Ben Shahn's American Scene

Ben Shahn's American Scene

Author: John Raeburn

Publisher: University of Illinois Press

Published: 2024-04-22

Total Pages: 333

ISBN-13: 0252056183

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The paintings, murals, and graphics of Ben Shahn (1898-1969) have made him one of the most heralded American artists of the twentieth century, but during the 1930s he was also among the nation's premier photographers. Much of his photographic work was sponsored by the New Deal's Farm Security Administration, where his colleagues included Dorothea Lange and Walker Evans. Ben Shahn's American Scene: Photographs, 1938 presents one hundred superb photographs from his most ambitious FSA project, a survey of small-town life in the Depression. John Raeburn's accompanying text illuminates the thematic and formal significance of individual photographs and reveals how, taken together, they address key cultural and political issues of the years leading up to World War II. Shahn's photographs highlight conflicts between traditional values and the newer ones introduced by modernity as represented by the movies, chain stores, and the tantalizing allure of consumer goods, and they are particularly rich in observation about the changes brought about by Americans' universal reliance on the automobile. They also explore the small town's standing as the nation's symbol of democratic community and expose the discriminatory social and racial practices that subverted this ideal in 1930s America.


Ben Shahn's New Deal Murals

Ben Shahn's New Deal Murals

Author: Diana L. Linden

Publisher: Wayne State University Press

Published: 2015-10-15

Total Pages: 185

ISBN-13: 0814339840

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A study of Ben Shahn’s New Deal murals (1933–43) in the context of American Jewish history, labor history, and public discourse. Lithuanian-born artist Ben Shahn learned fresco painting as an assistant to Diego Rivera in the 1930s and created his own visually powerful, technically sophisticated, and stylistically innovative artworks as part of the New Deal Arts Project’s national mural program. InBen Shahn’s New Deal Murals: Jewish Identity in the American Scene author Diana L. Linden demonstrates that Shahn mined his Jewish heritage and left-leaning politics for his style and subject matter, offering insight into his murals’ creation and their sometimes complicated reception by officials, the public, and the press. In four chapters, Linden presents case studies of select Shahn murals that were created from 1933 to 1943 and are located in public buildings in New York, New Jersey, and Missouri. She studies Shahn’s famous untitled fresco for the Jersey Homesteads—a utopian socialist cooperative community populated with former Jewish garment workers and funded under the New Deal—Shahn’s mural for the Bronx Central Post Office, a fresco Shahn proposed to the post office in St. Louis, and a related one-panel easel painting titled The First Amendment located in a Queens, New York, post office. By investigating the role of Jewish identity in Shahn’s works, Linden considers the artist’s responses to important issues of the era, such as President Roosevelt’s opposition to open immigration to the United States, New York’s bustling garment industry and its labor unions, ideological concerns about freedom and liberty that had signifcant meaning to Jews, and the encroachment of censorship into American art. Linden shows that throughout his public murals, Shahn literally painted Jews into the American scene with his subjects, themes, and compositions. Readers interested in Jewish American history, art history, and Depression-era American culture will enjoy this insightful volume.


Ben Shahn

Ben Shahn

Author: Frances Kathryn Pohl

Publisher: Pomegranate

Published: 1993

Total Pages: 180

ISBN-13: 1566403138

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BEN SHAHN offers a comprehensive look at the art work of one of the leading social realists of our time. The book includes pieces done in the 1930s depicting the effects of the Depression, urban decay, labor strikes & poverty. Brilliant posters created for the Office of War Information during World War II describe Shahn's work in the 1940s. The book explores the artist's post-war transition from a social realism to a "personal realism," employing allegory & symbolism. Through discussions of his political views, his struggles to maintain artistic integrity, as well as through selections of Shahn's own writings, the author weaves a compelling portrait of the man & his work. BEN SHAHN includes an extensive bibliography. Other Pomegranate books dedicated to twentieth-century American artists: CHILDE HASSAM'S NEW YORK, by Ilene Susan Fort, ISBN 1-55640-317-0, $21.95; EDWARD HOPPER'S NEW ENGLAND, by Carl Little, ISBN 1-55640-315-4, $21.95; & STEWARD DAVIS'S ABSTRACT ARGOT, by William Wilson, ISBN 1-55640-316-2.


The Shape of Content

The Shape of Content

Author: Ben Shahn

Publisher: Harvard University Press

Published: 1957

Total Pages: 148

ISBN-13: 9780674805705

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"A modern painter discusses meaning and form in contemporary painting and offers advice to aspiring artists."--


Common Man, Mythic Vision

Common Man, Mythic Vision

Author: Susan Chevlowe

Publisher:

Published: 1998

Total Pages: 194

ISBN-13: 9780691004075

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A survey of the long and varied career of the great American Social Realist painter Ben Shahn, featuring striking reproductions of paintings, begins with his well-known Depression-era works and goes on to include an appreciation of his lesser-known later paintings. UP.


American Modern: Hopper to O'Keeffe

American Modern: Hopper to O'Keeffe

Author: Esther Adler

Publisher: The Museum of Modern Art

Published: 2013-08-11

Total Pages: 145

ISBN-13: 087070852X

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The Museum of Modern Art is known for its prescient focus on the avant-garde art of Europe, but in the first half of the twentieth century it was also acquiring work by Stuart Davis, Georgia O’Keeffe, Charles Sheeler, Alfred Stieglitz, and other, less well-known American artists whose work sometimes fits awkwardly under the avant garde umbrella. American Modern presents a fresh look at MoMA’s holdings of American art from that period. The still lifes, portraits, and urban, rural, and industrial landscapes vary in style, approach, and medium: melancholy images by Edward Hopper and Andrew Wyeth bump against the eccentric landscapes of Charles Burchfield and the Jazz Age sculpture of Elie Nadelman. Yet a distinct sensibility emerges, revealing a side of the Museum that may surprise a good part of its audience and throwing light on the cultural preoccupations of the rapidly changing American society of the day.


American Artists Against War, 1935 2010

American Artists Against War, 1935 2010

Author: David McCarthy

Publisher: Univ of California Press

Published: 2015-07-07

Total Pages: 258

ISBN-13: 0520286707

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Artists against war and fascism -- Doom -- End your silence -- A network of artist/activists -- Not in our name.


Gatecrashers

Gatecrashers

Author: Katherine Jentleson

Publisher: University of California Press

Published: 2020-04-07

Total Pages: 264

ISBN-13: 0520303423

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After World War I, artists without formal training “crashed the gates” of major museums in the United States, diversifying the art world across lines of race, ethnicity, class, ability, and gender. At the center of this fundamental reevaluation of who could be an artist in America were John Kane, Horace Pippin, and Anna Mary Robertson “Grandma” Moses. The stories of these three artists not only intertwine with the major critical debates of their period but also prefigure the call for inclusion in representations of American art today. In Gatecrashers, Katherine Jentleson offers a valuable corrective to the history of twentieth-century art by expanding narratives of interwar American modernism and providing an origin story for contemporary fascination with self-taught artists.