in philosophy, the young T. S. Eliot headed across the Atlantic for a year of life and study in France, a country whose poets had already deeply affected his sensibility. His short year there was to change him even more decisively, as he rubbed up against the artistic, philosophical, psychological and political currents of early-century Paris. The absorbent mind of Eliot – as shaped by what he later termed “the mind of Europe” – was a node in this interlocking grid of influences. As there is no understanding T. S. Eliot without considering the impact of French art and thought on his development, this volume serves both as a centennial commemoration of Eliot’s year in Paris and as a reconsideration of the role of France and, more widely, Europe, as they bore on his growth as an artist and critic. Most scholarship on Eliot and France has focused on Eliot’s relationship to the nineteenth-century Symbolists and to the philosophy of Henri Bergson. This old frame of reference is broken apart in favor of a much wider field that still takes Paris as its center but reaches across national borders. The volume is divided into two overlapping sections: the first, “Eliot and France,” focuses on French authors and trends that shaped Eliot and on the personal experiences in Paris that are legible in his artistic development. The second section, “Eliot and Europe,” situates Eliot in a broader matrix, including Anglo-French literary theory, evolutionary sociology, and German influences. Contributors include several highly respected names in the field of modernist studies – including Jean-Michel Rabaté, Jewel Spears Brooker, and Joyce Wexler – as well as a number of well-established Eliot scholars. Reflecting multiple perspectives, this volume does not offer a single, revisionist take on French and European influence in Eliot’s work. Rather, it circles back to familiar territory, deepening and complicating the accepted narratives. It also opens up new veins of inquiry from unexpected sources and understudied phenomena, drawing on the recently published letters and essays that are currently remapping the field of Eliot studies.
Over the past few decades, there has been a renewal of scholarly interest in the work of Henri Bergson (1859–1941). At once a commentary and a stark re-evaluation of Bergson’s philosophy, Updating Bergson: A Philosophy of the Enduring Present argues that time should be thought of as a hierarchy of simultaneous durations, the shifting reality of which can be revealed by the philosophical method of intuition. A duration is a perpetually dynamic flow situated in the now. Put simply, for Bergson, change is the substance of things. Nothing exists apart from alteration. Adam Lovasz analyzes Bergson’s philosophy of time, encompassing the three basic types of duration—material, organic, and subjective—and also touches on themes such as relativity, evolution, the problem of materialism and idealism, and the topic of free will. Lovasz connects key questions addressed by Bergson to contemporary scientific debates and paradigms. Shedding new light on the various aspects of Bergson's philosophy, this book is both a provocation and an invitation to think in terms of the enduring present, rather than committing ourselves to a dead past or an absent future.
Mary Ann Gillies shows that French philosopher Henri Bergson played a central role in the development of British literary modernism. While Bergson's influence on modernism has long been debated, this is the first thorough, current examination of the ways
What principles connect—and what distinctions separate—“The Love Song of J. Alfred Prufrock,” The Waste Land, and Four Quartets? The thought-tormented characters in T. S. Eliot’s early poetry are paralyzed by the gap between mind and body, thought and action. The need to address this impasse is part of what drew Eliot to philosophy, and the failure of philosophy to appease his disquiet is the reason he gave for abandoning it. In T. S. Eliot’s Dialectical Imagination, Jewel Spears Brooker argues that two of the principles that Eliot absorbed as a PhD student at Harvard and Oxford were to become permanent features of his mind, grounding his lifelong quest for wholeness and underpinning most of his subsequent poetry. The first principle is that contradictions are best understood dialectically, by moving to perspectives that both include and transcend them. The second is that all truths exist in relation to other truths. Together or in tandem, these two principles—dialectic and relativism—constitute the basis of a continual reshaping of Eliot’s imagination. The dialectic serves as a kinetic principle, undergirding his impulse to move forward by looping back, and the relativism supports his ingrained ambivalence. Brooker considers Eliot’s poetry in three blocks, each represented by a signature masterpiece: “The Love Song of J. Alfred Prufrock,” The Waste Land, and Four Quartets. She correlates these works with stages in the poet’s intellectual and spiritual life: disjunction, ambivalence, and transcendence. Using a methodology that is both inductive—moving from texts to theories—and comparative—juxtaposing the evolution of Eliot’s mind as reflected in his philosophical prose and the evolution of style as seen in his poetry—Brooker integrates cultural and biographical contexts. The first book to read Eliot’s poems alongside all of his prose and letters, T. S. Eliot’s Dialectical Imagination will revise received readings of his mind and art, as well as of literary modernism.
