When Mrs Gaia Champion hosts her first supper after the untimely death of her adored husband Hercules, the meal goes sadly awry. Enter gay hero Bellerophon “Belle” Nash: city councillor, grandson of Bath’s original Master of Ceremonies Beau Nash, and bachelor extraordinaire. Assisted by a group of eccentric lady friends, Belle sets out to explore Gaia’s culinary mishap, only to expose a web of corruption that goes to the heart of Regency Bath’s judicial system. In doing so, he struggles to retain the commitment of his German “cousin”, and Princess Victoria—not yet Queen—persuades Gaia that all women can defeat the bonds of male repression. Welcome to The Gay Street Chronicles!
David Tereshchuk leapt from an unpromising childhood in a small town on the English-Scottish borders to a precocious high-flying career as a TV journalist, first in London, then New York. During his working life, he has managed to extract revealing answers from tyrants and the oppressed, but never managed to coax his mother into admitting who his father was, even after her revelation to him, when he was in his 50s, that she had been raped, aged 15, by a priest. Alongside his career, the search for his mother’s abuser has haunted him, adding further layers of stress to a life already marked by alcoholism and insecurity. This is his astonishing story, and one that deserves to sit alongside those of Tom Brokaw, Peter Jennings and David Brinkley. A compelling addition to EnvelopeBooks' "Media" and "Memoir" titles.
Chris Hilton went to Havana in the early 2000s to escape the drudgery of everyday life in England—and, boy, did he escape it. Suddenly he found himself mixed up with a variety of gangland chancers, some Cuban, one British, all living on the edge of legality. There was always a risk of their money-making schemes getting rumbled by the police but that’s what made it so compelling: the chance, the risk. Office life this wasn’t. And then there was Jamilia—a refugee from rural poverty, who’d come to the big city as a teenager, and been rescued from the streets by an unnerving family of small-time criminals. “A little crazy is good,” Jamilia tells Chris—and a little crazy they become, living hard, loving hard and putting back a deal of Cuban rum. But how long can craziness last? And what happens when good fortune turns to bad?
ill Baami ever stop beating up his wife and become a commissioner? Will Ezinne ever go on a date with Chibuzor, Segun's answer to Cristiano Ronaldo? Will Oladayo always be bullied by Benjamin, the corrupt politician's son? Will Musa's friends Maryam and Kabiru survive Boko Haram's attack on their village? The life of the underprivileged, whether in urban Lagos or in the countryside in northern Nigeria, is always desperate and provisional. In this collection of twelve short stories, Tunde Ososanya exposes the challenges of daily life and the efforts of ordinary people to aspire in the face of overwhelming odds. There are distractions. Humour is one, observed in the audacity of conmen who ride the yellow danfo buses. Magic is another, in the spirit world that Mr Benson asks his Literature-in-English students to write about. But the most immediate is always sex, the ultimate escape. Twelve stories about invisible heroes, each fighting the tragedy of modern Nigeria in their own way.
Professor Arthur Lash, born Artur Lasch in pre-war Austria, takes his American wife and their three sons back to Vienna, in 1960, to see how well his father is rebuilding his life after regaining the factory stolen from him when Austria was annexed by Nazi Germany in 1938. For Arthur, the journey helps him re-establish his links with the city he was brought up in; for the rest of his family, their European holiday triggers emotions of a very different kind—secret longings, near disasters and absurd mishaps—all disruptive in different ways, and all watched over by their wise but needy and uninvited travelling companion, Mrs. Woodbine, the family nanny. A masterly piece of writing.
Gay hero Bellerophon "Belle" Nash sets out with a group of eccentric lady friends to explore a culinary mishap, only to expose a web of corruption at the heart of Regency Bath.
All roads lead to the Celestial City and when schoolmaster Po Cheng drinks too much and falls into a dream, he finds himself on just such a road. Assisted by teaching colleague Miss Ling, Po Cheng reaches the imperial capital, rising up through the giddy ranks of the Chinese civil service to become Prime Minister. Good fortune appears endless, not least when Miss Ling reappears as an artist's model who has changed her name to Precious Pearl so she can pose in the Forest of Brushes Academy of Art without her parents finding out. But what Heaven--and alcohol--hand out, they can also claw back. Trouble is brewing inside and outside the city walls, and Po Cheng's eminence means he must now take the rap and face consequences inevitable from the start. Mustard Seed Itinerary is a brilliant first novel by an important new voice, bringing to the formal conventions of traditional Chinese literature the wry humour of Carrollian satire. As Mullen says, 'In Daoism and Buddhism, dream journeys serve as voyages of discovery from which only a blockhead would return none the wiser. And Po Cheng is no blockhead.'
Michael Holman's eye-witness reports on the state of sub-Saharan Africa for the Financial Times and other media provide rare insights into the region's post-independence successes and setbacks. From his accounts of the atrocities committed by Rhodesian forces in the 1960s to his interviews with those who would lead Africa into its own future and assessments of how they actually performed--often in obituaries--Postmark Africa brings together a lifetime of running commentaries on a continent he grew up in, knows acutely and loves dearly. Written with the benefit of unique access, Holman's writings still hold out hope for Africa, in spite of decades of disappointment at the structural mismanagement of the nations themselves, the destructive policies of donor countries and other funders, and the hateful legacy of colonialism. Alexander McCall Smith: "If you want to see what a good man in Africa has done, read this book. It contains profound observations of real and lasting significance on virtually every page ..." John Githongo: "Throughout his career as a journalist and author, Michael has been a rebel with a clear cause. He has a seamless capacity to get under the African skin, and a ruthless insight for sniffing out what's working, even though it may not look it, and what's an utter waste of time, even though no one else will admit. He has brought this insight and unapologetic attitude in his quest for the truth to everything he has ever done, on and for Africa. All of it is informed by a deep sense of empathy for the land of his upbringing, warts and all, and a biting sense of humour ..." Malcolm Rifkind: "This book should be read by anyone who not only wants to know the history of central and southern Africa but to understand its people, black and white. They are a fine people and in Michael they have had an honest, articulate and worthy champion, as rigorous, objective and professional in this book as he was in his journalism as Africa Correspondent for the Financial Times. He has an energy and an eloquence in recording not just what he knows or has analysed but also what he feels to be the reality of his homeland's tragic experience both under white, colonial domination and the black-led governments that followed ..." Ed Balls: "Africa has no fiercer critic and no greater advocate than Michael Holman. Passionate, sometimes angry but also caring and often hilarious, Michael Holman once again delivers his trademark combination of beautiful prose and compelling story-telling. This book is both a delight and a tragic tale of hopes still unfulfilled ..."
A powerful novel about innocent faith and an abuse of trust Torn from his parents as a child, Stephen Mzamane is picked by the Anglican church to train at the Missionary College in Canterbury and then sent back to southern Africa’s Cape Colony to be a preacher. He is a brilliant success, but troubles stalk him: his unresolved relationship with his family and people, the condescension of church leaders towards their own native pastors in the 1870s, and That Woman—seen once in a photograph and never forgotten. And now he has to find his mother and take her a message that will break her heart. In this raw and compelling story, Marguerite Poland employs her massive experience as a writer and African linguist to recreate the polarised, duplicitous world of Victorian colonialism and its betrayal of the very people that it claimed to be enlightening.
